VOD Spotlight on Emory Cohen and Callan McAuliffe (BENEATH THE HARVEST SKY)April 23, 2014

VOD Spotlight on Emory Cohen and Callan McAuliffe (BENEATH THE HARVEST SKY)

BENEATH THE HARVEST SKY (Tribeca Film)

Casper (Emory Cohen, THE PLACE BEYOND THE PINES) and Dominic (Callan McAuliffe, THE GREAT GATSBY) have been fiercely loyal friends since childhood. Desperate for a way out of their quiet town on the Maine-Canada border, the boys make a pact to pool their earnings on a car and hit the road. But when Casper is drawn into drug smuggling with his outlaw father (Aidan Gillen, "The Wire," "Game of Thrones") to pay his share, their friendship is pushed to the brink and adult choices forced on them all too soon. A standout narrative debut from Aron Gaudet and Gita Pullapilly (THE WAY WE GET BY), BENEATH THE HARVEST SKY is a gripping coming-of-age thriller set against an authentic portrait of small-town American life.


A moving story like BENEATH THE HARVEST SKY deserves talented actors to bring its complex and authentic characters to life. Luckily Gaudet and Pullapilly found Emory Cohen and Callan McAuliffe, both of whom delivered amazing performances as the film’s main characters. I had the pleasure of interviewing the actors who shared their experiences on set and then some.

 

VOD Spotlight on Emory Cohen and Callan McAuliffe (BENEATH THE HARVEST SKY) 

 

On Demand Weekly (ODW): The filmmakers, Aron Gaudet and Gita Pullapilly, described this film as sort of their transition into fiction film from a documentary background. Would you say you noticed any differences in the way they worked toward authenticity compared to filmmakers who work purely in fiction?

Callan McAuliffe, Dominic (CM): I can’t tell if it was because of their background or if it was the nature of the film or if it was just generally a very different experience for me in terms of filmmaking, but it was a very unique process. That may come from that background, but I’ve never worked with documentary filmmakers before so I have no experience with that, but it was certainly a very different experience. 

 

Callan McAuliffe

 

ODW: I know they did extensive research on the area and the people living there, and a lot of the movie was based on the true stories they were told, how did this affect your preparation for the part?
Emory Cohen, Casper (EC):
We were up there for 3 weeks before we started shooting and we met some people who had done [the harvest] and they let us put that into the script too and sometimes we just threw the script away and improvised.

 

Emory Cohen

 

ODW: Which scene was the most memorable to shoot?
CM:
The scene that will stick with me for the rest of my life is the moose safari scene, just because it was such a wild ride literally and figuratively to shoot and I’ve never done anything of that kind before for a film - and there’s good reason for that (laughs). But it was an extraordinary experience and I’ll remember that for the rest of my life. Just chasing a moose down a road in the back of a flatbed truck, screaming and hollering in the middle of nowhere, it was wonderful.

 

ODW: You actually went out and chased a wild moose for that shot, is that right?

CM: Yep, we spent a few nights going out in the middle of the night into these massive cornfields and plantations. We went through the forest and along dirt roads and we went searching for a moose and we’d always find one but it would always be too far away or it would not be in a good position and then a couple of nights in a row we found one on the road and we managed to chase him down. Of course no “meese” were harmed.

 

ODW: Did either of you have difficulty relating to your characters’ very specific small town mindset or were you able to easily understand where they were coming from?
EC
: I think that in terms of the more general human themes that they were going through, that was something that was more universal, but that had to be filtered through this environment and a certain way of thinking and point of view on life and that was what being up in the county was all about.

 

ODW: Did you eat any blue potatoes while you were there?
EC:
Callan was turning his tongue blue, so he went to town. That and jolly ranchers are his jam.

 

ODW: Are they good?
CM:
They are, they’re very nice.

 

EC: And they’re blue!

 

ODW: Do you guys watch a lot of On Demand when you’re traveling or on a break?

EC: I do 

 

CM: Oh yeah on flights because I’m essentially in prison (laughs). I watch a lot of on demand films. That’s actually how I do a lot of my acting research and how I’ve seen most of the films that I talk about is because I spend so much time on planes and so on demand becomes my best friend I would say.

 

EC: I love seeing movies in the theater and everybody loves having the movies in the theater and that is its own experience but on demand and online options make films more accessible and there have been many films that I’ve seen on demand that I had no idea were even playing and I was able to watch them.

 

ODW: Do you watch a lot more movies than TV shows than or do you find yourself binging on series too?
EC:
 "True Detective" and "The Newsroom"!

 

CM: "Game of Thrones" and "Breaking Bad"!

 

"Game of Thrones" Aidan Gillen in BENEATH THE HARVEST SKY (Tribeca Film)

 

ODW: Are those your favorite shows right now?
CM:
I definitely binge on "Game of Thrones" when I can if I’ve missed a few episodes.

 

EC: Alright I’ll put it down… I love MTV’s "The Challenge", with the "Real World" and "Road Rules" contestants.

 

CM: I’ve never seen it.

 

EC: You’ve never seen it! It’s the 25th season… they have 25 seasons of this madness.

 

ODW: 25 seasons? You’ve watched all of them?
EC:
I don’t think I’ve watched all of them, but I’ve watched a lot of them.

 

ODW: What’s next for 2014 any big plans?
CM:
I’m getting into porn I think.

 

ODW: Wait, is that a real answer? (laughing in background)
CM:
No, no... I’m potentially going on to a movie called SKATEBOARDING WITH SADDAM later in the year that shoots in Tel Aviv so that should be really exciting.

 

EC: I’m shooting a film called BROOKLYN in a week and then I have a film called STEALING CARS that’s in the edit and a film called THE GAMBLER that’s in the edit and then we’ll see what happens, huh?

 

ODW: BENEATH THE HARVEST SKY is a coming of age film, what do you want young people to take from it?
CM:
I want young people to walk out having enjoyed themselves and with a smile on their faces.

 

EC: I think there’s a lot of dignity in freedom and rebellion and I wouldn’t have a problem if some of them wanted to go out and have a good time you know, and be young and be wild and make mistakes 

 

#

 

Sabrina Luppi

 



Sabrina Luppi is a new contributing writer to On Demand Weekly. She is currently a film and marketing student at San Francisco State University, and recently completed a content programming internship at Intel. Sabrina is an aspiring actress, writer and filmmaker and her favorite genre is horror. Follow her on Twitter @sabzy_

 

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Top 5 Reasons to Watch PROXYApril 23, 2014

Top 5 Reasons to Watch PROXY

PROXY (IFC Films)

A very pregnant Esther Woodhouse (Rasmussen) is walking home after her latest OB appointment when she is attacked and disfigured by a hooded assailant. When Esther seeks consolation in a support group, she finds friendship and empathy in Melanie (Havins), another mother scarred with tragedy. Esther soon begins to believe that the horrific event might be a bittersweet act of fate. However, friendship and empathy can be very dangerous things when accepted by the wrong people.

Top 5 Reasons to Watch PROXY

1. If you’re interested in a unique, female driven thriller that proves you can’t accurately judge anyone based on looks alone.

2. If you love plot twists so major that they keep you questioning really important things about the story, like who is the main character?

 



3. If you appreciate movies that don’t flinch at gore, PROXY even goes so far as to give us one incredibly bloody scene in slow motion.

4. If you like to see how characters with extremely dark desires go about getting what they want in brutal and disturbing ways.

5. If you want to explore some frightening reasons for entering into motherhood, as expressed by unapologetic and insane characters.

 

 

Sabrina Luppi

 



Sabrina Luppi is a new contributing writer to On Demand Weekly. She is currently a film and marketing student at San Francisco State University, and recently completed a content programming internship at Intel. Sabrina is an aspiring actress, writer and filmmaker and her favorite genre is horror. Follow her on Twitter @sabzy_

 

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Kristin Wiig’s Latest - HATESHIP LOVESHPApril 15, 2014

Kristin Wiig’s Latest - HATESHIP LOVESHP

Kristin Wiig (IFC)

On Demand Weekly provides new movie reviews of hot movies on demand from the POV of watching from the comfort of your home. Today's review: HATESHIP LOVESHIP (IFC).

 

The sad clown is a trope that’s endured as long as drama itself. Hiding one’s own woes behind a mask of laughs is as familiar a move as any in storytelling. The logical outgrowth of the “laugh, clown, laugh” syndrome is the need comic actors feel to undertake “serious” roles.

Sometimes it works: Bill Murray has certainly shown improvement as a so-called “dramatic” actor since his stumble through THE RAZOR’S EDGE, even garnering an Oscar nomination. Jim Carrey acquitted himself brilliantly in THE TRUMAN SHOW. And the broad, burly John Candy was effective in JFK and Chris Columbus’s treacly ONLY THE LONELY.

Along comes Kristen Wiig. Fresh off her truly star-making tenure on SNL, Wiig established her feature film bona fides in fun flicks like MACGRUBER and ADVENTURELAND. Then she rocked the world as the co-writer and star of the megahit that was BRIDESMAIDS, which offered her the opportunity to take some chances, which is exactly what she does in HATESHIP LOVESHIP.

Based on a short story by Alice Munro, HATESHIP LOVESHIP is the story of mousier-than-mousy young woman, Johanna, who is a housekeeper/caregiver. When her elderly charge dies, Johanna finds work with the McCauley family, where stern grandpa (Nick Nolte, WARRIOR) is the guardian of sullen teen (Hailee Steinfeld, TRUE GRIT), with ne’er-do-well dad, Ken (Guy Pearce, IRON MAN 3) drifting in and out of their lives.

 

Kristin Wiig, Guy Pearce / HATESHIP LOVESHIP (IFC Films)


 Along with friend Edith, played by Sami Gayle, who made such a shattering impression in Tony Kaye’s DETACHMENT, Steinfeld’s spiteful Sabitha makes Johanna the object of a cruel prank that preys on the older woman’s naivete and loneliness. As a result of the teens’ bogus emails, Johanna pursues the shifty Ken to his latest sure-to-fail business venture, a roadside motel.

 

Director Liza Johnson’s last feature was the quietly powerful RETURN, starring Linda Cardellini as a traumatized soldier who comes home and causes her family to disintegrate. It stands to reason that she could handle a story such as HATESHIP LOVESHIP deftly, but try as she might she is undone both by the script and Wiig’s uncertain portrayal of Johanna.

The film’s short-story roots are obvious both in the lugubrious pace of the film and the inclusion of a go-nowhere subplot involving Nolte and local bank teller Christine Lahti (LAW & ORDER: SVU). Though it’s always a treat to watch the two old pros go through their paces as tentative lovers, their scenes together add nothing to the film and feel like ballast, which can easily be jettisoned.

The real problem with Wiig’s performance is that she seems to mistake passivity for subtlety. With her big eyes and dancer’s gait has a lot to work with, but often appears to veer close to parody, making us laugh at Johanna rather than feel her plight. Surrounded by such magnetic actors as Pearce, Nolte and Jennifer Jason Leigh as Ken’s girlfriend/drug partner, Wiig almost fades into the background.

It’s a shame, because Wiig was such a delight on SNL, infusing her characters with an energy and vulnerability that’s missing from her performance in HATESHIP LOVESHIP. Maybe, in attempting to not overplay, Wiig felt it best to be as retiring and possible in order to best convey Johanna’s isolation and loneliness.

There’s still hope for Wiig’s dramatic aspirations, with THE SKELETON TWINS, co-starring her SNL castmate Bill Hader, on the way later this year. As for HATESHIP LOVESHIP, we can only hope it goes down as the actress’s RAZOR’S EDGE, a noble misstep on the path to credibility in non-comic roles.

 

 

- Chris Claro

 

Chris

Chris Claro is a contributing writer for On Demand Weekly. He is a former Director of Promotion for Sundance Channel and now works as Lead Copywriter at Cablevision. He has written for dvdverdict.com and the Eyes and Ears section of huffingtonpost.com. He blogs at http://disconcertingglare.blogspot.com. Follow Chris on twitter @cgclaro.

 

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James Franco’s MALADIES - Now On DemandApril 03, 2014

James Franco’s MALADIES - Now On Demand

MALADIES (Tribeca Film)

On Demand Weekly provides new movie reviews of hot movies on demand and from the POV of watching from the comfort of your home. Today’s review: MALADIES (Tribeca Film).

 

See the latest Independent Movie On Demand (IMOD) Trailers here...

 

MALADIES

By Sky McCarthy

 
If you’re seeking a straightforward film experience with an easily followed plot and accessible storyline, MALADIES is not your film. But if you have a little patience, and brain power, Carter’s new feature will, at the very least allow you the viewer to ponder the meaning of creativity versus mild insanity.
 

James Franco / MALADIES (Tribeca Film)

In MALADIES, James Franco (yes the actor, author, director and professor) plays James, a former soap opera star struggling to transition into a career as an artist. While this sounds like an eerily similar parallel to Franco’s own life, the film is actually set in the 1960s. Catherine Keener plays Catherine, a well-meaning friend who often bickers with James throughout the film. While Franco searches for new meaning in his second chosen career, he begins to hear voices that narrate his actions and sometimes irritate him to the brink of madness. Fallon Goodson rounds out the main cast as James’ eccentric sister Patricia. All in all, everyone here has some weird backstory that does not necessarily weave together in a succinct way.
 
Catherine Kenner / MALADIES (Tribeca Film)

While the film is quirky and certainly has its comedic moments, the general feeling is a bit melancholy. Perhaps it is the abstract nature with which Carter moves the ‘storyline’ forward- all of the characters have their own problems and not everything is resolved. James hears voices, Patricia always seems to be lost in her own mind as well, Catherine is a cross-dresser, the list continues. But maybe this is a more realistic depiction of how artists really work and try to live. There is a dark side to creativity. Inspiration comes at a price. These are well-worn theories that we have heard described and seen before on film but MALADIES presents the themes in a relatively unique way. 

Since Carter and Franco have previously collaborated on ERASED JAMES FRANCO, it only seems normal to continue a thought-provoking descent into the versatile creative’s mind. This latest endeavor certainly has the essence of another-film-where-Franco-kindof-plays-himself-while-exploring-something-deeper but there seems to enough distance between James the character and James the actor to make this installment more palpable.

MALADIES is experimental. Title cards with quotes about the nature of artistic mind punctuate certain scenes which simultaneously helps connect viewers to the somewhat dis-coordinated action while also pulling you out of trying to understand what is actually going on. Artists, writers, actors and other creative types- in essence, the James Francos of the world- will certainly connect on some level with the character struggles in this movie. 

 

 

 

 

- Sky McCarthy

 

Sky 
Sky McCarthy is a contributing writer to On Demand Weekly and a television enthusiast (ask me about anything!) currently working in entertainment in New York City. Follow Sky on Twitter @ILiveSkyHigh.

 

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The Top 5 Things You Need To Know About I AM DIVINEApril 03, 2014

The Top 5 Things You Need To Know About I AM DIVINE

Jeffrey Schwarz & John Waters (I AM DEVINE)

A celebration of the immortal star and Most Beautiful Woman in the World... DIVINE! Harris Glenn Milstead, aka DIVINE (1945-1988) was the ultimate outsider turned underground hero. Spitting in the face of the status quos of body image, gender identity, sexuality, and preconceived notions of beauty, Divine succeeded in becoming an internationally recognized icon, recording artist, and character actor of stage and screen. Glenn went from the often-mocked, schoolyard fat kid to underdog royalty, standing up for millions of gay men and women, drag queens and punk rockers, and countless other socially ostracized misfits and freaks. With a completely committed in-your-face style, he blurred the line between performer and personality, and revolutionized pop culture. Directed by Jeffrey Schwarz. IAM DIVINE is now on demand. 

 

The Top 5 Things You Need To Know About I AM DIVINE By Jeffrey Schwarz


Jeffey Schwarz

 

1. I AM DIVINE is the story of how an overweight, effeminate, bullied Baltimore kid transformed himself into an internationally recognized drag superstar. He became known around the world for his leading roles in films by John Waters, his appearances on the stage, his recording career, and touring with a disco act.

2. Divine had a high school girlfriend named Diana. They were sweethearts for about seven years. Divine, who was still Glen at that point, took her to the Prom and did her hair and makeup. The first time he ever went out in public in drag was on a date with Diane. He dressed like Elizabeth Taylor and Diana thought he looked gorgeous, but still had no clue there might be more to her boyfriend than she knew.

3. The original HAIRSPRAY was John Waters' and Divine's first mainstream hit. Ricki Lake played Divine's daughter and it was her first role in a movie. Divine taught Ricki how to walk in high heels and always wanted to eat with her. Ricki says that Divine would say to her:

"C'mon, Ricki - let's share a pie! Let's eat a roast!"

4. We used the crowd funding approach on this film and turned to Divine's fans to help us get this movie made. Thousands of people donated through Kickstarter and IndieGogo. We wanted the fans to feel they had a stake in making sure the film was completed. It was a way for then to give back to Divine, to feel personally connected to something really special, and to show that Divine still has a thriving fan-base. If you donated to the movie, look for your name in the end credits and if you didn't, we love you anyway.

5. Divine did not consider himself a drag queen. He was a skilled actor who played female parts. He was a fantastic performer, a great actor, and a warm, generous person who couldn't have been more different from the roles he played. I want people get to know the man behind the wigs and eyeliner and hairspray - a sweet soft spoken guy with so much love in his heart. I want kids who didn't grow up with him to get to know this amazing character who can inspire them to be whoever they want to be.

 

- Jeffrey Schwarz

 

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New Movies On Demand Preview: April 2014March 30, 2014

New Movies On Demand Preview: April 2014

Kate Asche Wilson (On Demand Weekly)

On Demand Weekly's Kate Wilson (@KateDoesLifegoes through all the new movies each month for her New Movies On Demand Preview.

 
On Demand Weekly's Top Five New Movies On Demand Preview:

Kate
By Kate Asche Wilson
 
Hello friends it is April! Which means love is in the air. Or pollen. It really means pollen is in the air. And what better way to welcome the sweet embrace of spring then by revamping our On Demand Weekly Movie On Demand Preview. Starting now I will be counting down my top five films of the month. Because we're all aware five is better than three, and I know your affinity for lists. So let's do this team! Pass the Nasonex and let's get watching.
 
 

5. THE HOBBIT: THE DESOLATION OF SMAUG, Premieres April 8
Tolkien's masterpiece continues with Bilbo bumbling amidst gold coins, angry elves with flaxen hair, Cumberbatch's sultry dragon voice, Gandalf crushing it, and surprisingly sexy dwarfs.
PG-13, Fantasy/Adventure, Ian McKellen, Martin Freeman, Richard Armitage, Orlando Bloom, Evangeline Lilly, Cate Blanchett, Lee Pace, Luke Evans, Benedict Cumberbatch

4. THE NUT JOB, Premieres April 15 FAMILY PICK OF THE MONTH
Our animated family fun option that follows an exiled squirrel on a precarious nut store raid. A great film to watch with your kids or by yourself if, you know, you're into that sort of thing.
PG, Animated/Comedy, Will Arnett, Liam Neeson, Brendan Fraser, Katherine Heigl, Maya Rudolph

3. ANCHORMAN 2: THE LEGEND CONTINUES, Premieres April 1
Ron Burgundy and the gang are back for extended shenanigans, and if you're the type that yearns for even more crass hilarity there will be an unedited version of this film available. You stay classy San Diego!
PG-13/TV-MA, Comedy, Will Ferrell, Steve Carell, Paul Rudd, Jim Carrey, Christina Applegate, David Koechner

2. JOE, Premieres April 11 - INDIE PICK OF THE MONTH
Our indie pick of the month starring the kooky crazy Nic Cage as an ex con on the hard road to redemption. If you're looking for dark, visceral, independent, and full of the cage, look no further!
R, Drama, Nicolas Cage, Tye Sheridan - Same Day As Theatrical

1. THE SECRET LIFE OF WALTER MITTY, Premieres April 29
WALTER MITTY is brought to you by Ben Stiller who directed the film as well as stars as the aforementioned Mr. Mitty. A daydreamer by nature Walter escapes his dull reality by creating vast fantasy worlds filled with heroism, action, and romance. However, when his reality is threatened Walter takes matters into his own hands and embarks on a life changing adventure that is more rewarding than any fantasy he could create in his mind. WALTER MITTY is an amazing feel good film brimming with imagination and heart.
PG, Adventure/Comedy/Drama, Ben Stiller, Kristen Wiig, Jon Daly, Kathryn Hahn

There you have it team! On Demand Weekly's top five films for April. I hope you enjoyed that we're jumping on the list bandwagon, and if you didn't, well, we'll send you a puppy. Disclaimer: we will not send you a puppy. 
 
 
Also This Month...

 

4/1
47 RONIN (3D) (Universal) (PG-13)
• Genre: Action
• Starring: Keanu Reeves, Hiroyuki Sanada

ANCHORMAN 2: THE LEGEND CONTINUES / ANCHORMAN 2: THE LEGEND CONTINUES (Unedited) (Paramount) (PG-13/TV-MA)
• Genre: Comedy
• Starring: Will Ferrell, Steve Carell, Paul Rudd, Jim Carrey, Christina Applegate, David Koechner

HAMLET & HUTCH (Vision) – (TV-G)
• Genre: Family
• Starring: Burt Reynolds, Emma Rayne Lyle
• 6 Weeks Pre-DVD

4/3
STAGE FRIGHT (Magnolia) – (R)
• Genre: Horror/Musical
• Starring: Minnie Driver, Meat Loaf
• Pre-Theatrical

4/4
AFFLICTED (CBS Films) – (R)
• Genre: Horror/Thriller
• Starring: Derek Lee, Clif Prowse
• Same Day As Theatrical

GOODBYE WORLD (Phase 4) – (TV-14)
• Genre: Comedy/Drama
• Starring: Adrian Grenier, Gaby Hoffman, Ben McKenzie, Mark Webber, Kerry Bishé
• Same Day As Theatrical

4/8
AUGUST: OSAGE COUNTY (Starz/Weinstein) – (R)
• Genre: Comedy/Drama
• Starring: Meryl Streep, Julia Roberts, Ewan McGregor, Chris Cooper, Abigail Breslin, Benedict Cumberbatch, Juliette Lewis, Margo Martindale, Dermot Mulroney, Julianne Nicholson, Sam Shephard, Misty Upham

GRUDGE MATCH (WB) – (PG-13)
• Genre: Comedy
• Starring: Robert De Niro, Sylvester Stallone, Kevin Hart, Alan Arkin, Kim Basinger

THE HOBBIT: THE DESOLATION OF SMAUG (3D) (WB) – (PG-13)
• Genre: Fantasy/Adventure
• Starring: Ian McKellen, Martin Freeman, Richard Armitage, Orlando Bloom, Evangeline Lilly, Cate Blanchett, Lee Pace, Luke Evans, Benedict Cumberbatch

PARANORMAL ACTIVITY: THE MARKED ONES / PARANORMAL ACTIVITY: THE MARKED ONES (Unedited) (Paramount) – (R/TV-MA)
• Genre: Horror
• Starring: Andrew Jacobs, Jorge Diaz, Molly Ephraim, Katie Featherston

WALKING WITH DINOSAURS (3D) (Fox) – (PG)
• Genre: Animated/Family
• Starring: Karl Urban, Charlie Rowe
• Voices: John Leguizamo, Justin Long

JUSTIN BIEBER'S BELIEVE (Universal) – (PG)
• Genre: Documentary/Music
• Starring: Justin Bieber

4/11
HATESHIP LOVESHIP (IFC) – (R)
• Genre: Romance
• Starring: Kristen Wiig, Guy Pearce, Hailee Steinfeld, Nick Nolte, Jennifer Jason Leigh
• Same Day As Theatrical

JOE (Lionsgate) – (R)
• Genre: Drama
• Starring: Nicolas Cage, Tye Sheridan
• Same Day As Theatrical

4/15
THE NUT JOB (3D) (Universal) – (PG)
• Genre: Animated/Comedy
• Voices: Will Arnett, Liam Neeson, Brendan Fraser, Katherine Heigl, Maya Rudolph

PHILOMENA (Starz/Weinstein) – (PG-13)
• Genre: Drama
• Starring: Judi Dench, Steve Coogan

RIDE ALONG / RIDE ALONG WITH GAG REEL (Universal) – (PG-13/TV-14)
• Genre: Comedy
• Starring: Kevin Hart, Ice Cube, John Leguizamo, Laurence Fishburne

THE BACHELOR WEEKEND (Tribeca) – (TV-MA)
• Genre: Comedy
• Starring: Andrew Scott, Amy Huberman
• Same Day As Tribeca Film Festival Movie Premiere Date; Pre-Theatrical Release Date

BENEATH THE HARVEST SKY (Tribeca) – (TV-MA)
• Genre: Drama
• Starring: Emory Cohen, Callan McAuliffe
• Same Day As Tribeca Film Festival Movie Premiere Date; Pre-Theatrical Release Date

BRIGHT DAYS AHEAD (Tribeca) – (TV-MA)
• Genre: Drama
• Starring: Fanny Ardant, Patrick Chesnais
• Same Day As Tribeca Film Festival Movie Premiere Date; Pre-Theatrical Release Date

THE INVISIBLE WOMAN (Sony) – (R)
• Genre: Drama/Romance
• Starring: Ralph Fiennes, Felicity Jones, Kristin Scott Thomas

4/18
KID CANNABIS (Tribeca) – (TV-MA)
• Genre: Drama
• Starring: Jonathan Daniel Brown, Ron Perlman
• Same Day As Tribeca Film Festival Movie Premiere Date; Pre-Theatrical Release Date

A PROMISE (IFC) – (TV-MA)
• Genre: Drama
• Starring: Rebecca Hall, Alan Rickman, Richard Madden
• Same Day As Theatrical

SMALL TIME (Starz) – (R)
• Genre: Comedy
• Starring: Christopher Meloni, Dean Norris, Devon Bostick, Bridget Moynahan
• Same Day As Theatrical

4/24
FILTH (Magnolia) – (R)
• Genre: Comedy/Crime
• Starring: James McAvoy, Jamie Bell, Jim Broadbent, Imogen Poots, Joanne Froggatt
• Pre-Theatrical

4/25
BLUE RUIN (Weinstein) – (R)
• Genre: Thriller
• Starring: Macon Blair, Devin Ratray
• Same Day As Theatrical

GAMBIT (CBS Films) – (PG-13)
• Genre: Comedy
• Starring: Colin Firth, Cameron Diaz
• Same Day As Theatrical

4/29
LABOR DAY (Paramount) – (PG-13)
• Genre: Drama
• Starring: Kate Winslet, Josh Brolin

THE LEGEND OF HERCULES (3D) (Lionsgate) – (PG-13)
• Genre: Action/Adventure
• Starring: Kellan Lutz, Liam McIntyre

THE SECRET LIFE OF WALTER MITTY (Fox) – (PG)
• Genre: Adventure/Comedy/Drama
• Starring: Ben Stiller, Kristen Wiig, Jon Daly, Kathryn Hahn

BLACK NATIVITY (Fox) – (PG)
• Genre: Drama/Musical
• Starring: Forest Whitaker, Angela Basset, Jennifer Hudson, Tyrese Gibson, Mary J. Blige

GIMME SHELTER (Lionsgate) – (PG-13)
• Genre: Drama
• Starring: Vanessa Hudgens, Rosario Dawson

GLORIA (Lionsgate) – (R)
• Genre: Comedy
• Starring: Paulina García, Sergio Hernández

 

- Kate Asche Wilson


Kate
Kate Asche Wilson is a contributing writer to On Demand Weekly. She is a graduate from the Dodge College of Film and Media Arts at Chapman University where she received a BA in Screenwriting. In her spare time Kate likes to take long walks on the beach, and watch telenovelas. Follow her on Twitter @KATEDOESLIFE

 

 

Click Here To Find The Below Movies On Demand Via ODW's Watch It Channel...

 

 

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FREE RIDE Starring Anna Paquin - Exclusive DELETED ClipMarch 28, 2014

FREE RIDE Starring Anna Paquin - Exclusive DELETED Clip

In this deleted scene, Christina (Anna Paquin) introduces the new babysitter, who appears to have a past, to the family. FREE RIDE is available on DVD and at Walmart on April 29, 2014. FREE RIDE is currently available On Demand and at Redbox. (Phase 4 Films). 

 

 

FREE RIDE FIRST / LOOK

Anna Paquin, Ava Acres and Liana Liberato / FREE RIDE (Phase 4 Films)

 

Mike McCready and Brandi Carlile wrote and performed the song "Free Ride" which is now available for purchase on PearlJam.com.

 

In search of a better life for her family and desperate to escape her tumultuous relationship, Christina (Anna Paquin) hastily moves to Florida and enters the dangerous world of the high-stakes underground drug scene. She quickly learns that dealing drugs at the height of South Florida’s smuggling heyday has its price. As law enforcement closes in on Christina and her drug operation, she must find a way to salvage the life she has desperately worked to repair before it all comes crashing down.

 

The film is produced by Anna Paquin, Cerise Hallam Larkin, Susan Dynner and Brian Dreyfuss. Executive producers are Stephen Moyer, Mark Larkin and Norman Dreyfuss.

 

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Click Here To View ODW's Monthly Movie On Demand Preview On Our Home Page

MISTAKEN FOR STRANGERS - The Documentary Featuring The National Premieres On DemandMarch 28, 2014

MISTAKEN FOR STRANGERS - The Documentary Featuring The National Premieres On Demand

MISTAKEN FOR STRANGERS

On Demand Weekly provides new movie reviews of hot movies on demand from the POV of watching from the comfort of your home. Today’s review: THE MISTAKEN FOR STRANGERS (Starz Digital Media & Abramorama).

 

See the latest Independent Movie On Demand (IMOD) Trailers here...

 

MISTAKEN FOR STRANGERS
By Joe Charnitski

 
I think we can all relate to rivalry, sibling or otherwise. We’ve all had someone in our lives, relative or not, who nudges us towards jealousy and insecurity by their very existence: the friend with the more successful career, the know-it-all acquaintance who’s the first to hear about everything cool, the colleague who never shows stress under deadline.

At first glance, this idea of rivalry is at the center of the new documentary MISTAKEN FOR STRANGERS. After a full viewing, though, this doc is about a lot more.
 
 
The National

 Matt Berninger is the lead singer of the indie rock treasure The National. He has decided to invite his younger, and certainly less successful brother, Tom, to join the band on tour as a roadie. He could probably use the work, so it’s a nice offer. Tom accepts but with two ulterior motives: 1) he’s an aspiring filmmaker and a documentary about his brother’s band sounds like a great project, and 2) he thinks he’s about to party and bond with Matt all around the world. Matt sees this tour as work, not play, and tries to make it clear to Tom that he too must take his roadie gig seriously.

The best way to describe the dynamic between the two brothers
is to think of a hipster version of Bradley Cooper’s character in THE HANGOVER
going on tour with Zach Galifinakas’ character in the same film.
 
Tom clearly looks up to Matt, and desires affirmation from his brother. Matt clearly loves Tom, and is rooting for him to find a joyful, independent path in life. But, for most of the film, they kind of miss each other’s targets.
 
 
Tom & Matt Berninger (MISTAKEN FOR STRANGERS)
 

Tom is such an unintentionally funny character to watch. His interview segments of the doc are terrible due to his rambling questions, if a question even exists in his stumbling speeches. His inability to focus and his adolescent point of view made it almost difficult to believe this was a pure documentary and not played up for the cameras. I don’t mean any of this as a criticism of the movie.

The movie is hilarious because of how bad Tom seems to be at making a doc and being a roadie, or an adult for that matter. If you were a Saturday Night Live fan in the 90’s, you’ll think of The Chris Farley Show, just like I did.

 

Besides his hot or cold relationship with his brother, it’s fascinating to watch other people’s reaction to Tom’s antics and questions. Some are amused. Some are annoyed. Some are probably polite because he’s Matt’s brother. Some are particularly put off by the apparent nepotism. It’s important to note, though, that Tom is not always in the wrong in the film. He calls his brother out on a little hypocrisy during a photo shoot on a beach. His complaints to some members of the band about Matt are met with knowing nods. There are definitely times when everyone on the road comes across as a little too indie rock pretentious when compared to Tom’s authenticity.

It might be because of this that I felt I could relate to each brother at different times in the movie, and when considering different times in my life. It’s not just their relationship that’s universal, it’s each of their experiences as men, brothers and artists.

 

Matt & Tom Berninger (MISTAKEN FOR STRANGERS)


 It made me root for each of them and both of them that much more. The film celebrates the artist and how they can turn the struggle of life, the strain of their own dreams, into art for all of us to consider. Matt and his band have produced some of the best rock of the past ten years. Tom has made one helluva documentary.

Our brothers may not all be rock stars,

but we all have someone in our lives that

shines a little brighter than the rest and

makes us feel like the roadie.

 

MISTAKEN FOR STRANGERS understands that. It is laugh-out-loud, might-want-to-pause-the-movie-to-catch-my-breath funny. It is also a sweet, sincere study of family, hopes, failures and resilience. 

 

DEMAND IT

 

 

Joe Charnitski

 

Joe Charnitski
Joe Charnitski is a new contributing writer to On Demand Weekly. His career in film and television production, development and marketing has included stops at Miramax Films, Syfy and VH1. He currently works at a entertainment focused social media marketing agency in New York City. Twitter:@JoeCharnitski

 

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VOD Spotlight: Matt & Tom Berninger (MISTAKEN FOR STRANGERS)March 26, 2014

VOD Spotlight: Matt & Tom Berninger (MISTAKEN FOR STRANGERS)

MISTAKEN FOR STRANGERS

Mistaken for Strangers, which opened the 2013 Tribeca Film Festival, follows Tom Berninger, a slacker and aspiring horror director whose older brother Matt is the lead singer of successful rock band The National. When Matt hires Tom as a roadie for the band’s upcoming world tour, Tom brings his camera to film the entire experience, ignoring his job responsibilities in the process. What follows is a hilarious and touching story about family, ambition and self-discovery.

 

On Demand Weekly spoke with the film's director Tom Berninger and his brother Matt, lead singer of the film's initial subject, the band The National.

 

 

On Demand Weekly (ODW): When did you know the Tom’s footage had the makings to become a documentary?
Tom Berninger, filmmaker (TB):
It was the editing process. We took more of The National out of the movie and more of me in it. When we saw me crying on screen and me getting drunk on the bus, which I originally filmed that to be really funny and it ended up being really pathetic and sad. The movie came together in the editing room.

There were a few times on tour that I thought the things I was shooting was interesting.

ODW: When did the rest of the band know and what was their reaction?
Matt Berninger, lead singer (MB):
When Tom came on tour, there wasn’t an intention to make a documentary. Maybe he could make a silly little, fun video that we could put up on our website. There wasn’t the idea of a documentary and that’s probably why they let Tom so close. If the band had known Tom was going to make a feature film that he was going to enter into the Tribeca Film Festival, I bet they would have said no.

 

MISTAKEN FOR STRANGERS - Tribeca Film Festival 2013 Opening Night Premiere



When they heard it was as much a story about Tom than of the band, even more so about Tom, they were like 'that sounds cool'. That’s the way I was too. I like the story of Tom’s creative struggles, relationships between brothers (Editor's Note: in addition to Matt and Tom being brothers, the band’s other four members are a set of 2 brothers) was actually a much better idea for a movie than a profile of a band on tour. I think the rest of the band did as well.

But if they had known that at the beginning that it was going to be a feature movie, Brian would not have let Tom into the shower with him (a scene in the movie), that’s for sure.

ODW: Would it have been a vote? What if one band member had objected?
MB:
That is a good question. That was always a reality down to the very last minute. There wasn’t ever a full on agreement. And then all of a sudden it got accepted into Tribeca to open the festival, at that point Tom was like ‘Guys, is that okay?’ It was almost too late for anyone to say no.

 

Matt & Tom Berninger (MISTAKEN FOR STRANGERS)



Everybody loved the movie. When they saw it, they couldn’t believe how good it was and got behind it. It was a giant gamble that Tom took.

TB: My strategy is to...

 

...corner them,

overwhelm them and

pressure them.

My strategy paid off... 


...And plus I had Brian (the drummer) naked in the shower and half the band members naked in my footage. I could always blackmail them (Matt is laughing).

MB: Very professional Tom (Matt jokes).

ODW: Tom, had you ever traveled or worked on a tour for The National previously?
TB:
No. Never, ever. When they’d come to Cincinnati I’d come see them. I have to say, for the first time on tour I really got the luxury treatment, considering they spent the first four albums in a van. I go to go on the tour bus, which I took advantage of. I missed the whole van tours and nine years of their existence, I might as well drink heavily on the tour bus and live it up there.

ODW: Matt, what prompted you to ask Tom to join you for the High Violet tour?

MB: He (Tom) graduated from film school, but was in between jobs and I saw he needed a break. He was in a little bit of a rut and I thought it would be good for him to get out of Cincinnati. And a big part of it was I missed him. I went off to college when he was nine years old (there is an nine year difference between the two brothers, who shared a room growing up). And then I moved to New York. We hadn’t been together a whole lot for twenty years.

 

I was envious of the rest of the guys (in the band) traveling the world with their brothers and having this experience. We were about to go on this big tour and we needed some help. Brandon the tour manager needed an assistant tour manager and I put those two things together and brought Tom along. I didn’t expect Tom to make this movie.


Everything ended up working out strangely better than anyone expected in a better way than anyone expected. Now Brandon loves tom. Brandon loves the movie. The band loves the movie. And Tom and I became much closer through the whole process. It got really bad for a long time, but it came out on the other side and we’re all really about it.

ODW: Tom, you have referenced MISTAKEN FOR STRANGERS not as a documentary but as a Werner Herzog hybrid of a documentary and a self-portrait. Can you explain how this influenced the shooting and/or editing of the film?
TB:
Definitely the editing. We cut it for comedy. We took moments out of context to make them work better. I thought about Werner Herzog, who makes incredible documentaries and sometimes finds the truth and the profound truth by his editing by his interpretation of these things. And I thought the same thing with this movie. We were finding a greater truth.

ODW: Did any rock documentary influence the making of this film?
TB:
Not really. My brother corners me on screen if I had seen any rock documentaries and I really haven’t. I like AMERICAN MOVIE. HANDS ON A HARD BODY. I like the funny documentaries. I had no rock doc in mind.


MB: I told Tom when he was pulling together footage to make some sort of narrative you can do anything with this thing. You should watch GIMME SHELTER. It’s a documentary about the Rolling Stones, but it’s actually more of a documentary about the end of the 60’s and the glamor of rock. Tom’s reaction to that was they got lucky, some guy got murdered. Which is a dark expression that they just got “lucky”. And Tom said ‘nobody got killed in my footage. I don’t know what I’m supposed to do’. 

Thankfully nobody was murdered and Tom found some other story that is more than just a simple band profile.

ODW: THIS IS SPINAL TAP just celebrated its 30th anniversary. Were there any Spinal Tap moments in the film or on the tour?
TB:
Being Europe was the most amazing thing for me. We were in Germany and there was a performer named Peaches I wasn’t familiar with. Peaches has an incredible stage.

MB: There’s so much boring, embarrassing, boring things that happen on tour for any rock band. The monotony. SPINAL TAP shows how humiliating and unflattering life inside a rock band can be. So I do think the movie is similar in that way.

 

 

The National


...And Tom, whether you know,

you kind of are a SPINAL TAP-esque figure.

 

You even wear the (rib cage) T shirt. There’s definitely parallels with this move and SPINAL TAP (they both chuckle). You partly knew you were going to make an embarrassing comedy. You weren’t trying to make a SPINAL TAP, but it is a close cousin for sure.

 

Tom & Matt Berninger (MISTAKEN FOR STRANGERS)


TB: That’s probably a better answer than my answer.

ODW: The film played very well to fans of the band at the Tribeca Film Festival premiere What would you like to tell people less familiar with The National who come across MISTAKEN FOR STRANGERS on demand?
TB:
I think it appeals to families and siblings and anybody searching for their place in life. You don’t have to be a fan of The National or to be young. I hope it gives people inspiration. The way you make it in life might not be the way you originally intended. I thought I was going to be a horror movie director, but this movie came out of nowhere and I really discovered myself in it. I hope this gives other people hope. It’s a great sibling movie too.

ODW: I tweeted the Tribeca Film Festival premiere is a “must see movie for brothers.” Tell our readers why this is more than a rock documentary.
MB:
There are a lot of people who go in or are dragged to the movie who don’t like The National…

ODW: ...Who doesn’t like the National?!?
MB:
There’s plenty out there.
TB: (interjects) I don’t.

MB: That’s one of the biggest compliments the film has gotten. That people who don’t like our band or indie rock really like the movie.

The other thing we’ve heard that has been flattering, somehow in the world of counselors and psychologists, that they have been recommending the movie to people having troubles with siblings and families. It’s a movie about how families react to each other.

Comedian Pete Holmes heard about it from his therapist. I don’t know how they got it.

The movie is not about a band.

ODW: You’re from Cincinnati. March Madness begins today. How far do the University of Cincinnati Bearcats go?
TB
: I’m 100% positive they’re going to win the whole thing. What are we talking about?

ODW: The national college basketball tournament.
TB:
They’re going to kill everybody on the court. In all sports. They’re going to take back Crimea.

(Editor’s Note: Sadly, the University of Cincinnati lost in the first round to the lower seeded Harvard. Maybe this will inspire a future song by The National.)

ODW: How is it different doing press for a film vs an album?
MB:
It's much different. Mostly because Tom has to answer all the hard questions. Also, answering questions about music kind of always ruins the music a tiny bit. Movies are a little more resilient.

ODW: Can you suggest a National playlist to listen to after someone sees MISTAKEN FOR STRANGERS?
MB:


1. Bloodbuzz Ohio
2. I Should Live in Salt (inspired by my relationship with Tom)
3. Mr. November
4. Terrible Love
5. Vanderlyle Crybaby Geeks
6. Rob Halford's Oh Holy Night

 

#

 

- Britt Bensen



Britt is the Editor-in-Chief and Co-founder of On Demand Weekly. He is currently at OnCue. Previously, Britt worked for Miramax Films and Sundance Channel

 

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Gavin McInnes’ Top 5 Things You Need To Know About HOW TO BE A MANMarch 26, 2014

Gavin McInnes’ Top 5 Things You Need To Know About HOW TO BE A MAN

HOW TO BE A MAN

Meet Mark (Gavin McInnes), a former comedian who finds himself coming to terms with his own mortality after finding a lump in his man-boob. Fearing certain death, Mark hires the services of Bryan (Liam Aiken), a young, impressionable cameraman, to document important video lessons for his unborn son. With the help of Bryan, Mark gives his own comical, and often crude, interpretation of what it truly means to be a man—like how to fight a bully, how to drink, and how to pick up women. When he almost loses everything important to him, Mark realizes that he is the one with the most to learn.

Co-written by and starring comedian, novelist and VICE co-founder Gavin McInnes, HOW TO BE A MAN  is the newest made-for-digital feature length film from Fox Digital Studio. Available now on Netflix and for purchase on Amazon and XBOX
.

 

Gavin McInnes' Top 5 Things You Need To Know About HOW TO BE A MAN

 

HOW TO BE A MAN is a rollicking and raucous comedy about a hedonist trying to teach his unborn son how to be a stand up guy. Like most of us, he thinks he’s an expert but soon realizes knowing everything in the world ain’t easy.

Though the movie came out completely perfect, there were some behind the scenes stuff that made shooting the movie a total nightmare.

 





1. THERE WERE NO DRUGS
I’m a child of the 70s. When I shoot a movie, I like there to be a giant pot of cocaine, several liters of pot, and a big basket of booze. There was none of this in any of that. The coke we snorted on screen was vitamin B and every time I asked a fellow cast member if he wanted to sneak a drink, he looked at me like I had just thrust my hand down his pants.


2. THERE WAS NO SEX
Right before the felatio scene, I had assumed it was going to get a guilt free blowjob (I’m married). I cleaned my penis and made sure it was ready to go. Only, when it came time to do it, the director handed me a nylon sock to stick over my junk. After meeting the girl in the scene it became clear that my hunch wasn’t even in the same universe as reality. She hadn’t even tried drugs once in her life. What is the matter with the kids today?


3. THE FIGHT SCENES WERE REAL
During the part where I get kicked in the nuts, the kid’s father knees me in the ribs as hard as he can. I was supposed to be wearing a protective body suit but I said that was for pussies and opted to go with nothing. I don’t recommend this as shooting the rest of the film with a broken rib made me feel like Henry Fonda in On Golden Pond. I look like I’m dying in every running scene because I am.


4. ACTUALLY, ALL ABUSE WAS REAL
When my “wife” is throwing my shoes out the window she hit me with a boot and it sounded like two seals being slapped together by God. This left a black bruise on my leg the size of Ontario.


5. THAT’S MY REAL DICK
The producers were worried my gigantic phallus would look like a prosthetic but I assured them everyone would be totally fine with its bizarre size. I was wrong. I don’t think there’s one person who has seen the movie who hasn’t asked me if that was fake. I had no idea how small everyone else’s was. I guess I wasn’t paying attention in the locker room. Don’t let that discourage you. There are way more naked ladies than naked men. Also, it’s funny. Go see it.

 

Gavin McInnes

 

 

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The Video Glutton’s Guide to VIKINGS, Season 1March 26, 2014

The Video Glutton’s Guide to VIKINGS, Season 1

Vikings (History Channel)

On Demand Weekly provides new reviews of hot movies and shows on demand from the POV of watching from the comfort of your home. Today’s review: “VIKINGS.”

I had never paid too much attention to VIKINGS. I don’t watch much on the History Channel, so it was never really on my radar. Then I went to an exhibit at Time Warner Studios to see the GAME OF THRONES exhibit. Time Warner Cable is smart. They made attendees go through a whole slew of other show’s exhibits before we got to the one we were actually there for. Their scheme worked! In the VIKINGS exhibit, one could see the attention to detail and historical accuracy lavished on the show, and it drew me in. So I decided to binge Season 1 of Vikings to get ready for Season 2.

The show begins with a battle. There is no indication of who is fighting or why, but two men are obviously the heroes of the fight. We discover they are Ragnar Lothbrok (Travis Fimmel) and his brother Rollo (Clive Standen). They are obviously fierce, strong and determined. Ragnar sees a vision of the god Odin, so he must be special. Next we are introduced to Ragnar’s family.

His wife Lagertha (Katheryn Winnick) is pretty fierce and determined herself, which she proves when a couple of intruders come in to pillage and rape in her home and she single-handedly smashes them both. Next we meeting the big boss of the ‘hood: Earl Haraldson (Gabriel Byrne rocking a serious mullet!). We know he is the bad guy, because he doesn’t want to take a chance on sailing west. He only wants to go east, where they always go. Ragnar wants to try going west. Since he is so daring, we know we are supposed to root for him.

Behind the Earl’s back, Ragnar’s buddy Floki (Gustaf Skarsgard in heavy goth eye makeup) is making a new and bigger boat that can carry the gang west across the sea to Northumbria. The adventure is a success. They find an island with a monastery on it, and the pathetic little priests barely make a squeak in response, so they must deserve to be slaughtered and have all their fancy churchy stuff like candleholders and goblets and crosses go to the Vikings. Ragnar does save one priest, Athelstan (George Bladgen, of the “Les Miserables” movie). Got to give Ragnar points for that. 

 

When the rogue Vikings return triumphant, evil Earl Haraldson has to confiscate their loot, just to show them who is boss. It comes as no surprise when eventually, Ragnar, although wounded, challenges the Earl to single combat, and wins, taking over the Earldom. What is surprising is how Ragnar treats the Earl in death, giving him a great and honorable funeral with full pomp and glory. He is not so respectful of the Earl’s wife Siggy (played with intensity by GLEE’s Jessalyn Gilsig), but Lagertha will make sure she is not mistreated.

The morality in VIKINGS seems to be that pillaging and killing are ok, because that is just part of Viking culture, but rape is crossing the line. I’m glad there is something that is considered immoral! This is the age of the anti-hero, but I find rooting for any of these Vikings a little difficult. It’s difficult to love Ragnar, as played by Travis Fimmel with a constant sneery-smile. He gives the impression of being slightly stoned all the time, with his propensity to laugh and smile inappropriately. I think it’s supposed to be charming, but I find it off-putting. Other characters are a little more compelling, such as Katheryn Winnick’s feisty Lagertha and soulful priest Athelstan, although both of them seen to absolutely adore Ragnar, which, again, I find unlikely.

However, excellent production values and fantastic music keep VIKINGS eminently watchable. Creator Michael Hirst (Tudors) knows how to create a universe and dive right into it. The Irish locations are stunning, the boats and incredible, and the weapons amazing. The costumes and makeup are interesting, as well. The 8th episode’s trip to Uppsala to make offerings to the gods is especially moving. As the beautiful music soars, the camera lovingly focuses on the blood being spilled from both the unwilling and the willing sacrifices.

As there are only 9 episodes, which when watched On Demand are 45 minutes each, VIKINGS is an easy binge. For an incredible violent premise, the gore and sex is pretty mild since it is on a family friendly cable channel, and not HBO.

Now I’m looking forward to Season 2 (now airing).

 

DEMAND IT

 

 

- Jean Tait

 

Jean
Jean Tait is a contributing writer to On Demand Weekly. Currently the Director of Programming for the Connecticut Film Festival, Jean has programmed for the Jacksonville Film Festival and Sundance Channel.
 

 

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New ALAN PARTRIDGE Now On DemandMarch 02, 2014

New ALAN PARTRIDGE Now On Demand

ALAN PARTRIDGE (Magnolia)

On Demand Weekly provides new movie reviews of hot movies on demand from the POV of watching from the comfort of your home. Today's review: ALAN PARTRIDGE.

2013 was quite the year for Steve Coogan. He reunited with Rob Brydon and director Michael Winterbottom in Italy for a sequel to their hilarious film THE TRIP. He also voiced a character in the monster hit DESPICABLE ME 2 and spoke out as a victim of the News Corp. phone hacking scandal. But where Coogan really hit it was as star, producer and co-writer of PHILOMENA, one of those little films that could that garnered two Oscar nods for Coogan and one for the amazing Dame Judi Dench in the title role. As a cherry on top of all this goodness, Coogan returned to playing the part that made him famous, in the eponymous ALAN PARTRIDGE.

 


In the film, Alan and his radio cohorts find themselves the victims of media consolidation and corporate downsizing when a conglomerate swallows up their radio station and starts to cut employees. Nerves and paranoia run rampant, and, as the staff gathers for a party, DJ Pat (Colm Meaney, HELL ON WHEELS) cracks and takes Alan and his co-workers hostage. What follows is a series of negotiations with the reluctant but self-absorbed Alan as intermediary between Pat and the police. 

 

Despite the title character’s narcissism, ALAN PARTRIDGE is a pleasure due to Coogan’s willingness to make Alan a fully realized character. Unlike David Brent, for whom Ricky Gervais seemed to display a measure of contempt and ridicule, Partridge comes off as more of a lovable buffoon. Because Coogan embraces the character and eschews an ironic distance, Alan is easy to get behind, particularly as his fortunes change and he shifts from hostage to fugitive.

Though it runs out of steam in its final third, ALAN PARTRIDGE has an anarchic spirit and enough laughs to make it a pleasing time passer. The supporting cast, particularly Meaney, give it their all and the film is a great reminder of just how versatile Coogan really is. 

 

DEMAND IT

 

- Chris Claro

 

Chris

Chris Claro is a contributing writer for On Demand Weekly. He is a former Director of Promotion for Sundance Channel and now works as Lead Copywriter at Cablevision. He has written for dvdverdict.com and the Eyes and Ears section of huffingtonpost.com. He blogs at http://disconcertingglare.blogspot.com. Follow Chris on twitter @cgclaro.

 

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The Video Glutton’s Guide to HOUSE OF CARDS Season 2March 02, 2014

The Video Glutton’s Guide to HOUSE OF CARDS Season 2

House of Cards (Netflix)

On Demand Weekly provides new reviews of hot movies and shows on demand from the POV of watching from the comfort of your home. Today’s review: “House Of Cards.”

Valentines Day. I’ve been looking forward to my date for months. My Valentines Day date is smart, funny, sexy, and I’m sure that once we start, well, I won’t be able to stop! So I’m lighting a scented candle, dimming the lights, opening up a bottle of wine, and turning to Netflix for Season 2 of HOUSE OF CARDS.

The first episode does not disappoint (although a “previously on 
House Of Cards” would have been helpful). The pace starts right in at a full gallop. I had thought some of the reviews were a little hard on Robin Wright’s character last year. I mean, yes, she is cunning and manipulative to a point, but a Lady Macbeth? Episode 1 quickly disabused me of that notion.



Lady Macbeth could learn a thing or two from Claire Underwood.

 

How does she make others think she is steely, but warm while being cold as ice? And speaking of being capable of anything, I mean ANYTHING, Frank does not disappoint, either. When speaking down to someone, nobody articulates a “wh” better than Frank Underwood (with the possible exception of Downton Abbey’s Dowager Countess).

There will be spoilers from here on out, so YOU HAVE BEEN WARNED.

 

Poor Zoe. You were clever and intense but you were never a match for Frank Underwood. I wish Kate Mara looked older. According to IMDB, she is 30, but she sure doesn’t look much older than 14. Her sullenness added to the teenager feeling as well. Lucas will miss her more than we will, but what a horrible way to die. And how little Frank cared. He might as well have been stepping on a bug.

The ending of the first episode is absolute perfection. Frank finally breaks the fourth wall to include us, and leaves the scene with a perfect “title card” of his lovely new initialed cufflinks: F U indeed!

After that roller coaster ride, episode two settles down into heavy political machinations. Claire reveals more amazing self control and a renewal of Doug mistreats Rachel while feeling really conflicted about it. Ah, the human heart, no matter how cold and cunning a person is, something in it still manages to crawl into the consciousness. New House Majority Whip, Jackie Sharp, she thinks she’s got that little heart thingy under control, and we can guess how THAT will go…

Episode three deepens the political machinations, raises the level of confrontation between Raymond Tusk and Frank, and brings Remy into the mix.

The spirit is willing, but the flesh is weak….binging will have to continue on Saturday. Blowing out the candle and corking up the rest of the wine.

Ok, I’ve just had a hearty breakfast and plenty of coffee….bring on the juice!

Episode four. Did Claire really just say that on national television??? Wow! What a way to take your personal pain and use it! Robin Wright continues to deepen an already incredible character with her multi-layered acting. I’m voting for the Emmy and Golden Globe to go to her right now!

Episode five opens with a bang. A really creepy bang that looks like murder, but no, it’s just kinky sex for the I’m-so-rich-I’m-bored, stereotypically inscrutable Chinese bazillionaire Feng. He, too, is now a player in the confusing muddle of Sino-American relations, but who cares about details, it’s all about the incredible flair with which they play the game. But all style is upstaged by an adorable long-haired guinea pig. This show sure needs that little bit ‘o cute that is Cashew! Hope she lives through the season! In contrast to the cute, the oh-so-serious Civil War re-enactors bring out even more cynicism in Frank, until one of them seems to touch him personally. Who knew he had non-cynical side? Or is he just pretending? It certainly did seem to strike a chord deep inside of him.

From the Civil War to baseball, Frank’s apparent vulnerabilities seem to be popping up in the sixth episode. Anyone would be mortified to have to throw out a first pitch and have it be embarrassing, so the power outage, (while appalling that anyone could use the power of an entire city as a chess piece in a turf war--excuse the mixed metaphor), received of a big sigh of relief for Frank from me.

Frank has been cold-turkeyed off his video games by the Secret Service (no way to make that connection secure), so Frank now has a new hobby: creating a model of Civil War scenes! Somehow, it doesn’t feel true to me that Frank is painting little toy soldiers, but hey, it makes a great visual metaphor for the art of war that the Underwoods practice.

Episodes seven and eight have a feeling of setup to them. The pacing is flagging, but I’m trusting it will take off again. But I think I need a break. A night of sleep for me!

After a nice, boozy Sunday brunch, I’m now completely ready for anything House of Cards throws at me, unless it involves hurting Cashew.

Ok, I lied. Cashew isn’t the only one I can’t bear to see get hurt. Freddie? Nooooooooooo. His classy exit made me think we won’t be seeing any more of him, but a girl can dream, can’t she? He is someone who would deserve to get some serious revenge. At least we saw that Frank cared about cutting someone out of his life for the sake of his ambition. If only he’d cared that much for Zoe.

I didn’t really care much for Adam, but I did think Claire did. Once again, Robin Wright brings the chills with her gentle, warm way of being absolutely ice-cold!

Episode 10 is another set things up episode, but certainly not boring. Someone is headed for a big fall, and I have a sinking feeling that it is going to be Walker. I’m feeling that end of the ride coming, and I don’t want it to end.

I am so confused right now, I’m not even sure what they are being investigated for, but Elizabeth Marvel’s Heather Dunbar is fantastic at running this investigation! I wish I was in a little more suspense, but I’m afraid there is little doubt where all this is going. What is interesting is what is going on with super-loyal Meechum. It was obviously heading somewhere, but I was surprised at where that ended up. Great way to take care of your husband’s tension and your own, Mrs. Underwood!!!

Episode 12, and Walker finally gets it. He realizes that Frank has been playing him all along. But that doesn’t get Frank down for long. He and Claire just up their game. They are both brilliant at admitting to just enough of their manipulations, that they are able to sell more. Would this work in real life? Would anyone be stupid enough to trust them more than once?

And now Doug has practically pushed Rachel to the breaking point, and himself along with her. That can’t be good.

The final episode is proof positive that Walker was indeed too stupid to be president. He totally buys Frank’s act of pseudo-sacrifice, and “for the greater good” lies down, belly up. More conservatively dressed than we have ever seen her, Claire holds the bible while Frank takes the oath of office. Now they have everything they ever wanted, but at what cost? Claire actually cares that her machinations have hurt Megan. Frank is now without his most loyal courtier, poor Doug Stamper lying dead in a wood. The show’s very name indicates that after it is built it will all fall down.

Thank goodness for three-day weekends! Netflix should always release a binge-a-thon on Friday of a holiday weekend! I’m exhausted but exhilarated, and now I have to wait a year to watch those cards fall. I’m sure it will be spectacular!

 

DEMAND IT

 

 

- Jean Tait

 

Jean
Jean Tait is a contributing writer to On Demand Weekly. Currently the Director of Programming for the Connecticut Film Festival, Jean has programmed for the Jacksonville Film Festival and Sundance Channel.
 

 

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New Movies On Demand Preview: March 2014March 02, 2014

New Movies On Demand Preview: March 2014

Kate Asche Wilson (On Demand Weekly)

On Demand Weekly's Kate Wilson (@KateDoesLifegoes through all the new movies each month for her New Movies On Demand Preview.

 
Kate’s Top Three Movies On Demand:

Kate
By Kate Asche Wilson

Welcome to the beautiful month of March team! Unfortunately, for undisclosed reasons, I have fled the country. I’m not saying it’s for larceny reasons but I’m not not saying that. Therefore there will be no video counterpart to my riveting March On Demand Weekly Movie on Demand preview. Contain your tears I beg you. However for April my face will be back on your screens after I strike that plea bargain with the government. I’ve watched House of Cards. I know what I’m doing.
 
Now on to my top three On Demand films for March!


THE HUNGER GAMES: CATCHING FIRE- Premieres March 7
THE HUNGER GAMES is a billion dollar film franchise spawned by one of the best book trilogies of our generation. Not to mention it stars the beloved Jennifer Lawrence as Katniss Everdeen, the hero we all should aspire to be. Throw in the beautiful faces of Josh Hutcherson and Liam Hemsworth and you’ve got yourself an instant hit. Plus CATCHING FIRE is my favorite in the trilogy, and the film really does the story justice. It’s not easy to follow up such a successful first film, but with a new director and bigger budget, CATCHING FIRE comes back with a vengeance. No better way to spend your lonely Saturday night than with a volatile dystopic civilization and the chiseled golden abs of Sam Claflin.
PG-13 Action/Adventure, Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Elizabeth Banks, Philip Seymour Hoffman, Jena Malone, Sam Claflin, Lenny Kravitz, Stanley Tucci, Donald Sutherland

VERONICA MARS- Premieres March 14 INDIE PICK
I am filled with so many emotions about this I can’t even put it into words. Veronica Mars. A beloved cult classic series that was killed before its time is now being resurrected as a feature film. All because of a little Kickstarter that put the films fate into the hands of the fans and raised its $2 million goal in less than ten hours. That is the power of the Internet my friends. VERONICA MARS has opened so many doors for filmmakers and the success of its Kickstarter proves just how many creative avenues are open for artists in this age. And it’s all because of this little blonde spitfire, her neo noir mystery, and her insane sexual chemistry with Neptune’s resident bad boy. Because no one writes songs about the ones that come easy. 
PG-13, Comedy, Kristen Bell, Enrico Colantoni, Tina Majorino, Chris Lowell, Francis Capra, Ryan Hansen, Max Greenfield, Jason Dohring, Jamie Lee Curtis
 

AMERICAN HUSTLE- Premieres March 18
This movie will straight up assault you with late 70’s/early 80’s delightfulness. Between Amy Adams cleavage and Bradley Cooper’s perm you will not be able to tear your eyes away from what is happening on your screen. Poor Christian Bale even gained a potbelly and comb over for his Oscar nominated performance as Irving Rosenfield (Seriously though what that man does for his art). Based loosely on the FBI ABSCAM operation AMERICAN HUSTLE is with out a doubt the most fun you’ll have watching a film this year. I mean with Adams and Bale as con artists, Cooper as an insane FBI agent, and J Law as Bale’s unhinged wife, how could it not be?
R, Drama, Christian Bale, Amy Adams, Bradley Cooper, Jennifer Lawrence


Well friends that’s the On Demand Weekly Movie On Demand Preview for March! Be sure to check out all of the other great films coming out in March at Ondemandweekly.com, and if you happen to hear or see certain things about me from the Embassy or say a wanted poster, don’t believe it! Happy watching!
 
 
Also This Month...

Homefront – Premieres 3/11, (same day as DVD, weeks before Netflix & Redbox),

R, Action

Jason Statham, James Franco


Inside Llewyn Davis – Premieres 3/11, (same day as DVD),

R, Drama

Oscar Isaac, Justin Timberlake


Out of the Furnace - Premieres 3/11, (same day as DVD, months before Netflix)

R, Drama

Christian Bale, Casey Affleck


12 Years a Slave – Premieres 3/18, (weeks before Netflix & Redbox)

R, Drama,

Chiwetel Ejiofor, Michael Fassbender, Lupita Nyongo


Mandela: Long Walk to Freedom – Premieres 3/18, (same day as DVD)

PG-13, Drama

Idris Elba, Naomie Harris


The Book Thief – Premieres 3/25, (weeks before Netflix & Redbox)

PG-13, Drama

Geoffrey Rush, Emily Watson


The Wolf of Wall Street – Premieres 3/25, (same day as DVD)

R, Comedy

Leonardo DiCaprio, Jonah Hill

 

INDEPENDENT FILMS

 

The Bag Man – Premieres 3/4, (weeks before DVD, Netflix & Redbox)

R, Thriller, 

Robert De Niro, John Cusack


Oldboy – Premieres 3/4, (same day as DVD)

R, Action

Josh Brolin, Samuel L. Jackson


Nymphomaniac: Vol. I – Premieres 3/6, (before theatrical release)

TV-MA, Drama

Charlotte Gainsbourg, Shia LaBeouf

 

Better Living Through Chemistry – Premieres 3/14, (same day as theatrical release)

TV-MA, Comedy,

Olivia Wilde, Sam Rockwell


Swerve – Premieres 3/18, (same day as DVD),

R, Thriller

Jason Clarke, Emma Booth


Nymphomaniac: Vol. II – Premieres 3/20, (before theatrical release)

TV-MA, Drama

Charlotte Gainsbourg, Shia LaBeouf



Blood Ties – Premieres 3/21, (same day as theatrical release)

R, Thriller

Clive Owen, Mila Kunis

 

Maladies – Premieres 3/25, (available on demand & in theaters)

TV-14, Drama

James Franco, Catherine Keener

 

 

- Kate Asche Wilson


Kate
Kate Asche Wilson is a contributing writer to On Demand Weekly. She is a graduate from the Dodge College of Film and Media Arts at Chapman University where she received a BA in Screenwriting. In her spare time Kate likes to take long walks on the beach, and watch telenovelas. Follow her on Twitter @KATEDOESLIFE

 

 

Click Here To Find The Below Movies On Demand Via ODW's Watch It Channel...

 

 

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Jerry Seinfeld’s Comedians In Cars Getting Coffee - Howard SternMarch 02, 2014

Jerry Seinfeld’s Comedians In Cars Getting Coffee - Howard Stern

Comedians In Cars Getting Coffee (Crackle)

Media savant T Tara Turk is turning her attention to Original Web Series. Tell Tara what shows you think she should review.


 

Jerry Seinfeld's Comedians In Cars Getting Coffee - Howard Stern

By T. Tara Turk

 
We begin with a pumpkin colored Pontiac 1969 GTO aka "The Judge" after Sammy Davis Jr's infamous character on Rown and Martin's "Laugh In" (for you youngsters, that was a funny variety show back in the day that also included Goldie Hawn aka Kate Hudson's mother). "The Judge" is an appropriate metaphor for this episode with shock jock radio legend Howard Stern.
 
This could have gone either way. It could have been hilarious or it could have gone awkward and uncomfortable. Well, I don't think I'd use the word hilarious and that's ok. This is an introspective awkward confrontational...ok well it's a Howard Stern meets Jerry Seinfeld show.
 
We begin with Stern telling Jerry via phone that he really doesn't want to do this. He doesn't want to go to a coffee shop and talk and do the whole thing. But Jerry isn't hearing it and pulls up in "The Judge" anyway. Immediately the original radio takes Stern back to his childhood.
 
"Here's where it all began for me. The radio. (My father) would ignore me the entire time we were in the car and I became enamored with the radio...this was my way of getting attention." Stern says. The rest of the ride to the Bel Aire Diner in Queens is spent talking about Stern's uncomfortable awkwardness about his hair, his belief in therap (which Jerry cannot subscribe to) and his attempt at turning the show around to Stern interviewing a reluctant Jerry. It's almost Shock Jocks In Cars Getting Coffee until, when talking about process, Jerry drops a nugget of wisdom:
 
"The comdian studies himself. The actor studies other people. The comedian wants to be himself. The actor wants to be someone else," Jerry says.
 
"EXACTLY!" Stern replies.
 
When they reach the diner, the part where normally we see some coffee that makes you want to get up and pour a cup and a dessert that normally makes you wonder how often these Hollywood types eat this stuff, the needled on the record scratches. Jerry orders coffee after they salivate over brownies and Stern orders...hot water.
 
 
 
"It's like being with my aunt from the old country," Jerry says.
 
This is when Stern goes in for the turn around kill.

He asks Jerry about his relationship with is father (which Jerr clearly isn't interested in talking about for reasons we find out later), the strain of actually producing shows once you have a production company and...therapy.

 

"As a radio guy, I think I'm the best that ever lived," Stern says. "Are you better than Leno at stand up?"

 

"That's a stupid question," Jerry answers. "I don't like to hear myself like that. Saying negative things. Comedy is more personal than food." That seems to allow the tension between the two break. They run into a hairstylist in the diner where Jerry asks her about Stern's do.

 

"Fluff it up more," Jerry says.

 

"Does it look ok?" Stern asks.

 

"I don't know. What are you going for? Slash or Rhea Pearlman?"

 

Before they head back in the car, they stop off at a store so Stern can quick Jerry on the current price of grocery items which would be a good bit for Rowan and Martin's "Laugh In." When they exit, these two very different men find something they can finally bond over.

 

"In your office in New York, what's the one treasured item you have?" Stern asks. When Jerry responds that it's the framed cover of a MAD magazine that he was on, Stern eagerly tells Jerry his prized position is the blown up framed cover of the MAD magazine he was on. Both men seriously marvel at this one treasure that has brought them together before they go back in "The Judge" and go home.

 

 

 T. Tara Turk

Tara
T. Tara Turk is a novelist/playwright/screenwriter, living in LA with her boyfriend and dog - all three successful TV addicts. You can find her at www.ttaraturk.com or follow her on Twitter @ttaraturk.
 
 
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John T. Woods’ Top 5 Reasons To See DOWN AND DANGEROUSFebruary 14, 2014

John T. Woods’ Top 5 Reasons To See DOWN AND DANGEROUS

Always one step ahead of the Feds, Paul Boxer (John T. Woods) is the most inventive and principled smuggler in the trade, and has never needed to carry a gun. When violent mid-level traffickers force him into designing a foolproof scheme to bring several kilos of cocaine across the Mexico border, he plans to rid himself of their hold over him once and for all. But when a beautiful woman from his past enlists his help to escape this life, Paul must confront the man that is hunting him down, and choose between his livelihood and his integrity as a man.

DOWN AND DANGEROUS was produced by The Sabi Company and directed by Zak Forsman. It will release be theatrically in over 15 markets including LA on February 14, 2014, and is available On Demand to over 100 million cable & satellite subscribers and across all digital platforms.

 

 

Click Here To View ODW's Monthly Movie On Demand Preview On Our Home Page

 

 

Top 5 Reasons To See DOWN AND DANGEROUS

 


John T. Woods


1. This movie was inspired by writer/director Zak Forsman's father who had a brief career in the 70's as a cocaine smuggler.

2. We stretched our crowd-funded budget of under $50,000 to shoot in over 30 locations including Palm Springs, the California desert, the US/Mexico border and all over Los Angeles.

 



3. One of the first times I've played a character that doesn't meet his demise in a ridiculous fashion.

4. Proof that coffee house meetings can produce tangible creative endeavors! Zak and I met up at a coffee house and discussed the idea of making an action film that had all the aspects of what we liked to watch when we were kids....

 

For DOWN AND DANGEROUS

we drew from films like

RAIDERS OF THE LOST ARK and HEAT.... 

 

...It's full of action, suspense, dynamic characters and solid story-telling. Not to mention a really amazing soundtrack from artists Deklun and Leitbur.

5. 
DOWN AND DANGEROUS is the third feature film from The Sabi Company. While the cast was made up 24 amazing actors, the crew was comprised of just 6 people total. This team at The Sabi Company is responsible for a number of award-winning short films and features and is made up of childhood friends, a husband and wife team and other artists who are all serious about continuing to make great films.

 



See Kickstarter campaign.



- John T. Woods

 

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Top 5 Reasons to Watch The Web Series HIGH MAINTENANCEFebruary 11, 2014

Top 5 Reasons to Watch The Web Series HIGH MAINTENANCE

High Maintenance

A nameless cannabis delivery guy delivers his much needed medication to stressed-out New Yorkers in this character-driven web series. “High Maintenance” was created by husband and wife team Ben Sinclair and Katja Blichfeld. They produce the series with their BFF Russell Gregory as Janky Clown Productions. Here are 5 reasons (aside from the fact that it’s been named “Best Web Series of 2013” by multiple publications) to watch…

 

Top 5 Reasons to Watch The Web Series HIGH MAINTENANCE


1. The episodes are only 6-11 minutes long but so compelling that you might find yourself binging through the entire series without even realizing 2 hours has gone by.

2. While it’s definitely comedic, it’s not always light-hearted; the show frequently explores the dark realities of life and how people cope in those situations.

 


3. The characters are so complex, realistic and wonderfully portrayed that you feel like you’re getting to know real people during some of their most vulnerable moments.

4. It also shows the different sides of cannabis, how people use it recreationally of course, but also how and why people try it for truly medicinal purposes.

5. There are talks of it coming to the small screen, see it now so that you can say you knew about it before it became a popular TV series!

 

Sabrina Luppi

 



Sabrina Luppi is a new contributing writer to On Demand Weekly. She is currently a film and marketing student at San Francisco State University, and recently completed a content programming internship at Intel. Sabrina is an aspiring actress, writer and filmmaker and her favorite genre is horror. Follow her on Twitter @sabzy_

 

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THE ART OF THE STEAL Starring Kurt Russell & Matt Dillon - Now On DemandFebruary 10, 2014

THE ART OF THE STEAL Starring Kurt Russell & Matt Dillon - Now On Demand

THE ART OF THE STEAL (The Weinstein Company)

On Demand Weekly provides new movie reviews of hot movies on demand from the POV of watching from the comfort of your home. Today’s review: THE ART OF THE STEAL (The Weinstein Company).

 

See the latest Independent Movie On Demand (IMOD) Trailers here...

 

THE ART OF THE STEAL
By Joe Charnitski


One of my favorite sub-genres of movies is the “bunch of guys get together and plan a job” genre. Quentin Tarantino twisted and redefined it in RESERVOIR DOGS. Steve McQueen helped turned it into a western in THE MAGNIFICENT SEVEN (itself a remake of Kurosawa’s classic SEVEN SAMURAI) and into a World War II anti-Nazi adventure in THE GREAT ESCAPE. These films are usually beefed up with macho bravado, peppered with twists and double-crosses and generally sauced in a thick sense of cool.

A heist is often at the core of these films, and the band of brothers who have joined for the mission are not usually mild mannered choir boys. In recent history, Soderbergh’s OCEAN’S ELEVEN (and its ill begotten sequels) is the archetype for this type of picture. It’s probably also the distant cousin of the new indie comedy THE ART OF THE STEAL. The film, starring Kurt Russell and Matt Dillon as half-brothers and full partners in an art theft ring, fills its soundtrack with slick songs and packs the screen with smooth transitions, hoping to create that atmosphere of cool.

Russell plays Crunch Calhoun, the getaway man and expert motorcyclist in the gang, who, when we first meet him, is about to enter a Polish prison for a stay of five years. Dillon plays Nicky Calhoun, the idea man who has flourished financially in the years his brother spent behind bars.

 



We quickly learn what led to Crunch’s incarceration and soon after join him as he returns to life as a free man, and a stunt man, performing motorcycle tricks at monster truck shows. It isn’t long before the half-brothers are reunited and, as Crunch would say, fate presents them an opportunity to get the gang back together for an opportunity at making history.

These kinds of cool crime comedies are a lot like romantic comedies: 

you pretty much know how things will turn out for these characters, you just hope the trip is fun along the way, and the details of the destination make it worth traveling for. Generally, THE ART OF THE STEAL succeeds on both counts. The film does look and feel slick, with cinematography, editing and music humming along at a precise pace.

It also earns some laughs, and here I have to make special note of a side story involving Jason Jones (“The Daily Show”) and Terence Stamp, a standout in the cast. Jones plays an ambitious and temperamental Interpol officer who’s working with a former thief turned informant played by Stamp. For me, Stamp will always be General Zod (SUPERMAN, SUPERMAN II) and though more soft spoken in this film, his presence is just as impressive. He and Jones are such a fine comedy team, I can’t help but wish I was watching a film centered on their relationship.

Some of the geographical jumps in the story are jarring and not all of the plot’s complexities seem necessary, but by the time the journey of THE ART OF THE STEAL brings you to your destination, I think you’ll find it worth the trip.

 

 

 

TRY IY

 

Joe Charnitski

 

Joe Charnitski
Joe Charnitski is a new contributing writer to On Demand Weekly. His career in film and television production, development and marketing has included stops at Miramax Films, Syfy and VH1. He currently works at a entertainment focused social media marketing agency in New York City. Twitter:@JoeCharnitski

 

 

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ALL IS BRIGHT Starring Paul Giamatti & Paul Rudd

I DECLARE WAR -  TRY IT 

Adrian Grenier's HOW TO MAKE MONEY SELLING DRUGS -  TRY IT 

THE AMBASSADOR DEMAND IT

AMERICAN ANIMAL - TRY IT 

EXCLUSIVE: 5 Surprising Facts About The New Movie ART MACHINE By Cast & CrewFebruary 08, 2014

EXCLUSIVE: 5 Surprising Facts About The New Movie ART MACHINE By Cast & Crew

ART MACHINE (Pie Face Pictures)

At age six, child prodigy painter Declan Truss (Joseph Cross) was propelled into the art world as a rare marvel, but by seventeen, the tightrope of notoriety is catching up with him. Declan seeks inspiration as the immense pressures of an impending coming-of-age exhibition loom. His world explodes when he stumbles on a commune of rebellious freethinkers through an incendiary rooftop meeting with pyrotechnic outsider artist, Cassandra Moon (Jessica Szohr). Declan reaches beyond painting to wild experimentation, quickly spinning out of control. As he becomes consumed by his mania, he begins to regard his mother (Joey Lauren Adams) as part of a system that's keeping him down, and magnetically rallies the rebels to take part in his progressively subversive art exhibition--one that will ultimately shock and destroy.

Set against the backdrop of Brooklyn's vibrant art and music scene, ART MACHINE is a dark comedy about the tenuous relationship between art and commerce, the fine line between creative genius and clinical mania, and the damaging effects of fame. Now available on demand. 

 

 

Click Here To View ODW's Monthly Movie On Demand Preview On Our Home Page

 

 

5 Surprising Facts About ART MACHINE

 

Director Doug Karr, producer Aimee McCab, Adam Krueger (the artist whose work was featured in the film), and actor Lucas Papaelias collected 5 surprising facts about the new movie on demand, ART MACHINE.

 

1. Lucas Papaelias who plays the outsider artist’s self-proclaimed director of agitation and propaganda—Agit Prop—recalls that “there was one night when Agit's anarchic radster crew was supposed to go on the subway and do some anarchistic artist stuff. But we didn't even have an actual permit to shoot on the subway, much less to burn shit and paint graffiti... plus it had already been a really long day.

 

After much deliberation,

we decided to just get drunk and

run around the streets of Williamsburg and

raise hell, de-pantsing in the middle of the street and

jumping on cars... 

 

...We ended up at some loft party and totally crashed it with the cameras and everything. The party then continued at Doug & Aimee's after we had finished shooting for the night.” 

 

ART MACHINE (Pie Face Pictures)

 

2. Other fun surprising facts about the film include the fact that all of the explosions, fire gags and even Cassandra’s flaming hand were achieved practically, meaning we actually blew things up and lit a stunt person's hand on fire and didn't opt for the convenient fakery of CGI. “Of course we enlisted a crack team of physical effects professionals to ensure nobody got hurt during shooting,” says director Doug Karr, “but I was really set on not faking it, even though that would have been an easier path. Luckily nobody lost any body parts, just a little arm hair.” 

 

3. Producer Aimee Karr recounts how “not only did the initial Kickstarter campaign get the ball rolling on financing the film but it also raised awareness to a group of investors who jumped onboard outside of the campaign, allowing us to raise our entire budget and go into production in a matter of months. It also allowed us to pay for the five hit and run car accidents that impacted our crew. Our favorite one was when one of our own interns hit one of our other production cars…and then ran. Gotta love shooting in New York City!” 

 

4. Adam Krueger busted out all of the incredible art featured in the film in a roller coaster round-the-clock frenzy, all the while showing up on set to be the hands of Joseph Cross for all of Declan Truss's onscreen painting. “Painting in such a short timeline was definitely a challenge, but nothing compared to the exhaustive hand modeling. Yell cut already.”

 


ART MACHINE (Pie Face Pictures)

 

5. Along with a killer score by Mark Kondracki, ART MACHINE has 2 music tracks in the film from a fantastic list of indie music’s who’s who including Kaki King, Plants and Animals, Twin Sister, and Here We Go Magic. See the film, then check out the soundtrack.

 

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EXCLUSIVE: Dichen Lachman’s Insight On The Making Of LUST FOR LOVEFebruary 07, 2014

EXCLUSIVE: Dichen Lachman’s Insight On The Making Of LUST FOR LOVE

Dichen Lachman / LUST FOR LOVE (Gravitas)

Astor’s (Fran Kranz: THE CABIN IN THE WOODS, "Dollhouse") happy tenacity spoils his one chance at love with his lifelong crush Mila (Beau Garrett). Convinced he needs more experience with women to win her back, he engages her ex-best friend Cali (Dichen Lachman: "Last Resort," "Dollhouse") to teach him how to woo women. Together they dissect his failings, and Astor makes his awkward pick-up attempts. As Astor begins to juggle multiple opportunities, he discovers the source of the rift between Cali and Mila, and the trio is forced to confront their conceptions about love.


The film was written, directed, and produced by first-time filmmaker Anton King with Dichen Lachman and Jack Wylson producing alongside him. Gravitas Ventures will release LUST FOR LOVE on VOD and across all other digital platforms on Friday, February 7.

 

 

Click Here To View ODW's Monthly Movie On Demand Preview On Our Home Page

 

 

Dichen Lachman’s Insight On The Making Of LUST FOR LOVE

 

LUST FOR LOVE was written by Anton King in 2010. He sent me the script and I immediately loved it. When he asked me if I wanted to make it with him, I was terrified because I didn't even know where to start. I'm still terrified but also very happy, because I've seen so many people enjoy it. Part of the budget was raised using kickstarter and the rest was Anton, myself and few people from kickstarter who extended them selves to finish the film. 

 

I wasn't sure about playing such a big role with all the other work involved. However Anton assured me that I could do it. He believed in me a little more than I did at the time and I'll always be grateful for that support. (I wasn't always during filming:) we butted heads and cried together because it was so hard but we made it through.)

 


LUST FOR LOVE (Gravitas)

 

A kickstarter film has a unique ... something about it, maybe it doesn't, but it was my first experience as a producer. There's a huge responsibility to the people who believed in you. Because of them we did everything we could to deliver the movie finished. It has been the hardest thing I've ever been involved with. I have so much more respect for independent filmmakers after having experienced collaborating in one, on many levels. You just don't realize how much goes into it. We were very fortunate that people were so generous which made things a little easier. Fran's parents kindly let us shoot in their back yard, friends of Anton's let us take over their house for days.

 

Something you really don't think of when you just acting is how much time goes into simply finding locations. Lust for Love has a lot of locations for the budget and it really adds to the movie. Oh and background! Background artists. They are so hard to find for free. It's such a hard job. Lots of waiting around and moving around for long hours. Thanks to Chris Boulos, Jason Dolan and Adam Yeend we had people. We didn't even think about it. There were days when we were scrounging for people it was one of the hardest things to organize. Valmik Cambell makes a few appearances in the film so does Jason and a lot of our crew! The list goes on in terms of the plethora of things a production team has to think of. It strains the mind.


As a first time producer on a small budget film

I was unclogging toilets... 

 

...cleaning incessantly, helping department heads dress sets and carry equipment, mustering all my strength to assist in anyway I could, and with all that, I didn't work half as hard as the amazing people who came out to help us make this movie happen. We had so many volunteers it warmed my heart so deeply. Their spirit, work ethic and passion kept me going and kept me smiling. The first week of shooting I was actually in Vancouver shooting "Being Human." 

 

LUST FOR LOVE (Gravitas)

 

One night at 1am Adam Yeend called me and said the power had gone out, the wind was howling and blowing everything apart, the crew were freezing and we had no idea when things were going to be up and running. I felt so bad, I wanted to do something to cheer the mood but I was in Canada thousands of miles away shooting something else. Completely stressed between takes. Pacing. Adam was updating me every chance he could. Finally I came up with the idea to call urth cafe for delivery. So between takes I was out in the snow in Canada working on getting the crew in LA warm and fed. Trying to problem solve with Adam. When I got back to LA everyone thanked me for the pumpkin pie and coffee. It was such a small gesture considering the night they had. I was shocked they even remembered. But that's just one tiny example of the angels we had working with us. Rachael the makeup artist even took off her own socks for Fran to wear in the Rocky scene because they weren't on set when we had to shoot and were losing light.


As an actor making 'things' is becoming more and more important. Felicia Day has been a huge inspiration to me. She was there trailblazing her way through. She has been such an incredible example to so many people around the world. We don't have to wait for someone to allow us to be creative. We just have to be creative and have a voice. Living in LA makes it easier. Almost everyone here is an aspiring artist in some way shape or form so I recognize that it's a privilege to live here. However with technology rapidly improving it's going to open up if it hasn't already. I really hope we inspire some people too.

 

 


LUST FOR LOVE (Gravitas)

 

This film was made with so much love and hard work. The cast we managed to bring on deck, all friends, bring this film to life in a beautiful and different way. It's inspirational to see what we were able to achieve for relatively little. It's charming and fun and heartwarming.

 

It's shot in LA (so rare these days)

and LA is beautiful!

 

Like Steve Martin wrote 'it's a desert where people came to build their dreams'.

 

Dichen Lachman

 

 

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New Movies On Demand Preview: February 2014February 05, 2014

New Movies On Demand Preview: February 2014

Kate Asche Wilson (On Demand Weekly)

On Demand Weekly's Kate Wilson (@KateDoesLifegoes through all the new movies each month for her New Movies On Demand Preview.

 

 

 

 

Kate
By Kate Asche Wilson
 
February, the month of love or debilitating sadness depending on your relationship status! But don’t worry it’s Kate here to remind you that Champagne tastes just as delicious alone as it does with a significant other. And if you have managed to find love in a hopeless place good for you. Now you and your special someone can share in your alcoholism together. 

Nothing says true love quite like drunken commitment and mediocre prix fixe menus. Regardless if you’re taken or considering adopting some cats we can all agree on one thing this Valentine’s day; Movies On Demand is a sure fire way into someone’s heart. And lucky for you I have my February On Demand Weekly Movie On Demand preview right here.

ABOUT TIME - Premieres February 4
It’s the month of cherubs and Hallmark so of course I have to throw in a token rom com for your viewing pleasure. And there’s no better option then ABOUT TIME, a film starring the rom com queen herself, Ms. Rachel McAdams. ABOUT TIME is also written by Richard Curtis the man behind LOVE ACTUALLY and the world’s resident doctor love.

And let me tell you he does not disappoint with this romance about a time traveling ginger and his ultimate quest to land a girlfriend and fix his sub par life. It’s a charming witty story that is sure to entertain everyone, and will be a great addition to your Valentines plans especially if someone lied about making those romantic reservations.
R, Comedy/Romance, Domhnall Gleeson, Rachel McAdams, Bill Nighy, Same Day As Theatrical


THE ART OF THE STEAL- Premieres February 7 INDIE PICK
When you think of romance what comes to your mind? Canada of course! And the THE ART OF THE STEAL is a Canadian comedy you do not want to miss out on. Sure it doesn’t technically have anything to do with romance, but truly haven’t you had enough Sees candy shoved down your throat.

THE ART OF THE STEAL follows the tale of Crunch Calhoun a motorcycle daredevil and semi-reformed art thief (Because of course the two go hand in hand). With the urging of his brother Matt Dillon, Crunch is thrust into one last heist, getting the old team back together, and stealing a priceless historical book. With a plot that cracked out and fabulous there is really nothing more I can say.
R, Comedy, Kurt Russell, Jay Baruchel, Pre-Theatrical


GRAVITY - Premieres February 25
Tina Fey had it right when she said “It’s the story of how George Clooney would rather float away into space and die than spend one more minute with a woman his own age”. And by watching GRAVITY you can really see the truth in that statement. As well as the Oscar nominated performance of Sandra Bullock, the Oscar nominated directing of Alfonso Cuaron, and the eight other Oscar nominated parts that make up this film.

GRAVITY is a heart pounding 91 minutes of panic that will deter anyone from pursuing their dream of becoming an astronaut. It’s a spectacular film for many reasons, but lets be real. It’s all about the Clooney.
PG-13, SciFi/Drama, Sandra Bullock, George Clooney


Well that’s February team! Happy watching!
 
 
Also This Month...

 

DALLAS BUYERS CLUB – Premieres 2/4, (SAME DAY AS DVD, WEEKS BEFORE NETFLIX & REDBOX)

R, Drama

Matthew McConaughey, Jared Leto

ESCAPE PLAN – Premieres 2/4, (SAME DAY AS DVD)

R, Action,
Sylvester Stallone, Arnold Schwarzenegger

 

FREE BIRDS – Premieres 2/4, (SAME DAY AS DVD, WEEKS BEFORE NETFLIX, AVAILABLE IN 3D)

PG, Animated

voices: Woody Harrelson, Owen Wilson

THE BEST MAN HOLIDAY –Premieres 2/11, (SAME DAY AS DVD, WEEKS BEFORE NETFLIX & REDBOX)

R, Comedy

Morris Chestnut, Taye Diggs


ENDER'S GAME –Premieres 2/11, (SAME DAY AS DVD)

PG-13, SciFi/Action

Asa Butterfield, Harrison Ford

BAGGAGE CLAIM – Premieres 2/18, (WEEKS BEFORE NETFLIX & REDBOX),
PG-13, Comedy

Paula Patton, Taye Diggs


THE COUNSELOR: UNEDITED EXTENDED CUT – _Premieres 2/25, (WEEKS BEFORE NETFLIX & REDBOX)

TV-MA, Thriller

Michael Fassbender, Brad Pitt


GRAVITY - Premieres 2/25, (SAME DAY AS DVD, WEEKS BEFORE NETFLIX & REDBOX, AVAILABLE IN 3D)

PG-13, SciFi/Drama

Sandra Bullock, George Clooney

NEBRASKA - Premieres 2/25, (SAME DAY AS DVD)

R, Comedy

Bruce Dern, Will Forte

 

INDEPENDENT FILMS

 

THE BROKEN CIRCLE BREAKDOWN - Premieres 2/4, (WEEKS BEFORE DVD, NETFLIX & REDBOX)

TV-MA, Drama

Johan Heldenbergh, Veerle Baetens

DIANA - Premieres 2/4, (BEFORE DVD, NETFLIX & REDBOX)

PG-13, Drama,
Naomi Watts, Naveen Andrews

 

AUSTENLAND - Premieres 2/11, (SAME DAY AS DVD)

PG-13, Comedy

Keri Russell, Bret McKenzie

ADULT WORLD - Premieres 2/14, (SAME DAY AS THEATRICAL RELEASE)

R, Comedy

John Cusack, Emma Roberts

ROMEO AND JULIET - Premieres 2/18, (WEEKS BEFORE NETFLIX & REDBOX),
PG-13, Romance

Hailee Steinfeld, Douglas Booth

 

BLUE IS THE WARMEST COLOR - Premieres 2/25, (SAME DAY AS DVD)

NC-17, Drama

Lea Seydoux, Adele Exarchopoulos

THE GREAT BEAUTY - Premieres 2/25, (WEEKS BEFORE DVD, NETFLIX & REDBOX)

TV-MA, Drama

Toni Servillo, Sabrina Ferilli


ELAINE STRITCH: SHOOT ME - Premieres 2/27, (AVAILABLE ON DEMAND & IN THEATERS)

TV-MA, Documentary

Elaine Stritch

 

 

- Kate Asche Wilson


Kate
Kate Asche Wilson is a contributing writer to On Demand Weekly. She is a graduate from the Dodge College of Film and Media Arts at Chapman University where she received a BA in Screenwriting. In her spare time Kate likes to take long walks on the beach, and watch telenovelas. Follow her on Twitter @KATEDOESLIFE

 

 

Click Here To Find The Below Movies On Demand Via ODW's Watch It Channel...

 

 

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The 2014 Oscar® Nominated Short Films On Demand February 25thJanuary 28, 2014

The 2014 Oscar® Nominated Short Films On Demand February 25th

AMPAS

See tomorrow's filmmaking talent and get a leg up on your Oscar® pool by watching the Oscar® Nominated Short Films On Demand February 25th on iTunes. 

 

 

Click Here To View ODW's Monthly Movie On Demand Preview On Our Home Page

 

 

LIVE ACTION

DO I HAVE TO TAKE CARE OF EVERYTHING?
FINLAND / 7MIN
Director: Selma Vilhunen
Producer: Elli Toivoniemi, Tuffi Films Ltd.

Mother Sini wakes up in a panic: she has slept in and the family is late for a wedding. She wakes up her husband Jokke and daughters Ella, 6, and Kerttu, 4. They start to prepare themselves in a hurry. Mother is going crazy since nobody else seems to be able to do anything right. Who has messed father’s shirt, hid girls’ dresses and the wedding gift?


HELIUM
DENMARK / 23MIN
Director: Anders Walter
Producers’: Kim Magnusson, Tivi Magnusson and M&M Productions
Executive Producers’: Andreas Rostock, Lasse Marcussen and Henrik Gugge Garnov

A hospital’s eccentric janitor helps a young dying boy regain the joy and happiness of life.


JUST BEFORE LOSING EVERYTHING
FRANCE / 30MIN
Director: Xavier Legrand

While her children pretend to go to school, Miriam hurries to pick them up and take them to her work place. She explains to her boss that she has to leave the region in a rush.


THAT WASN'T ME
SPAIN / 24MIN
Director: Esteban Crespo
Executive Producer: Jose Luis Matas-Negrete

The short film AQUEL NO ERA YO, written and directed by Spanish director Esteban Crespo, tells the story of Paula and Kaney. Two characters, an African child and a Spanish woman, who could have nothing in common, but will get to join their lives forever through a life-giving shot.


THE VOORMAN PROBLEM
UNITED KINGDOM / 13MIN
Director: Mark Gill Producers: Baldwin Li and Lee Thomas

Doctor Williams is called in to examine the enigmatic Mr Voorman, a prisoner with a peculiar affliction: he believes he is a god. The doctor must decide on the sanity of Mr Voorman: is he a faker or a lunatic? Diagnose him insane and they can ship him off to the asylum. But before making a decision, the doctor has several questions in relation to Voorman’s claim: why would a god choose to be straitjacketed in a prison, is there a way he can validate his boast and what has any of this got to do with Belgium?

 




ANIMATION

FERAL
USA / 13MIN
Director: Daniel Sousa

A wild boy is found in the woods by a solitary hunter and brought back to civilization. Alienated by a strange new environment, the boy tries to adapt by using the same strategies that kept him safe in the forest.


GET A HORSE!
USA / 6MIN
Director: Lauren MacMullan Producer: Dorothy McKim

Walt Disney Animation Studios’ innovative new short “Get A Horse!” is a contemporary homage to the first animated shorts featuring Mickey Mouse, with all-new, black-and-white, hand-drawn animation that’s paired with full-color, 3D, CG filmmaking—in the same frame. Mickey (voice of Walt Disney), his favorite gal pal Minnie Mouse and their friends Horace Horsecollar and Clarabelle Cow delight in a musical haywagon ride—until Peg-Leg Pete shows up and tries to run them off the road. This groundbreaking short takes a sharp turn when Mickey finds himself separated from Minnie and must use every trick up his sleeve to find his way back to her. Directed by Lauren MacMullan and produced by Dorothy McKim, “Get A Horse!” is in theaters in front of “Frozen”.


MR HUBLOT LUXEMBOURG
FRANCE / 11MIN
Director and Producer: Laurent Witz  / Co-Director: Alexandre Espigares

Mr Hublot lives in a world where characters are made partially of mechanical parts, driving huge vehicles, rub shoulders with each other. A world where the giant scale of machines and the relentless use of salvaged materials reign supreme.

A withdrawn, idiosyncratic character with OCD, Mr Hublot is scared of change and the outside world. His solution: he doesn't step foot outside his apartment! The arrival of the dog Robot Pet will turn his life upside down: he has to share his home with this very invasive companion...


POSSESSIONS
JAPAN / 14MIN
Director and Writer: Shuhei Morita Producers’: Yasumasa Tsuchiya, Daisuke Uchiyama, Motoki Mukaich

The 18th Century. On a stormy night, deep in the mountains, a man has lost his way and comes across a small shrine. When he enters, the space suddenly turns into a room in a different world. One after another appear abandoned umbrellas, discarded kimonos, and such spectral things. The man painstakingly mends these paraphernalia, which harbor deep-seated bitterness, and brings them comfort. “How well you served people before you turned to rags. Your rest is earned.”


ROOM ON THE BROOM
UNITED KINGDOM / 25MIN
Director: Max Lang & Jan Lachauer Producer: Michael Rose and Martin Pope

A half hour animated film based on the wonderful children’s picture book written by Julia Donaldson and illustrated by Axel Scheffler. Room On The Broom is a magical tale about friendship and family from Magic Light Pictures, the producers of the hugely successful The Gruffalo and The Gruffalo’s Child.

A story about a kind witch who invites a surprising collection of animals to join her on her broom, much to the frustration of her cat. The gang ultimately saves the witch from a fearsome dragon, and in gratitude she rewards them with a magnificent new broom which has room for everyone. Featuring the voices of Gillian Anderson (Witch), Rob Brydon (Cat), Martin Clunes (Dog), Sally Hawkins (Bird), Simon Pegg (Narrator), Timothy Spall (Dragon), David Walliams (Frog).


DOCUMENTARY

CAVEDIGGER
USA / 39MIN
Director and Producer: Jeffrey Karoff

Ra Paulette digs cathedral-like, 'eighth wonder of the world' art caves into the sandstone cliffs of Northern New Mexico. Each creation takes him years to complete, and each is a masterwork. But patrons who have commissioned caves have cut off nearly all of his projects due to artistic differences. Fed up, Ra has chosen to forego commissions altogether and create a massive, 10-year project, his Magnum Opus.

FACING FEAR
USA / 23MIN
Director and Producer: Jason Cohen

The worlds of a former neo-Nazi and the gay victim of his senseless hate crime attack collide by chance 25 years after the incident that dramatically shaped both of their lives. They proceed to embark on a journey of forgiveness that challenges both to grapple with their beliefs and fears, eventually leading to an improbable collaboration... and friendship.

KARAMA HAS NO WALLS
YEMEN, UK & UNITED ARAB EMIRATES / 26MIN
Director: Sara Ishaq Producers: Setara Films and Hot Spot Films

‘Karama Has No Walls’ is a documentary film set in Change Square, in Yemen’s capital city Sana’a, where members of a heavily armed population set aside their weapons, and peacefully assembled in early 2011 to demand the fall of Ali Abdullah Saleh’s 33 year autocratic rule.

As pro-government snipers shot dead 53 protesters and injured a thousand more, the Yemen nation was shaken to its core and the masses flocked to the square in solidarity with their fellow citizens. The film illustrates the nature of the 2011 Yemeni uprising in stark contrast to the gross violations of human rights that took place on the Friday of Dignity (Juma’at El-Karama), marking a turning point in Yemen’s revolution. Through the lenses of two cameramen and the accounts of two fathers, the film retells the story of the people behind the statistics and news reports, encapsulating the tragic events of the day as they unfolded from a prayer gathering into a barrage of bullets.

PRISON TERMINAL: THE LAST DAYS OF PRIVATE JACK HALL
USA / 40MIN
Director and Producer: Edgar Barens Coordinating Producer: Greg Rhem Editor: Geof Bartz Senior Producer: Lisa Heller Executive Producer: Shelia Nevins An HBO Documentary Film

Prison Terminal: The Last Days of Private Jack Hall, an HBO Documentary Film, is a moving cinema verité documentary that breaks through the walls of one of America’s oldest maximum security prisons to tell the story of the final months in the life of a terminally ill prisoner, Jack Hall and the hospice volunteers, they themselves prisoners, who care for him.

THE LADY IN NUMBER 6
CANADA / 38MIN
Director and Producer: Malcolm Clarke Producers: Nick Reed and Chris Branch

The Lady In Number 6 is one of the most inspirational and uplifting stories of the year. 109 year old, Alice Herz Sommer, the world's oldest pianist and Holocaust survivor shares her story on how to achieve a long and happy life. She discusses the importance of music, laughter and how to have an optimistic outlook on life.

 

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5 Things You Need To Know About BACK IN THE DAY by Michael Rosenbaum

BACK IN THE DAY (Screen Media)

Sometimes in order to move forward, you have to go back. And in this comedy, Jim Owens does just that when he heads home for his high school reunion. In an attempt to relive the glory days with his boys and explore an old romance, he nearly destroys his hometown and friendships.


Comedy written & directed by Michael Rosenbaum, starring Nick Swardson, Harland Williams, Morena Baccarin and more! Now on demand.  


Click Here To View ODW's Monthly Movie On Demand Preview On Our Home Page

 

 

5 Things You Need To Know About BACK IN THE DAY by Michael Rosenbaum

 

Michael Rosenbaum / BACK IN THE DAY (Screen Media)


1. Back in the Day was shot entirely in my small hometown of Newburgh and Evansville, Indiana. We filmed in my old high school, the Pizza King, the Knob Hill Tavern and many of my old friends' homes. It was surreal and a real community bonding experience. The town was buzzing. I wanted to give back and the generosity was unbelievable.

2. Our film is based loosely on four or five guys that I grew up with. Every actor got to meet the guy they played and that was pretty cool. Harland Williams portrayed one of my old buddies, Skunk. The real Skunk just passed away a few months ago and the movie is in memory of him. He was an amazing guy. a tough guy and a freaking hilarious one too.

 

BACK IN THE DAY (Screen Media)



3. Everyone told me not to shoot in Indiana. There was no tax credit there and everyone was trying to convince me to stay in LA. Not to mention it was pilot season in Los Angeles and what actors would leave their nice homes and sunshine to film in southern Indiana in the dead of winter for no money? I didn't listen. I wanted it to feel real. Authentic. If this was my first and last movie, I was going to make it in my home town. Somehow it came together.

4. I put my own money into the movie. A lot of people are using Kickstarter which is pretty damn ingenious, and I'm not knocking it, but I got a few investors and wrote some of the checks myself. If it doesn't work out, I might have to start a Kickstarter campaign for myself.

5. I'm a big fan of John Hughes, Adam Sandler

and The Farrely Brothers... 

The big question in making this film was how can I make a movie, pay homage to all of my idols, make it my own, make it look like a quality film and make it really funny for NO MONEY?

Well, I knew that I needed a good Director of Photography and someone who could move fast. So, I got one. My now good friend Bradley Stonesifer who also shot the film HIT and RUN, with Bradley Cooper. I liked his style. He's an artist. I remember joking with the crew on the first day of filming. I made an announcement: "Brad is here to make ‘ART’ and I'm here to make ‘FART’ and Together we will make ‘F'ART’”; and that's just what we did. We have a lot of silliness sprinkled in this movie, but there's also a lot of gorgeous shots and some genuinely sweet and artistic moments.

Brad once asked me, "do you think the critics will like this movie?" I replied "No... I just want my friends to." Mission Accomplished. This is for the boys, and all the boys out there. That's the great thing about indie movies….Freedom.

 

Michael Rosenbaum and Morena Baccarin / BACK IN THE DAY (Screen Media)

- Michael Rosenbaum

 

 

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5 Things You Should Know About Larry Lewis and His Role In AARDVARKJanuary 28, 2014

5 Things You Should Know About Larry Lewis and His Role In AARDVARK

AARDVARK (Revolver Entertainment)

In a role inspired by his own life, Larry Lewis plays a blind man recovering from alcoholism. When Larry joins a Jiu-Jitsu academy he begins a friendship with his charismatic instructor, Darren. The two build a bond together that actually mirrors their real-life off-screen friendship. After a shocking incident occurs involving Darren, Larry goes on a search for answers fueled by his loyalty to his close friend. AARDVARK is a narrative-documentary hybrid. It’s rooted in the reality of the protagonist’s lives, and it examines how far a man will go for doing what is right. AARDVARK is available today on iTunesAmazon.

 

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5 Things You Should Know About Larry Lewis and His Role In AARDVARK

 

1. I really do train Jiu Jitsu; I entered into my eighth year studying the Gentle Art last Fall—aside from my faith in God, nothing has changed my life so profoundly as Brazilian Jiu Jitsu—it takes me where I need to be when I’m having a bad day, and makes me feel even more amazing when I am having a good day. I have Darren Branch to thank for introducing me to this indescribable way of life.

 

AARDVARK (Revolver Entertainment)


 2. I’ve lived in Cleveland for almost 20 years, while I’ve been fortunate to have traveled the globe for business and pleasure, I seemed to have put down roots in C-Town—prior to my arrival in Cleveland, the first 24 years of my life were spent living in five different States—it takes a bit of a beating in the media, but Cleveland has become a part of me which made filming aardvark a very natural and organic process for me.

3. The driving scenes in AARDVARK were not staged.

It was really me driving...

 

...I’ve driven cars and even motorcycles a number of times before—chalk it up to good friends and good times.

4. I’m a huge animal lover—I was very happy that one of my dogs and one of my cats made it into the movie. All of the animals that we adopt are rescue cases from shelters—a much better option for me than having children—a whole lot less drama!

 

AARDVARK (Revolver Entertainment)


 5. I have no acting experience—while I’ve done a fair amount of public speaking and feel very comfortable doing so, I’ve never acted before—it was probably one of the hardest challenges that I’ve taken on in my entire life—acting in Aardvark. I wrapped the project knowing that I did the best I could, for when I agree to do something, anything, I give it 150% and let the chips fall where they may.

 

- Larry Lewis

 

AARDVARK is available on demand at iTunes & Amazon.

 

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VOD Spotlight on Joseph Morgan (ARMISTICE)January 26, 2014

VOD Spotlight on Joseph Morgan (ARMISTICE)

Joseph Morgan

In the role of Royal Marine, A.J. Budd, Joseph Morgan (IMMORTALS, “The Originals”) stars in this brutal psychological and supernatural thriller, in which he finds himself trapped in the Warhouse. Imprisoned, he is forced to fight for his life against grotesque, inhuman opponents. He must kill every day or die himself. His one glimmer of hope comes in the form of a diary, left by a former occupant of the house, WWI Lieutenant Edward Sterling, played by Matt Ryan (FLYPAPER, “Criminal Minds Suspect Behavior”). ARMISTICE is currently available on iTunes.


On Demand Weekly’s Sabrina Luppi spoke with Joseph Morgan about ARMISTICE, his previous roles and VOD.

 

On Demand Weekly (ODW): Are you doing so many horror/thriller movies & TV shows by choice or is it more coincidental?
Joseph Morgan (JM):
It’s choice really. The more I do the more I get offered. But I’m quite happy to be working predominantly in genre just because that’s always what I’ve watched and read growing up that’s what I’ve been primarily interested in. I read graphic novels and watch a lot of film and TV and most of it is genre stuff so I am a huge fan.

 



ODW: On Twitter you’ve talked about how proud you are of ARMISTICE, is there a moment when you’re watching that you feel most proud of?
JM:
I’m really proud of the sequence where I tear down the wallpaper and find the marks that Edward Sterling had left and it cuts between that scene and the scene of me sort of drinking in the cellar and kind of vocalizing all the loneliness and the inner torment. It’s a film with very little dialogue and that’s one point where the director allowed me to be vocal as the character.

It was a lot of improvised stuff that Luke [Massey] guided but allowed me freedom within those boundaries. I also felt like he and I were learning to work together and we really hit our stride by that point and I felt like it was a really positive relationship, so I’m proud of that. I also think, trying to be objective about the film, I think it’s the proudest I am of a performance in the film.

ODW: You also said, “After all this time it’s here.” Were there a lot of obstacles it had to go through to get to this point?
JM:
Oh man you have no idea. There were a lot of obstacles just editorially; it took a long time in post and a long time to finish. It was quite a different film when Luke and Ben [Read] conceived it and it really went through the ringer in post. There were a few characters that were cut from it to make the story a lot cleaner and more simple and it’s really become a very simple, clean, engaging story but it was quite convoluted initially.

 

Joseph Morgan


 I’m proud of Luke and his determination and commitment to the film and how he stuck with it and wasn’t satisfied until it became something that we could all be proud of. So it was a long time in the making and to have his first film get some sort of cinematic release I think is a huge achievement and he’s one of my best friends as well as the director so I’m hugely proud of him and happy that this film didn’t disappear into the ether and became something that people can enjoy.

ODW: What is the most unique, funny or interesting experience you had while filming ARMISTICE?

JM: There were a few things. It all got a little crazy because it was such long hours and it was essentially mostly me and Luke and a few guys of the crew in the house, never changing locations just shooting these scenes of this guy kind of slowly going crazy. So it inevitably got a little nuts.

One of the great things was one of the producers, and our military advisor who was a Royal Marine, Billy Budd. I knew him from ALEXANDER and we reconnected during the TV version of “Ben Hur” and he came on to ARMISTICE first as a favor but became a huge part of it and ended up producing. He just kept everybody kind of in stitches. We were supposed to do a shot where I come around the corner in this armor I’ve made from books and cans and Billy decided to pull me back just as I was gonna go around the corner and appeared around the corner on camera (I think Luke’s got this on camera somewhere) in his full Alexander uniform with full leather garb & his sword and spear, so that was him.

So although it was really taxing we were always up for a laugh and there was a lot of fun stuff that happened while we were shooting. And I wouldn’t have done another film with Luke if it hadn’t been such a wonderfully rewarding experience.

ODW: Do you think that the goal of the film to scare people or does it have a deeper meaning/message?
JM:
I think that the film we started out trying to make was more of a sort of (Robert) Rodriguez type action movie and I think that in the end we hope that people will relate to it on a deeper level, that there will be some sort of psychological toll that will keep people thinking about it after they’ve watched it. The idea of a guy fighting his demons both literally and metaphorically, I hope that it will be something that people will come back for a second, third and fourth watch.

ODW: As far as your experience with VOD, do you watch more movies in theaters or on demand?
JM:
Much more On Demand to be honest, because of my schedule. I don’t get to the theater that often but I do actually watch quite a lot on demand.

I’ve been known to flick through for about an hour and then not choose anything at the end of it. But a lot of the time I’ll go through and pick something out quite quickly and I like the layout and I like that it’s readily available. 


ODW: 2014 seems to be off to a great start for you, is there anything you’re especially looking frward to working on this year?
JM:
I’m looking forward to having a break (laughs) to be entirely honest. I’ve done about 2-3 years non-stop. In between doing the show I’ve managed to do a film each break, which has been great because I had periods out of work before I got to this point, but right now what I’m looking forward to doing when it comes to my next break is lying on the beach with my girlfriend not doing anything. That’s what I’m looking forward to in 2014, relaxation. 

 

Sabrina Luppi

 



Sabrina Luppi is a new contributing writer to On Demand Weekly. She is currently a film and marketing student at San Francisco State University, and recently completed a content programming internship at Intel. Sabrina is an aspiring actress, writer and filmmaker and her favorite genre is horror. Follow her on Twitter @sabzy_

 

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BLACK SAILS Premiere Sails Into Homes On Demand And OnlineJanuary 26, 2014

BLACK SAILS Premiere Sails Into Homes On Demand And Online

"Black Sails" (Starz)

On Demand Weekly provides new movie reviews of hot movies and shows on demand from the POV of watching from the comfort of your home. Today’s review: “Black Sails.”

Seemingly in an effort to outdo HBO, Starz’ “Black Sails” is stuffed to bursting with sex, violence, and foul language. What else would you expect from pirates not brought to you by Disney? PS, there are also no parrots, peglegs, or eye-patches.

Gorgeous locales (shot on the coast of South Africa) and a fine attention to details, especially in the weaponry and shipbuilding make Starz’s “Black Sails.” The stunningly turquoise waters make a stark contrast to the blood and gunpowder exploding on its surface, of which there is a lot. A LOT.

With the success of “Game Of Thrones” and “Boardwalk Empire,” it makes sense that someone would decide it was a great idea to make a TV show based on an historical time period full of lawlessness and violence (and sex). According to the publicity interviews, “Black Sails,” while fictional, is trying to show what life was really like during the “golden age of piracy.” For all the historical accuracy of the shipbuilding, it seems doubtful that the island’s societal structure managed that way, but thinking logically will just get in the way of the fun

So far the fun seems to reside in two characters: Luke Arnold’s rakishly charming bad boy, John Silver (part of the fun may be in guessing where the “Long” part of his name comes from!); and Jessica Parker Kennedy’s saucy wench of a whore, Max, who is not only the pirates’ favorite, but is the brains behind many a scheme. Other saucy wenches include the lovely, but tough, Eleanor Guthrie (Hannah New) who runs her daddy’s black market, and Clara Paget (Anne Bonny), the baddest of bad girls.

 

Toby Stephens / "Black Sails" (Starz)


That is about it for female characters of any substance. This is mostly a man’s world, and there are many fighting to be the top dog in the pack. First among them is Toby Stephen’s Captain Flint. Stephens manages to make Flint seem noble. Even when he is a stone cold killer who lies to his crew, it is because he has a dream to take the richest Spanish galleon to ever sail the seas. 

 

Flint’s leadership is threatened by both external and internal forces. The British Fleet are coming to clean out the monsters they created by setting the British sailors on the Spanish Fleet, and rival Captain Vane (a sullenly charming Zach McGowan) is determined to be the numero uno of pirates. Another internal threat of a crewmember campaigning to be voted in as captain over Flint is dispatched in this first episode in an extraordinarily bloody fight to the death with our fearless Captain Flint.

Unlike “Game Of Thrones” or “Boardwalk Empire,” “Black Sails” does not immediately give the audience complex characters who intrigue. As one would expect from them, executive producers Jerry Bruckheimer (PIRATES OF THE CARRIBEAN) and Michael Bay (TRANSFORMERS) are more interested in starting off with a bang and keeping the action going. But with an actor of Toby Stephens caliber, we can expect layers to come.

So if you are in need of blood and boobs, give it a try!

 

Note: And if you don’t subscribe to Starz, the “Black Sails” pilot episode can be viewed without subscription on demand via traditional pay-TV providers (Comcast, DirecTV, Dish Network, Time Warner Cable, Cox and Charter Communications), as well digital (Apple, Amazon.com, Microsoft Xbox, Machinima on YouTube and on its Facebook page). 


Since it is available publicly, they do have to alter it a bit, which means blurring out certain images (i.e. boobs) and bleep out certain words (the usual). In a show like this, that means a lot of blurs and mouths moving with no sound coming out! 

 

TRY IY

 

 

- Jean Tait

 

Jean
Jean Tait is a contributing writer to On Demand Weekly. Currently the Director of Programming for the Connecticut Film Festival, Jean has programmed for the Jacksonville Film Festival and Sundance Channel.
 

 

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New Movies On Demand Preview: January 2014January 24, 2014

New Movies On Demand Preview: January 2014

Kate Asche Wilson (On Demand Weekly)

On Demand Weekly's Kate Wilson (@KateDoesLifegoes through all the new movies each month for her New Movies On Demand Preview.

 

January Movies On Demand


OnDemandWeekly.com Movie on Demand Preview for January 2014 from Nick DeNinno on Vimeo.

 
 
 
Kate
 
Happy New Year friends! It is officially 2014 so go ahead and wipe the trauma of 2013 out of your minds. It’s a new year. You can do anything. You can be anyone. I myself am planning on being Morgan Freeman. There’s a word of possibilities at your fingertips so go ahead buy that boat. Invest in those unpredictable stocks. You might make millions or you might lose all of your money and have to live in a cardboard box. Either way you’re on the road to a new you! And once you’re done finding yourself check out my top three January movies on demand.

THE SPECTACULAR NOW - Premieres January 14 INDIE PICK
Heartbreak, alcoholism, getting into college: All the ingredients necessary to make the perfect coming of age film. THE SPECTACULAR NOW is a brilliant dramedy that follows It’s hedonistic lead, Sutter, through the revelry of youth as he deals with an absentee father, corrupting the nice girl, and priding himself on living in the now. He is equal parts charming and full of shit, and the greatest thing about him is that you know him. It’s that person in your life that suffers from the fear of missing out. The one that can’t get their head out of their ass long enough to see what’s in front of them. Sutter’s story is an incredible journey of growth and THE SPECTACULAR NOW captures that perfectly.
R, Drama/Romance, Shailene Woodley, Miles Teller, Brie Larson, Jennifer Jason Leigh, Kyle Chandler
 

BLUE JASMINE - Premiers January 21
Woody Allen what have you done? You wrote a new age Streetcar Named Desire in San Francisco. You effortlessly chronicled the psychotic break of a former New York socialite like it was nothing. Seriously? Are you trying to kill me with your unbelievable dialogue and your unhinged characters and your wildly appealing plots? Just stop with your amazing writing because I don’t think the world can handle it anymore. And take Cate Blanchet and her perfect performance with you because if she doesn’t win the Academy Award for her portrayal of Jasmine I’m going to lose my mind. Seriously it will be Leo circa 2005 all over again.
PG-13, Drama, Cate Blanchett, Sally Hawkins, Alec Baldwin, Bobby Cannavale, Andrew Dice Clay, Michael Stuhlbarg, Louis C.K., Peter Sarsgaard

CAPTAIN PHILLIPS - Premiers January 21
What screams family fun more than a hostage drama starring Tom Hanks? Nothing! You are correct. Especially since this critically acclaimed film is an action packed look at the true story of the 2009 hijacking of an American Cargo ship by Somali pirates; The first hijacking in two hundred years. This thriller stars an excellent Tom Hanks as Captain Richard Phillips as he takes on the leader of the Somali pirates in an epic power play that will have you reaching for your inhaler. Hanks is already leading the awards season by being nominated for a Golden Globe for his performance and the film itself is nominated for best picture. Do not miss out on this one.
PG-13, Action/Drama, Tom Hanks, Barkhad Abdi, Catherine Keener

Well that’s January team. Best of luck trying to keep those New Years resolutions and remember go to OnDemandWeekly.com for all new Movies On Demand this month. 
 

Also This Month...


CARRIE – Premieres 1/14, (same day as DVD)

R, Horror

Chloë Grace Moretz, Julianne Moore


FRUITVALE STATION – Premieres 1/14, (same day as DVD)

R, Drama

Michael B. Jordan, Octavia Spencer


LEE DANIEL'S THE BUTLER – Premieres 1/14, (same day as DVD)

PG-13

Drama, Forest Whitaker, Oprah Winfrey


RIDDICK (Unedited Director's Cut) – Premieres 1/14, (same day as DVD, weeks before Netflix & Redbox)

TV-MA, Action

Vin Diesel, Karl Urban


ALL IS LOST – Premieres 1/21, (weeks before DVD, Netflix & Redbox)

PG-13, Drama

Robert Redford


MACHETE KILLS - Premieres 1/21, (same day as DVD, weeks before Netflix & Redbox)

R, Action

Danny Trejo, Mel Gibson


RUNNER, RUNNER – Premieres 1/21, (weeks before Netflix & Redbox)

R, Thriller

Ben Affleck, Justin Timberlake


CLOUDY WITH A CHANCE OF MEATBALLS 2 - Premieres 1/28, (same day as DVD)

PG, Family

Bill Hader, Anna Faris


ENOUGH SAID  – Premieres 1/28, (weeks before Netflix & Redbox)

PG-13, Comedy

Julia Louis-Dreyfus, James Gandolfini


JACKASS PRESENTS BAD GRANDPA Unedited – Premieres on 1/28, (same day as DVD)

TV-MA, Comedy

Johnny Knoxville, Jackson Nicoll


LAST VEGAS – Premieres 1/28, (same day as DVD)

PG-13, Comedy

Michael Douglas, Robert De Niro

RUSH – Premieres 1/28, (same day as DVD, weeks before Netflix),

R, Action

Chris Hemsworth, Daniel Brühl

Independent Movies On Demand


THANKS FOR SHARING – Premieres 1/3, (before DVD, Netflix & Redbox)

R, Comedy

Gwyneth Paltrow, Mark Ruffalo


THE ACT OF KILLING
– Premieres 1/7, (same day as DVD, weeks before Netflix & Redbox)

TV-MA, Documentary


CLOSED CIRCUIT - Premieres 1/7, (same day as DVD, weeks before Netflix & Redbox)

R, Thriller

Eric Bana, Rebecca Hall


COLD COME THE NIGHT – Premieres 1/10, (same day as theatrical release)

R, Thriller

Alice Eve, Bryan Cranston


FREE RIDE – Premieres 1/10, (same day as theatrical release)

TV-MA, Drama

Anna Paquin, Drea De Matteo


20 FEET FROM STARDOM – Premieres 1/14, (same day as DVD)

PG-13, Documentary

Darlene Love, Mary Clayton


SHORT TERM 12 – Premieres 1/14, (same day as DVD, weeks before Netflix & Redbox)

R, Drama

Brie Larson, John Gallagher Jr.


IN A WORLD … - Premieres 1/21, (same day as DVD)

R, Comedy

Lake Bell, Rob Corddry


METALLICA THROUGH THE NEVER – Premieres 1/28, (same day as DVD, available in 3D)

R, Thriller

Dane DeHaan


GRAND PIANO – Premieres 1/30, (before theatrical release)

R, Thriller

Elijah Wood, John Cusack

 

- Kate Asche Wilson


Kate
Kate Asche Wilson is a contributing writer to On Demand Weekly. She is a graduate from the Dodge College of Film and Media Arts at Chapman University where she received a BA in Screenwriting. In her spare time Kate likes to take long walks on the beach, and watch telenovelas. Follow her on Twitter @KATEDOESLIFE

 

 

Click Here To Find The Below Movies On Demand Via ODW's Watch It Channel...

 

 

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Oscar Nominee THE SQUARE Premieres On NetflixJanuary 17, 2014

Oscar Nominee THE SQUARE Premieres On Netflix

THE SQUARE (Netflix)

On Demand Weekly provides new movie reviews of hot movies on demand and from the POV of watching from the comfort of your home. Today’s review: THE SQUARE (Netflix). THE SQUARE was nominated for a best Documentary Academy Award this week. 

 

 

Click Here To View ODW's Monthly Movie On Demand Preview On Our Home Page

 

THE SQUARE

 By Sky McCarthy

 

“As long as there’s a camera, the revolution will continue,”

proclaims Ahmed Hassan, one of the protagonists featured

in Jehane Noujaim’s electrifying new documentary THE SQUARE.
 

This small insight speaks volumes, not just to the shocking imagery coming out of Egypt during the beginning the uprising, but to the power of visual media to any modern social movement. Only two years after Hosni Mubarak stepped down, the people of Egypt are still continuing to fight – and their message will not be lost with the power of new technology over traditional weapons of violence.

THE SQUARE, directed by Jehane Noujaim (CONTROL ROOM, STARTUP.COM) provides an immersive look into the lives of the men and women living in Egypt from the spring of 2011 through the summer of 2013. We met Ahmed, a young revolutionary who wants all of Egypt freed from decades of dictatorial authority. Magdy Ashour, a member of the Muslim Brotherhood who was tortured under Mubarak’s rule but finds little change in the turmoil of the next few years. Aida El Kashef, a young filmmaker who uses her camera as a weapon to document the injustice surrounding the movement.

 

 

And there is also Khalid Abdalla, a British-Egyptian actor (made famous through his roles in THE KITE RUNNER and UNITED 93) who returns to his home country as an activist, ready to spread his message of revolution internationally. Throughout this two year period, these men and woman witnessed the overthrow of a corrupt 30-year leader, a brutal army dictatorship willing to crush protesters with military tanks, and, eventually, the forced removal of the Muslim Brotherhood president in 2013. But the struggle, of course, is not over. The film serves as a historical account that still pays tribute to the developing struggle for freedom in Egypt even today. 

 

Where this film brilliantly succeeds is not just in its ability to inform, but its capacity to inspire and promote true audience empathy. Even viewers with very limited knowledge of the political issues will enjoy this documentary and gain a better understanding of the social and religious problems surrounding the chaos. In THE SQUARE we see first hand how the revolution not only descended into senseless violence but truly divided secular and Muslim friends, who once stood together as allies against a cruel government.

A 24-hour news cycle only provides varied glimpses into the country, but Noujaim is able to breakaway from merely reporting the events to convey a true sense of storytelling throughout. Last year, the film took home the Audience Award: World Cinema, Documentary at Sundance Film Festival.

The story is complex. But the situation is representational of any struggle for civil rights. We are actually fortunate to live in an era where the intimate documentation of these struggles can be broadcast for all to see. What we do with those images and how we react then becomes paramount. Knowledge is not enough. THE SQUARE asks its viewers to consider how the battles for human rights begin, sustain themselves and ultimately become successful?

 



History has shown that without violence, this is nearly impossible. But with the relentless and ongoing commitment of individuals to new ideals, societal change can happen. 

 

DEMAND IT

 

 

- Sky McCarthy

 

Sky 
Sky McCarthy is a contributing writer to On Demand Weekly and a television enthusiast (ask me about anything!) currently working in entertainment in New York City. Follow Sky on Twitter @ILiveSkyHigh.

 

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EPISODES Is Back For Season 3January 15, 2014

EPISODES Is Back For Season 3

Episodes (Showtime)

On Demand Weekly provides new movie reviews of hot movies and shows on demand from the POV of watching from the comfort of your home. Today’s review: "Episodes" Season 3 (Showtime).

As we enter the third season of 
"Episodes", it feels like putting on a cozy pair of well worn pajamas Despite the pseudo cliffhangers of are Sean and Beverly back together and will Carol take over the studio, slipping back into the plot feels strangely comfortable. The fish out of water are, for the most part, now swimming around the shark tank as if they always belonged. The rhythm of the patter and humor has lost some of its brilliant bite, but fortunately, not its snark. Sean and Beverly feel at home in LA now, and we feel at home with them and their cohorts. We aren’t surprised by Carol’s clueless obsequiousness or Merc’s asshattery or Matt’s The Bad Seed meets Candide charm.

This is not necessarily a bad thing. 
"Episodes" is still funny. The funny is chuckle worthy as opposed to the guffaws of previous seasons, at least until about the 4th episode. With the introduction of some new characters, especially Chris Diamontopolis’ ("The Office", "Arrested Development") hilariously unbalanced Castor Sotto, the familiar rhythm is broken, and the laughing out loud commences. Castor’s medication problems turn into excitement for Carol who once again confuses having sex with the boss with an actual relationship. Carol could so easily be a completely pathetic character, if it weren’t for the brilliance of Kathleen Rose Perkins, holding her own with Tamsin Greig, Matt LeBlanc, and John Pankow.

 

 

Mid-way in the 9-episode season, the yuks get a little too uncomfortable as a disaster in Peru becomes a punch line for uncaring showbiz folk. It’s too bad they didn’t find a way to show Hollywood shallowness without going that far. Even Beverly becomes uncharacteristically uncaring this season when she ignores Carol’s pain at the thought of losing her friendship if the Lincoln’s move back to the UK. But when the opportunity arises for them to sell another script and the town starts a bidding war for it, their exit plan becomes hysterically snarled. Escape from Hollywood may not be possible.

With nine 30 minute episodes, "Episodes" is eminently binge-able. It is TV snack food! So put on your pajamas, pop up some popcorn, and spend a delightful evening or two with "Episodes". It’s like a vacation in Hollywood without the traffic or smog!

 

 

DEMAND IT

 

- Jean Tait

 

Jean
Jean Tait is a contributing writer to On Demand Weekly. Currently the Director of Programming for the Connecticut Film Festival, Jean has programmed for the Jacksonville Film Festival and Sundance Channel.
 

 

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Top 5 Reasons to Watch SRSLYJanuary 07, 2014

Top 5 Reasons to Watch SRSLY

SRSLY

SRSLY is Alexandra Fiber and Danielle Gibson, two NYU and UCB trained ladies making short, snappy videos loosely based on their semi-glam lives in New York. Available on Vimeo

 

Click Here To View ODW's Monthly Movie On Demand Preview On Our Home Page

 
 

Top 5 Reasons to Watch SRSLY

 

1. To be inspired: Alexandra and Danielle didn’t just wait around for acting jobs, instead they created their own with SRSLY. and became successful role models for anyone with a dream.


2. Because of its female focus: The show was created as a response to the lack of female perspective in popular films and television shows. It’s a refreshing look at young women that doesn’t stereotype or preach.

 

Alexander Fiber, Danielle Gibson (SRSLY)


3. Because you can probably relate: SRSLY. takes us through everyday scenarios and lets us laugh at situations that are usually frustrating, like having to share our precious French fries.


4. To discover up and coming talent: SRSLY. was also created as a platform for local (NYC) performers and filmmakers to showcase themselves, discover rising stars while supporting their community.

 

 

Alexander Fiber, Danielle Gibson (SRSLY)


5. Because it’s SRSLY funny: Alexandra and Danielle are so natural in their roles and their reactions so realistic that even if you can’t relate to the situations you will still find the characters hilarious. 

 

 

 

 

 

DEMAND IT

 

 

Sabrina Luppi

 



Sabrina Luppi is a new contributing writer to On Demand Weekly. She is currently a film and marketing student at San Francisco State University, and recently completed a content programming internship at Intel. Sabrina is an aspiring actress, writer and filmmaker and her favorite genre is horror. Follow her on Twitter @sabzy_

 

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Jerry Seinfeld’s Comedians In Cars Getting Coffee - Louis C.K.January 07, 2014

Jerry Seinfeld’s Comedians In Cars Getting Coffee - Louis C.K.

Comedians In Cars Getting Coffee (Crackle)

Media savant T Tara Turk is turning her attention to Original Web Series. Tell Tara what shows you think she should review.


 

Jerry Seinfeld's Comedians In Cars Getting Coffee - Louis C.K.

By T. Tara Turk

 
He’s baaaaaackkkk!

In a television world with dragon mothers, burning meth labs, English countryside estate drama, housewives screeching at each other and singers/dancers/chefs performing for their television lives, it’s kind of nice to get down to the simple things: comedians, cars, coffee.
 
 
Jerry Seinfeld is back with another seasons of “Comedians In Cars Getting Coffee” and our first guest is everyone’s favorite, Louis C.K. I love this because since I saw Louis at a television panel a few years ago, he is someone I imagine hanging out getting coffee with, leaving with a split side and tears of laughter streaming down my face.

First things first though. The car: A 1959 coral colored Fiat Jolly that looks like an Italian golf court from the 50s - complete with wicker seats and fringe soft cover. This is the perfect car for Louis C.K., right? I mean it has two cylinders!
 
 


For this ride, Jerry and Louis drive to Chelsea Piers to take a ride on Louis’s boat. Because of course he has a boat. He totally looks like the kind of guy who has a boat. In New York. Of course. As Jerry tells Louis: “It looks like Orca from Jaws.” Exactly! “I can’t afford this boat,” Louis tells Jerry. “I shouldn’t have gotten it. You shouldn’t buy a yacht unless you can afford ten yachts.” “That’s stupid,” Jerry says. I think Louis should listen.

These two have known each other for the better part of 20 years and are kind of similar. Both have dry observational humor. They both laugh the same. Each guy had a successful long running television series. Louis tells Jerry he thinks his popular TV show “Louis” (FX) will probably run total of 7 or 8 years. “Why’s that?” Jerry asks. “Your’s ran 9 years!” Louis shoots back. “That’s because we didn’t want to do Kramer’s 50th birthday party,” Jerry replies.

The coffee: 

Louis has a fancy espresso machine. “I like nice things,” he says as he brews Jerry a cappucino before launching into his guilty pleasure: getting stone and going to the IMAX movie. Only it goes like this:

Louis: I go to the 3D IMAX movies stoned.
Jerry: Stoned or you get a scone?

This is probably where they diverge as people. Louis proceeds to then tell him the hilarious story of the first time he takes his kids out on his boat and gets stuck in East Harlem for 12 hours with nothing but crunchy uncooked mac and cheese until the cops come and throw them a bounty from Whole Foods. I left out the funniest parts. For the truly hilarious story, you have to watch the episode and thank me later. Send me a scone basket. SCONE not STONED!

 

 

DEMAND IT

 

- T. Tara Turk

Tara
T. Tara Turk is a novelist/playwright/screenwriter, living in LA with her boyfriend and dog - all three successful TV addicts. You can find her at www.ttaraturk.com or follow her on Twitter @ttaraturk.
 
 
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Top 5 Reasons to Watch OPEN GRAVEDecember 27, 2013

Top 5 Reasons to Watch OPEN GRAVE

OPEN GRAVE (Tribeca Film)

A man (Sharlto Copley, DISTRICT 9, ELYSIUM) wakes up in a pit of dead bodies with no memory of who he is or how he got there. Fleeing the scene, he breaks into a nearby house and is met at gunpoint by a group of terrified strangers, all suffering from memory loss. Suspicion gives way to violence as the group starts to piece together clues about their identities, but when they uncover a threat that's more vicious -- and hungry -- than each other, they are forced to figure out what brought them all together -- before it's too late.

 

 

Click Here To View ODW's Monthly Movie On Demand Preview On Our Home Page

 
 

Top 5 Reasons to Watch OPEN GRAVE

1. OPEN GRAVE gives us an original plot line that transcends the thriller genre to incorporate elements of mystery, suspense and horror into a story that we haven't heard before.

2. It gives you the right clues at the right time, allowing you to put the pieces together while keeping you from being sure of which character(s) you're rooting for.

3. The opening scene alone is such an exemplary combination of cinematography, lighting and sound that it is pretty much impossible for you to not get drawn in from the very beginning.

 



4. You can appreciate all of the performances in this movie as it derives much of its suspense from dialogue - but don't worry, there's plenty of violence, too.

5. Forget the crowded theater this Christmas, OPEN GRAVE is the perfect holiday movie (available on demand 12/24) to watch at home that'll give your loved ones a reason to cuddle a little closer. 

 

 

DEMAND IT

 

 

Sabrina Luppi

 



Sabrina Luppi is a new contributing writer to On Demand Weekly. She is currently a film and marketing student at San Francisco State University, and recently completed a content programming internship at Intel. Sabrina is an aspiring actress, writer and filmmaker and her favorite genre is horror. Follow her on Twitter @sabzy_

 

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BEST NIGHT EVER - Now On DemandDecember 27, 2013

BEST NIGHT EVER - Now On Demand

BEST NIGHT EVER (Magnolia Pictures)

On Demand Weekly provides new movie reviews of movies on demand from the POV of watching from the comfort of your home. Today’s review: BEST NIGHT EVER (Tribeca Film).

 

Click Here To View ODW's Monthly Movie On Demand Preview On Our Home Page

 

BEST NIGHT EVER
By Kate Asche Wilson

 

Vegas. Who doesn’t love the Vegas? I fondly recall the first time I ever set foot on The Strips sacred ground. A mere twelve years old, uncertain as to why a greasy fifty-year-old man handed me a call girl card. Uncertain as to what a call girl exactly was. Ah the sweet embrace of youth.

Now I’m much more jaded and understand where my childhood trauma stems from, but that doesn’t stop me from loving BEST NIGHT EVER. Now if you’re one of the few that doesn’t enjoy the subtle complexities of penis tiaras and Jell-O wrestling than turn back now. Seriously go watch 12 YEARS A SLAVE and ogle the mastery of filmmaking. But if you’re in the mood for mockumentary bachelorette shenanigans and NSFW debauchery than this is the film for you.

BEST NIGHT EVER is brought to you by Jason Friedberg and Aaron Seltzer, the brave men behind all of those questionable parody films. It’s true they’re no Trey and Matt, but with such film artistry as VAMPIRES SUCK did you really expect them to be? Despite their background BEST NIGHT EVER exceeded my expectations. Although it would be hard for me to not love a lady comedy that is essentially a BACHELORETTE/PROJECT X mash up.

Documenting the bachelorette party from the beginning road trip, we are first introduced to our four leading ladies: Claire, the sweet bride to be, Zoe, the wild best friend, Leslie, the resident uptight older sister, and Janet, our beautiful blond disaster. Holy stereotypes, Batman! But the good thing about stereotypes is that they’re based in truth, and these four women are so fun to watch as they get into outrageous situations including altercations with wayward valets, cancelled credit cards, and horribly stained hotel rooms.

 



Now it’s time to break this down into the good, the bad, and raucously racy.

The Good:

The outrageous absurdity of the situation. I keep viewing these insane bachelorette films and let me tell you if my bachelorette party does not hold up to them there will be hell to pay. I want to relate to one crazy night of nuttiness that I can tell drunken stories about in my old age to my disinterested grandkids. That is the kind of night I want, and this film encapsulates that level of absurdity to a tee. The mockumentary style of filming is also a huge plus and makes you feel that this craziness could actually happen to you. 

 

The Bad:

Depth. There is not a whole lot of depth here, but then again I told you this at the beginning. It’s a Vegas romp comedy produced by Jason Friedberg and Aaron Seltzer. Get with it!

The Raucously Racy:

Strippers, and hobos, and kidnapping, oh my! From the defiled sheets to the lap dances this film is chock full of inappropriate behavior. But hey, it’s Vegas! It wouldn’t work without the loose morals and naked women. It is just so entertaining watching our four ladies of debauchery move in and out of confusion, horror, excitement, more confusion, straight up insanity, and then euphoric drug induced happiness. Yeah, it goes there.

From gay husbands to pissing off your EMT, BEST NIGHT EVER has a lot of hilarious moments. It doesn’t take itself seriously, and you shouldn’t either. Go ahead, put down your Tolstoy and take a ninety-minute ride of pure parody. 

 

 

- Kate Asche Wilson

 

Kate
Kate Asche Wilson is a new contributing writer to On Demand Weekly. She is a graduate from the Dodge College of Film and Media Arts at Chapman University where she received a BA in Screenwriting. In her spare time Kate likes to take long walks on the beach, and watch telenovelas. Follow her on Twitter @KATEDOESLIFE!

 

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FREE RIDE Starring Anna Paquin - Exclusive ClipDecember 23, 2013

FREE RIDE Starring Anna Paquin - Exclusive Clip

Sandy (Drea de Matteo) greets Christina (Anna Paquin) and gives her an idea of what to expect with her new job in FREE RIDE (in NY, LA theaters and On Demand January 10, 2014 by Phase 4 Films). 

 

 

FREE RIDE FIRST / LOOK

Anna Paquin, Ava Acres and Liana Liberato / FREE RIDE (Phase 4 Films)

 

In search of a better life for her family and desperate to escape her tumultuous relationship, Christina (Anna Paquin) hastily moves to Florida and enters the dangerous world of the high-stakes underground drug scene. She quickly learns that dealing drugs at the height of South Florida’s smuggling heyday has its price. As law enforcement closes in on Christina and her drug operation, she must find a way to salvage the life she has desperately worked to repair before it all comes crashing down.

 

The film is produced by Anna Paquin, Cerise Hallam Larkin, Susan Dynner and Brian Dreyfuss. Executive producers are Stephen Moyer, Mark Larkin and Norman Dreyfuss.

 

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Jason Sudekis And We’re THE MILLERS 3-Peats To The #1 Movie On DemandDecember 16, 2013

Jason Sudekis And We’re THE MILLERS 3-Peats To The  #1 Movie On Demand

Get the latest information about Movies On Demand from On Demand Weekly. Every week we provide the Week’s Top 10 Movies On Demand (MOD).


Click Here To View ODW's Monthly Movie On Demand Preview On Our Home Page

 

 

1 WE’RE THE MILLERS
2 2 GUNS
3 RED 2NEW
4 THE MORTAL INSTRUMENTS: CITY OF BONESNEW
5 SMURFS 2NEW
6 MAN OF STEEL
7 TURBO
8 THE HEAT
9 JOBS
10 GROWN UPS 2

Source: Rentrak Corporation - OnDemand Essentials (Week Ending December 8, 2013)

 

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Vanessa Selbst’s Top Five Reasons to watch BET RAISE FOLD: THE STORY OF ONLINE POKERDecember 09, 2013

Vanessa Selbst’s Top Five Reasons to watch BET RAISE FOLD: THE STORY OF ONLINE POKER

BET RAISE FOLD: THE STORY OF ONLINE POKER

BET RAISE FOLD: THE STORY OF ONLINE POKER follows Danielle, a young mother from rural Minnesota who used online poker to support her family; Tony, a Las Vegas tournament pro who co-hosts the World Poker Tour on television; and Martin, a world-traveler from Australia obsessed with understanding the intricacies of the game. These players used online poker to build a life, only to have it all stripped away in one fell swoop by forces beyond their control. BET RAISE FOLD is currently available on demand. 

 

 

Vanessa Selbst's Top Five Reasons to watch BET RAISE FOLD: THE STORY OF ONLINE POKER

1) Most people in this country have played poker at some point or another. Poker is one of America's oldest pastimes, and Bet Raise Fold tells a very complete story of poker in its modern form, where the game's greats are not characters from the Wild West, but young, intelligent, hard-working people trying to achieve "The American Dream" of financial autonomy.

 

Martin Broadstreet / BET RAISE FOLD

2) The characters are wacky, detestable, and lovable - and one of them is a rare, strong, female protagonist taking care of her family (who just happens to have the cutest son in the world).


3) A billion dollar industry completely vanished overnight, and not many people know why. Watch this movie to find out what happened!


4) Politics, greed, and corruption (need I say more)? They all play a central role in this tiny world - and in that way, BRF tells the story of community that can be seen as a microcosm of America in the 21st century.


5) Maybe you'll learn a thing or two about poker strategy. YOU could be the next winner of the World Series of Poker Main Event!

 

 

 

 

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Jason Sudeikis And WE’RE THE MILLERS Ride To #1 Movie On DemandDecember 02, 2013

Jason Sudeikis And WE’RE THE MILLERS Ride To #1 Movie On Demand

Get the latest information about Movies On Demand from On Demand Weekly. Every week we provide the Week’s Top 10 Movies On Demand (MOD).


Click Here To View ODW's Monthly Movie On Demand Preview On Our Home Page

 

 

1. WE’RE THE MILLERSNEW
2. 2 GUNSNEW
3. MAN OF STEEL
4. GROWN UPS 2
5. THE HEAT
6. THE INTERNSHIP
7. WHITE HOUSE DOWN
8. PLANES
9. THE WORLD’S END
10. THE CONJURING

Source: Rentrak Corporation - OnDemand Essentials (Week Ending November 24, 2013)

 

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Top 5 Reasons to Watch Yahoo Screen’s GHOST GHIRLSDecember 02, 2013

Top 5 Reasons to Watch Yahoo Screen’s GHOST GHIRLS

Ghost Ghirls (Yahoo Screen)

From producer Jack Black and co-creators Jeremy Konner ("Drunk History"), Amanda Lund and Maria Blasucci comes "Ghost Ghirls," a scripted comedy about two female ghost hunters, Heidi (Lund) and Angelica (Blasucci), who attempt to solve the mysteries of the paranormal. "Ghost Ghirls" can be found on Yahoo Screen. 

 

 

Click Here To View ODW's Monthly Movie On Demand Preview On Our Home Page

 

 

Top 5 Reasons to Watch Yahoo Screen's GHOST GHIRLS


1. Amanda Lund and Maria Blasucci demonstrate impeccable comic timing in their performances as the Ghost Ghirls, an inadvertently hilarious ghost hunting team.

 


 Maria Blasucci and Amanda Lund / Ghost Ghirls (Yahoo Screen)



2. The web series boasts an incredible list of guest stars including Molly Shannon, Bob Odenkirk Jack Black, Dave Grohl and Val Kilmer in roles that will have you screaming with laughter. (See what I did there?)

3. Some of the best punch lines you’ll hear, in this life or the next, occur in this brilliantly written and performed series.

4. While the show parodies serious paranormal investigation shows, it doesn’t question the reality of ghosts. The Ghirls are serious ghost hunters facing real entities, which makes their antics so much more comedic.

5. Warning: Not watching “Ghost Ghirls” could leave you with “unfinished business” that will keep you from crossing into the afterlife. In other words, this series is the light - come to it.

 

 

DEMAND IT

 

 

- Sabrina Luppi

 



Sabrina Luppi is a new contributing writer to On Demand Weekly. She is currently a film and marketing student at San Francisco State University, and recently completed a content programming internship at Intel. Sabrina is an aspiring actress, writer and filmmaker and her favorite genre is horror. Follow her on Twitter @sabzy_

 

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New Movies On Demand Preview: December 2013November 27, 2013

New Movies On Demand Preview: December 2013

On Demand Weekly's Kate Wilson (@KateDoesLifegoes through all the new movies each month for her New Movies On Demand Preview.

 

December Movies On Demand

 

 

 

Kate
 
Oh the weather outside is frightful! But really it’s December: A month known for slick roads and drunk Aunts. Holiday stress is just one of the many side effects of roasting chestnuts and crying children. My suggestion is take a break, make yourself a hot totty, pause Michael Buble, and grab your remote because the only way you’re going to get over the disaster of burnt latkes and broken promises is through a nice movie on Demand. I have my top three Holiday picks right here.

 



DON JON- Premiers December 24
Nothing says welcome Santa quite like a porno starring Joseph Gordon-Levitt. Well not technically a porno but a film centering on porn and Scarlet Johansson. Basically every fourteen-year-old boy’s pent house fantasy. Our protagonist, the proclaimed Don Jon, is a Lothario extremist objectifying everything in his life to the point of being completely unsatisfied. Not even Scar Jo can get him going. That’s why Jon takes a turn for the introspective, trying to find a relationship that will surpass his expectations. It’s a smart comedy with a dash of heart that is directed by JGL himself and is perfect if you can’t watch Frosty the Snowman one more time.
R, Comedy, Joseph Gordon-Levitt, Scarlett Johansson, One week before DVD, Months before Netflix

THE FAMILY- Premiers December 17
Nothing brings in the holiday cheer quite like a violent thriller. Red is the color of merriment and also the color of blood. Lots and lots of blood. In THE FAMILY Robert De Niro, head of the Manzoni mafia clan, his wife Michelle Pfeiffer, and his two kids are relocated to beautiful Normandy under the witness protection program. However old habits die-hard, and the Manzoni’s deal with the struggles of their new lives in the “family way”. With racquets and explosions. This dark comedy is exceptionally entertaining and is needed especially if your five seconds away from stabbing someone with a dreidel.
R, Action/Comedy, Robert De Niro, Michelle Pfeiffer, Same day as DVD, Months before Netflix

ELYSIUM- Premiers December 17
Moses did not part the red sea so that you that could watch STEP UP REVOLUTION. No, it’s common knowledge that he preferred futuristic dramas, which is why ELYSIUM should be your number one December pick. In the year 2154 two classes of people exist: The Matt Damon poor and the Jodie Foster rich. The rich get to live on a luxurious space station called Elysium where they are free of any disease and injury while the poor live on a devastated earth. Matt Damon plays a man with five days to live and nothing to lose who declares war on Elysium in order to change the course of their future. It’s an ideal film for anyone in need of some solid sci-fi and a break from their distracting personal lives.
R, SciFi, Matt Damon, Jodie Foster, Same day as DVD

Well team I hope these films help to ease your Holiday woes, and remember go to OnDemandWeekly.com for all new Movies On Demand in December. Happy celebrating!

Also This Month...

 

THE MORTAL INSTRUMENTS: CITY OF BONES – Premieres 12/3
PG-13, Fantasy
Lily Collins, Jamie Campbell Bower
same day as DVD

THE SMURFS 2 – Premieres 12/3
PG, Animated
Neil Patrick Harris, Hank Azaria
same day as DVD

FAST & FURIOUS 6 (Unedited) – Premieres 12/10
TV-MA, Action
Vin Diesel, Paul Walker
same day as DVD, weeks before Netflix & Redbox

KICK-ASS 2 (with extended Scenes)– Premieres 12/17
TV-MA, Action
Aaron Taylor-Johnson, Chloe Grace Moretz
same day as DVD, weeks before Netflix & Redbox

ONE DIRECTION: THIS IS US – Premieres 12/17
PG, Documentary
Harry Styles, Niall Horan, Louis Tomlinson, Zayn Malik, Liam Payne
same day as DVD

PRISONERS – Premieres 12/17
R, Thriller
Hugh Jackman, Jake Gyllenhaal
same day as DVD, weeks before Netflix & Redbox

THE WOLVERINE – Premieres 12/17
PG-13, Action
Hugh Jackman, Tao Okamoto
weeks before Netflix & Redbox

DESPICABLE ME 2 – Premieres 12/24
PG, Animated
voices: Steve Carell, Kristen Wiig
weeks before Netflix & Redbox, available in 3D

INSIDIOUS: CHAPTER 2 – Premieres 12/24
PG-13, Horror
Patrick Wilson, Rose Byrne
same day as DVD

YOU'RE NEXT – Premieres 12/27
R, Horror
Barbara Crampton, Sharni Vinson
before DVD, Netflix & Redbox

PERCY JACKSON 2 – Premieres 12/31
PG, Fantasy
Logan Lerman, Alexandra Daddario
weeks before Netflix & Redbox

- Kate Asche Wilson


Kate
Kate Asche Wilson is a contributing writer to On Demand Weekly. She is a graduate from the Dodge College of Film and Media Arts at Chapman University where she received a BA in Screenwriting. In her spare time Kate likes to take long walks on the beach, and watch telenovelas. Follow her on Twitter @KATEDOESLIFE

 

 

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First Photo Of Anna Paquin’s FREE RIDE - ExclusiveNovember 26, 2013

First Photo Of Anna Paquin’s FREE RIDE - Exclusive

FREE RIDE (Phase 4 Films)

From the bayou in "True Blood" to the Sunshine State in FREE RIDE, get a first glimpse of Anna Paquin in the Phase 4 Films upcoming release, The film is produced by Anna Paquin, Cerise Hallam Larkin, Susan Dynner and Brian Dreyfuss. Executive producers are Stephen Moyer, Mark Larkin and Norman Dreyfuss.

 

FREE RIDE has a theatrical release date in NY, LA and a Video On Demand release date of Jan. 10, 2014.

 

FREE RIDE FIRST / LOOK

Anna Paquin, Ava Acres and Liana Liberato / FREE RIDE (Phase 4 Films)

 

In search of a better life for her family and desperate to escape her tumultuous relationship, Christina (Anna Paquin) hastily moves to Florida and enters the dangerous world of the high-stakes underground drug scene. She quickly learns that dealing drugs at the height of South Florida’s smuggling heyday has its price. As law enforcement closes in on Christina and her drug operation, she must find a way to salvage the life she has desperately worked to repair before it all comes crashing down.

 

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MAN OF STEEL Soars To Be The #1 Movie On DemandNovember 25, 2013

MAN OF STEEL Soars To Be The #1 Movie On Demand

Get the latest information about Movies On Demand from On Demand Weekly. Every week we provide the Week’s Top 10 Movies On Demand (MOD).


 

 

1. MAN OF STEELNEW
2. GROWN UPS 2
3. THE HEAT
4. THE INTERNSHIP
5. WHITE HOUSE DOWN
6. THE CONJURING
7. THE WAY WAY BACK
8. R.I.P.D.
9. MONSTERS UNIVERSITY
10. THE HANGOVER PART III

Source: Rentrak Corporation - OnDemand Essentials (Week Ending November 17, 2013)

 

See Jaymee Sire's (E is for Eat) SNOW WHITE AND THE HUNTSMAN recipe. Enjoy!


 

 

 

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On Demand Weekly’s Video Preview Of BETAS, An Amazon Studios Original Series Now On DemandNovember 22, 2013

On Demand Weekly’s Video Preview Of BETAS, An Amazon Studios Original Series Now On Demand

Betas (Amazon Studios)

Ed Begley Jr., Joe Dinicol, Jon Daly, Maya Erskine, Charlie Saxton and Karan Soni star in Betas, created by Evan Endicott and Josh Stoddard

First three episodes of Betas now available free of charge for all Amazon customers, with additional episodes available every Friday for Prime members

The wanna-be entrepreneurs of "Betas" are back with an eleven-episode season full of apps, coding and debauchery. Amazon announced the premiere of the first three episodes of the Amazon Studios comedy Betas, which debuts today for all Amazon.com customers. Subsequent episodes will become available every Friday, exclusively for Prime members on Prime Instant Video.

 



Set in the land of Silicon Valley start-ups, Betas, written by Evan Endicott and Josh Stoddard, follows four friends as they attempt to strike it rich with a new mobile social networking app. Joe Dinicol, Karan Soni, Jon Daly, Charlie Saxton, and Maya Erskine star in the show, with Ed Begley Jr. ("Arrested Development," "St. Elsewhere"). Michael Lehmann directs and produces the show along with Executive Producers and Emmy Award winners Alan Freedland and Alan Cohen, and Academy Award nominee Michael London.

 

OnDemandWeekly.com Previews BETAS an Amazon Original Series Now On Demand.

 

"'Betas' has been an incredibly fun show to create for customers. We have a stellar cast of comedians and actors, and we think customers are going to enjoy it,” said Roy Price, Director of Amazon Studios. “The chemistry these guys have on set definitely translates to the screen... 

 

...While their characters are still very much underdogs,

it’s easy to find yourself hoping they make it big in techland.”

 

"Betas" is now available via Amazon Instant Video on Kindle Fire, iPad, iPhone, Roku, Xbox 360, PlayStation 3, PlayStation 4, Wii, Wii U, hundreds of other connected devices, and online at www.amazon.com/instantvideo

 

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Seth Meyers’ THE AWESOMES - A Hulu Original SeriesNovember 21, 2013

Seth Meyers’ THE AWESOMES - A Hulu Original Series

The Awesomes (Hulu)

On Demand Weekly provides new movie reviews of hot movies on demand and from the POV of watching from the comfort of your home. Today’s review: "The Awesomes" (Hulu).


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THE AWESOMES
By Joe Charnitski

 

What did you think of this year’s summer superhero movies?

Iron-Man came back for the third time (not including his appearance in THE AVENGERS) and Superman was reinvented, for at least the third time (not including his TV work). Wolverine broke away from the X-Men to release a solo adventure, and even The Lone Ranger (ok, he doesn’t have super powers, but I think the premise still applies) galloped across cinema screens once again. As long as we keep paying, and IRON MAN 3 made north of $400 million, Hollywood will keep playing the super hero card, as they have for decades.

The creators of Hulu’s new animated series “The Awesomes” are hoping that all of this experience with heroes, villains, civilizations in peril and all that will make us appreciate their comedic, but not fully satiric, take on the genre. The series follows the adventures of Prock (voiced by series creator SETH MEYERS) a low grade hero who has inherited a Justice League-type band of superfriends from his father, Mr. Awesome, after his recent retirement. Mr. Awesome’s team doesn’t believe the young professor and doctor (thus, Prock) has the right stuff, so they quit the team. A federal government bureaucrat alerts Prock that he will lose his funding from Uncle Sam if he doesn’t put together a band of formidable super crime fighters.

Over the course of the first episodes Prock does build a team, and they have some impressive strengths, but also some wacky weaknesses. Can this team of misfits save the world from the evil likes of Doctor Malocchio (voiced by SNL alum Bill Hader)? Can Prock ever live up to his father’s legend, or even to the competition from everyone’s favorite big hero on campus, Perfect Man? 

 

“The Awesomes” is certainly not anything new. We’ve seen the off-key mix of B-level heroes join forces before: “The Tick”, “Mystery Men” and even Saturday Night Live’s own “Ambiguously Gay Duo” of Ace and Gary are following essentially the same path as Meyer’s creation. Pixar’s THE INCREDIBLES will also immediately come to mind when watching the premiere episode. Mr. Incredible and his family did a much better job of making me wonder about our culture’s love of heroes, and our cynical dismissal of truth, justice and the American way.

That being said, I loved cartoons like the “Super Friends” when I was a kid, and “The Awesomes” definitely pressed the right buttons in making me nostalgic for those shows. They also have a pretty interesting story building with Prock being challenged by Doctor Malocchio, Perfect Man (who is dating the girl Prock has a crush on, by the way), the feds and his own insecurity at not living up to the family name.

I didn’t find the first couple of episodes to be consistently very funny, but it had its moments, and I can see the potential on the road ahead. Besides Meyers and Hader, you’ll recognize the voices of Rashida Jones, Rachel Dratch, Kenan Thompson, and others. “The Awesomes” doesn’t live up to its title, but if you’re a fan of SNL over the past handful of years, and/or you can’t get enough of the superhero genre, it’s worth a try.

 

 

 

TRY IY

 

Joe Charnitski

 

Joe Charnitski
Joe Charnitski is a new contributing writer to On Demand Weekly. His career in film and television production, development and marketing has included stops at Miramax Films, Syfy and VH1. He currently works at a entertainment focused social media marketing agency in New York City. Twitter:@JoeCharnitski

 

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5 Things You Need To Know about VIOLET & DAISY - Now On DemandNovember 19, 2013

5 Things You Need To Know about VIOLET & DAISY - Now On Demand

VIOLET & DAISY (Cinedigm)

Violet (Alexis Bledel, SIN CITY, GILMORE GIRLS) and Daisy (Saoirse Ronan, HANNA) are a pair of gum-smacking assassins who casually snuff out crime figures in New York City, distracted only by their favorite pop idol Barbie Sunday.

Determined to raise cash for a pair of Barbie Sunday dresses, the duo takes on a new hit job, only to face a reckoning in the form of a mysterious loner (James Gandolfini, "The Sopranos"). He catapults the girls into an odyssey far beyond the world of Barbie Sunday and bullets for pay.

 

 

Click Here To View ODW's Monthly Movie On Demand Preview On Our Home Page

 

5 Things You Need To Know about VIOLET & DAISY - By Director Geoffrey Fletcher


1. Every member of the cast was so devoted and does such remarkable work. See Saoirse Ronan, Alexis Bledel and James Gandolfini as you've never seen them before. (One is a homicidal lunatic, one is charming and the other one is hard to describe. Find out who is who.)

2. We hoped that bending and blending genres might offer an opportunity to present timeless themes in new ways so if you see one surreal & darkly comedic coming-of-age story wrapped within a teen assassin fable this year, see this one.

3. Violet & Daisy was shot entirely in New York City across several boroughs. See gritty and glimmering corners of this inspiring and daunting city.

 

Alexis Bledel and Saoirse Ronan / VIOLET & DAISY (Cinedigm)


 4. Cookies, cupcakes, a pop star, a puppy, a parrot and contract killers were just a few of the many elements synthesized to create this modern fairy tale about love, materialism and redemption.

5. Check out great performances by Danny Trejo (Machete), Marianne Jean-Baptiste (Secrets & Lies), Tatiana Maslany (Orphan Black) and Cody Horn (Magic Mike)!

 

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GROWN UPS 2 IS THE #1 MOVIE ON DEMANDNovember 18, 2013

GROWN UPS 2 IS THE #1 MOVIE ON DEMAND

Get the latest information about Movies On Demand from On Demand Weekly. Every week we provide the Week’s Top 10 Movies On Demand (MOD).


 

 

1. GROWN UPS 2NEW
2. THE HEAT
3. WHITE HOUSE DOWN
4. THE INTERNSHIP
5. THE CONJURING
6. R.I.P.D.
7. THE WAY WAY BACK
8. MONSTERS UNIVERSITY
9. THE HANGOVER PART III
10. PACIFIC RIM

Source: Rentrak Corporation - OnDemand Essentials (Week Ending November 10, 2013)

 

See Jaymee Sire's (E is for Eat) SNOW WHITE AND THE HUNTSMAN recipe. Enjoy!


 

 

 

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DEAR MR. WATTERSON: AN EXPLORATION OF CALVIN & HOBBES - Now On DemandNovember 15, 2013

DEAR MR. WATTERSON: AN EXPLORATION OF CALVIN & HOBBES - Now On Demand

Courtesy DEAR MR. WATTERSON (Gravitas Ventures)

On Demand Weekly provides new movie reviews of hot movies on demand and from the POV of watching from the comfort of your home. Today’s review: DEAR MR. WATTERSON (Gravitas Ventures).


EXCLUSIVE: Read Director Joel Schroeder's  8 Things He’d Like You to Know About Calvin & Hobbes here...


 

DEAR MR. WATTERSON
By Joe Charnitski

 
The sight of a child laying on the living room floor surrounded by comics from the local newspaper seems like an idyllic vision of Sunday morning. I guess we’re more likely to see a kid holding an iPad these days, but for generations the Sunday comics were a regular part of any child’s weekend. Maybe you were precocious and enjoyed the political jokes in Doonesbury. Perhaps you were smart enough for Gary Larson’s The Far Side, or at least pretended to be. Could of been classics like Peanuts that kept you coming back for more.
 

Courtesy DEAR MR. WATTERSON (Gravitas Ventures)


There was something for everyone, but few strips have received the “icon” treatment given to Calvin and Hobbes from the new documentary DEAR MR. WATTERSON.

Most of the first section of the film is filled with recollections from the deepest corners of comic fandom about Calvin & Hobbes. Strip historians and archivists, contemporaries of Bill Watterson, the creator of Calvin & Hobbes, and a league of writers and artists who came after, bathed in Mr. Watterson’s influence tell us that Calvin & Hobbes was the most important and memorable strip of its era.

 

 

Courtesy DEAR MR. WATTERSON (Gravitas Ventures)


 A trip to Bill Watterson’s hometown yields some small perspective on the town he created for his characters to live in. There are a few examples of particularly important episodes in the Calvin & Hobbes epic and a little insight as the doc moves along into the life of a strip artist, although not enough of any of that. A lot of time is spent with talking heads telling us how important and influential Watterson was, a point well made very early and then repeated...and repeated.

The most interesting section of the film gets a little more esoteric. It discusses the battle between art and commerce in the comic strip world. Certainly that tug of war is present in every creative field, but in Bill Watterson you have a unique foil to the standard tale. He never licensed Calvin & Hobbes: no toys, no lunch boxes, no cartoons, no holiday specials. 

 

In one way, that has kept the strip and its characters pure, untainted by an unwelcome collaborative effort. Since Calvin & Hobbes will only forever live within the pages of the strip, the strip is an unblemished bit of artistic perfection for all die hard fans. In another way, it might expose Mr. Watterson as a man too eager to control his creation.

 

Would millions of children going to bed

with their own Hobbes doll really have been so bad?


 As the doc progresses there’s a brief discussion about the dissipation of culture in our society. Sure newspapers are fading into the history books (oops, I mean the history apps) and, of course comic strips are losing that valuable real estate they once relied upon. But beyond that, are we losing touch completely with the cultural touchstones that keep members of a society together? Is it true, as one speaker states in the film that “there will never be another Beatles”? Is the end of the strip really the end of something much more profound?

I suppose all of this is why DEAR MR. WATTERSON left me with a little, nagging feeling of nostalgia. I don’t know that die hard fans of Calvin & Hobbes will learn anything new about their favorite strip or artist here. Casual comic strip readers may not want to wade through the repetitive fan gushing at the top of the film. It did give me a few things to think about, as every doc worth watching should.

 

Joel Schroeder, courtesy DEAR MR. WATTERSON (Gravitas Ventures)

 

The title is clearly meant to resemble the opening of a letter. When all is finished, the film feels like a love letter to the man himself, making sure he knows the impact he had on a generation.

 

 

TRY IY

 

Joe Charnitski

 

Joe Charnitski
Joe Charnitski is a new contributing writer to On Demand Weekly. His career in film and television production, development and marketing has included stops at Miramax Films, Syfy and VH1. He currently works at a entertainment focused social media marketing agency in New York City. Twitter:@JoeCharnitski

 

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8 Things I’d Like You to Know About Calvin & Hobbes By DEAR MR. WATTERSON Director Joel SchroederNovember 15, 2013

8 Things I’d Like You to Know About  Calvin & Hobbes By DEAR MR. WATTERSON Director Joel Schroeder

Joel Schroeder

Calvin & Hobbes took center stage immediately when it appeared in newspaper comics across the country in 1985. The funny pages were a big part of popular culture, and it was hard to find a comics reader who didn’t like Calvin & Hobbes.


It has now been 18 years since the end of the Calvin & Hobbes era.  Bill Watterson has kept an extremely low profile during this time, living a very private life in Ohio.  Despite his quiet lifestyle, he is remembered and appreciated daily by fans who still enjoy his amazing collection of work.

 

DEAR MR. WATTERSON is not a quest to find Bill Watterson, or to invade his privacy.  It is an exploration to discover why his 'simple' comic strip has made such an impact on so many readers, and why it still means so much to us today. DEAR MR. WATTERSON is now available on demand.

 

Click Here For ODW's Review of DEAR MR. WATTERSON


 

8 Things I’d Like You to Know About  Calvin & Hobbes By DEAR MR. WATTERSON Director Joel Schroeder

 

The task of coming up with even a short list of facts that the biggest fans of Calvin & Hobbes will not already know is rather impossible. (Even as I was compiling this, another list of facts about the strip made the rounds on the internet.) But an easier task is to share some items that I’d simply like you all to know. I’ve chosen 8, as that’s my lucky number.


8. Watterson wrote and drew every strip on his own. No assistants, no computers. Just one man at his drawing board--and a wife who is “a good editor, and a pretty accurate Laugh-o-meter.”

7. Some characters in Calvin & Hobbes are based on or named after real-life people: Calvin's doctor & barber, for example.

6. In the mid to late 80's, Watterson and cartoonist Berkeley Breathed exchanged a series of entertaining letters and sketches.

5. The vast majority of the original Calvin & Hobbes artwork is on loan at the Billy Ireland Cartoon Library & Museum in Columbus, Ohio at Ohio State University, where you can see it for yourself (or at least a selection of it, with an appointment).

 

Courtesy DEAR MR. WATTERSON (Gravitas Ventures)


 4. While the strip was being developed, Calvin originally had more of a bowl-cut hairstyle before he was given the spiky style we have come to love.

3. In order to get just the right type of ink line for a drawing in a particular Sunday strip featuring a large insect, Watterson turned to his backyard to find a stick that could be used as a pen to do the job.

2. The entirety of Calvin & Hobbes was written and drawn before Watterson turned 38 years old.

1. Bill Watterson and cartoonist Richard Thompson (Cul de Sac) are having an exhibition at the Billy Ireland Cartoon Library and Museum starting March 22, 2014. Go see it if you can. Bill Watterson would likely tell you to read Cul de Sac if you aren’t familiar with it already. 

 

Click here for information on the DEAR MR. WATTERSON bundles (movie poster, DVD, soundtrack, etc). 

 

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THE INTERNSHIP Is The #1 Movie On DemandNovember 15, 2013

THE INTERNSHIP Is The #1 Movie On Demand

Get the latest information about Movies On Demand from On Demand Weekly. Every week we provide the Week’s Top 10 Movies On Demand (MOD).


 

 

1. THE INTERNSHIPNEW
2. THE HEATNEW
3. THE CONJURINGNEW
4. PACIFIC RIMNEW
5. THE WAY, WAY, BACKNEW
6. TURBONEW
7. WHITE HOUSE DOWNNEW
8. THE HANGOVER PART III
9. THIS IS THE END
10. WORLD WAR Z

 

Source: Rentrak Corporation - OnDemand Essentials (Week Ending November 3, 2013)

 

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Amazon Studios First Original Series ALPHA HOUSE PremieresNovember 15, 2013

Amazon Studios First Original Series ALPHA HOUSE Premieres

ALPHA HOUSE (Amazon Studios)

Well, it’s finally happening. Remember back in the heady days of the dotcom boom, when “convergence” was the buzzword? That magical melding of TV and computer was going to carry us into the new millennium. Then, of course, the bubble burst and the two platforms went their separate ways, at least for a time.


But in the last few years, as broadband and wireless coverage have spread, the computer has become the TV and vice versa. New terminology has elbowed its way into the lexicon – “Hulu,” “Roku,” “YouTube” – just as the tech options have expanded, allowing us to consume media everywhere, from the train platform to the treadmill at the gym. We can watch virtually anything we want virtually anytime we want.

 

Click Here To View ODW's Monthly Movie On Demand Preview On Our Home Page



And the best part of this new era of true convergence? It has provided a platform for some genuinely innovative and original content. Deep-pocketed Netflix gained instant credibility among producers with its sleek, compelling HOUSE OF CARDS, the first series that didn’t actually air on TV to be nominated for an Outstanding Drama Emmy. With ORANGE IS THE NEW BLACK, from WEEDS creator Jenji Kohan, Netflix gave viewers another slickly produced series on which to binge. And the company’s revival of ARRESTED DEVELOPMENT showed how, for better and worse, a network series could adhere to the Netflix model.


Not to be left out, Amazon has jumped into production with gusto, going as far as letting viewers determine which pilots would become series. Its flagship entry, ALPHA HOUSE, is available beginning November 15th, on demand.

 


Created by Garry Trudeau (DOONESBURY, TANNER ’88) and directed by Adam Bernstein (BREAKING BAD, CALIFORNICATION) ALPHA HOUSE is set in the D.C. crash pad of four Republican senators. In the pilot, Gil John (John Goodman, INSIDE LLEWYN DAVIS), Robert (Clark Johnson, THE WIRE) and Louis (Matt Malloy, SIX FEET UNDER) are a man down, when their housemate, Vernon – played by a star who’s too much fun to reveal – is arrested, and the trio must find a new roomie even as they deal with all manner of unsavory politicking. 

 

Trudeau’s script is a raucous hoot and does its job as a pilot perfectly, introducing characters and setting up situations for future episodes without the heavy hand that some producers impose on a first episode. The acting is stellar as well. Goodman is dead-on as the former college football coach who finds, for the first time in his career, that his seat is truly up for grabs and he must go about the distasteful business of campaigning.

 

Matt Malloy’s Louis is just fussy and homophobic enough to make his fellow senators wonder if he doth protest too much. And it’s great to see Clark Johnson back in front of the camera after a long period spent directing projects both good (THE WIRE) and evil (S.W.A.T.). As their potential new housemate, Mark Consuelos (ALL MY CHILDREN) oozes charm and smarm, constantly on the prowl for both votes and bedmates.

 

One of the most encouraging things about ALPHA HOUSE is how much, much, much, much better it is than any of this year’s comedy offerings from the broadcast networks. Yes, I said “much, much, much, much” because it’s surprising, funny and feels like it has legs. I’m only guessing, but it feels like it can remain fresh and novel, particularly as guest stars such as Cynthia Nixon and Amy Sedaris show up in future episodes.

 

It’s a new world out there for the thing we once called “television.” We appear to be in a golden age that began with the cable breakouts of THE SOPRANOS, MAD MEN and BREAKING BAD. Those shows heralded the ability to pinpoint audiences who were seeking something challenging, certainly something more challenging than what broadcast had to offer. Now, as the market burgeons for broadband entertainment, there’s another source for finely-wrought entertainment that can afford to aim for select audiences – no longer do producers have to worry about carpetbombing to get people to watch. They find their niche, maintain their creative control, and welcome viewers to something original and compelling.


It’s only fitting in a year that we’ve seen the true breakthroughs of the original series on Netflix, we welcome yet another high-end newcomer in ALPHA HOUSE. If you’re an Amazon Prime subscriber, you can watch the show, as well as hundreds of obscure flicks, for nothing. If you’re not, you know have a real reason to consider it for more than just the free shipping.

 

DEMAND IT

 

- Chris Claro

 

Chris

Chris Claro is a contributing writer for On Demand Weekly. He is a former Director of Promotion for Sundance Channel and now works as Lead Copywriter at Cablevision. He has written for dvdverdict.com and the Eyes and Ears section of huffingtonpost.com. He blogs at http://disconcertingglare.blogspot.com. Follow Chris on twitter @cgclaro.

 

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VOD Spotlight: Linda Cardellini

1 - The F1 DocumentaryNovember 07, 2013

1 - The F1 Documentary

1

On Demand Weekly provides new movie reviews of hot movies on demand and from the POV of watching from the comfort of your home. Today’s review: F1.


See the latest Independent Movie On Demand (IMOD) Trailers here...

 

1 - The F1 Documentary

 
If you watched RUSH and wondered why Niki Lauda was so upset about the lack of safety in Formula One or watched SENNA and felt that way yourself, the comprehensive documentary "1" will answer all of your questions, starting with "seriously, no seatbelts?" and ending with "what took them so long?"
 

Sure, football started with leather helmets, hockey goalies had no facemasks and baseball players took fastballs to the head. But Formula One drivers started racing in exploding gas cans so dangerous that the drivers wore no seatbelts -- by design -- so that when they crashed they hoped to be thrown from the car and not be burned alive in the inevitable fireball. Fans of the sport since its last fatal crash in 1994 will be chin-on-the-ground shocked to see the impossible tolerance of flaming death that was Formula One for the fifty years prior.

The filmmakers present an insightful story told through the words of the courageous drivers who lived to tell about it as well as the far too many who didn’t.

Unlike the carbon fiber cars of modern F1, prior cars were fiberglass and, for the amount of protection they provided, gas tanks might well have been made of glass. Crashes from the ‘70s and ‘80s are so unbelievable to watch because the cars disintegrate on impact, fire is everywhere and the rescue team is nowhere to be found. Sometimes cars shatter and explode so ridiculously that it looks like bad TV show special effects – until the film reminds the viewer that the driver was killed, fans were killed or both.

The film’s most heartbreaking footage is of driver David Purley struggling in vain to free his friend Roger Williamson from an overturned, burning car while incompetent and apparently indifferent track marshals stand idly from a safe distance. By the time Purley runs across the track and back, dodging the traffic from the continuing race, his friend has died.

“1” also devotes considerable time to the James Hunt/Niki Lauda rivalry that complements the excellent treatment it received in RUSH. Too little time is devoted to SENNA but the film provides a pleasant surprise or two, notably the story of Bernie Ecclestone’s egalitarian offer to split the television rights equally between the other nine teams for the same price he paid for them. 

 

Clever editing keeps the film moving and gives the viewer needed time to recover from the more emotional scenes. The only sugar in the tank comes from the condescending soundtrack that matches song lyrics to the emotions or metaphors that the film already adeptly conveyed.

Any fan of SENNA or RUSH will gain a greater appreciation of those amazing stories and all Formula One fans should learn about, or perhaps remember, the bravery and determination of the decades of drivers who fought to change a sport that was dying to kill them.

 

DEMAND IT

 

 

 

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New Movies On Demand Preview: November 2013November 04, 2013

New Movies On Demand Preview: November 2013

Kate Asche Wilson

On Demand Weekly's Kate Wilson (@KateDoesLifegoes through all the new movies each month for her New Movies On Demand Preview.

 

November Movies On Demand

 

OnDemandWeekly.com November Movie on Demand Preview from Nick DeNinno on Vimeo.

 

 

Kate
 
November is here which means you’re either crazy excited for tryptophan induced food comas or terrified at the prospect of getting stabbed on black Friday for a tickle me Elmo. Either way your hectic November schedule can only improve if you sit down and take some me time. Maybe bake a pie? Or don’t and just buy one and then eat it while you watch a nice movie on demand. I have my top three picks right here.

@KateDoesLife’s Top November Movies On Demand:

 


THE WAY, WAY BACK- Premiers November 5
I love a good rom com and stoner comedy as much as the next girl, but most of the time they don’t quite hit your heart. That’s why the indy comedy was created, and THE WAY WAY BACK has everything a good film needs. Fourteen-year-old Duncan is a loner who can’t talk to girls has a flighty mom and a step dad who is the absolute worst. That itself screams coming of age but it proves to be so much more when Duncan finds an unlikely friendship with Owen, the manager of the Water Wizz Water Park. I’m slightly devastated this place doesn’t exist because I would totally get a summer job there. There are few films I see that I truly don’t want to end; THE WAY WAY BACK is one of them.
PG-13, Comedy, Steve Carell, Sam Rockwell, Weeks before Netflix & Redbox


THE WORLD’S END- Premiers November 19
Simon Pegg and Nick Frost are back to bring British humor into our dull dull lives. If you loved SHAUN OF THE DEAD and HOT FUZZ which you should you’ll find this cheeky sci fi comedy the perfect end to the three flavors Cornetto trilogy. Following a group of five friends on an epic pub-crawl THE WORLD’S END takes us on a spiraling tale of alcoholism, foreshadowing pub signs, British banter, friendship, and robot invasion. Just your standard Saturday night shenanigans, and bonus for your viewing pleasure Pierce Brosnan is in it. James bond himself battling blue goo robots. You’re welcome!
R, Comedy, Simon Pegg, Nick Frost, Same day as DVD, weeks before Netflix & Redbox


DEAR MR. WATTERSON- Premiers November 15
Is there anything better than Calvin and Hobbes? No. Your answer should be no because nothing is better than Calvin and Hobbes. DEAR MR.WATTERSON is a documentary that explores the cultural impact of the famous comic and it’s creator Bill Watterson. Now I’m not sure about you but as a young vibrant third grader I hated the fact that I couldn’t jump into my Sunday paper and go on crazy adventures with them, and quite frankly I’m still mad. So if you’re like me you have to see this film. It’s a lovely slice of nostalgia, and will remind you just how pissed you are that none of your stuffed animals ever came to life. Especially the tigers.
Documentary, Berekely Breathed, Seth Green


Well there you have it team! Remember to go to OnDemandWeekly.com for all new Movies On Demand in November.

Also This Month...

GROWN UPS 2 – Premieres 11/5
PG-13, Comedy
Adam Sandler, Kevin James
same day as DVD

THE INTERNSHIP– Premieres 11/5
PG-13, Comedy
Vince Vaughn, Owen Wilson
weeks before Netflix & Redbox

WHITE HOUSE DOWN – Premieres 11/5
PG-13, Action
Channing Tatum, Jamie Foxx
same day as DVD

MAN OF STEEL – Premieres 11/12
PG-13, Action
Henry Cavill, Amy Adams
same day as DVD, weeks before Netflix & Redbox, available in 3D

2 GUNS – Premieres 11/19
R, Action
Denzel Washington, Mark Wahlberg
same day as DVD, weeks before Netflix & Redbox

WE'RE THE MILLERS – Premieres 11/19
R, Comedy
Jennifer Aniston, Jason Sudeikis
same day as DVD, weeks before Netflix & Redbox

GETAWAY – Premieres 11/26
PG-13, Action
Ethan Hawke, Selena Gomez
same day as DVD, weeks before Netflix & Redbox

JOBS – Premieres 11/26
PG-13
Ashton Kutcher, Dermot Mulroney
same day as DVD, weeks before Netflix & Redbox

RED 2 – Premieres 11/26
PG-13, Action
Bruce Willis, Helen Mirren
same day as DVD

TURBO – Premieres 11/26
PG, Animated
voices: Ryan Reynolds, Paul Giamatti
weeks before Netflix & Redbox

 

 

- Kate Asche Wilson


Kate
Kate Asche Wilson is a contributing writer to On Demand Weekly. She is a graduate from the Dodge College of Film and Media Arts at Chapman University where she received a BA in Screenwriting. In her spare time Kate likes to take long walks on the beach, and watch telenovelas. Follow her on Twitter @KATEDOESLIFE

 

 

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THE HANGOVER PART III Repeats As The #1 Movie On DemandOctober 30, 2013

THE HANGOVER PART III Repeats As The #1 Movie On Demand

 

 

 

Get the latest information about Movies On Demand from On Demand Weekly. Every week we provide the Week’s Top 10 Movies On Demand (MOD).


 

 

1. THE HANGOVER PART III
2. AFTER EARTH
3. THIS IS THE END
4. THE CROODS
5. WORLD WAR Z
6. MONSTERS UNIVERSITY
7. IRON MAN 3
8. THE CONJURING
9. NOW YOU SEE ME
10. THE HEATNEW

Source: Rentrak Corporation - OnDemand Essentials (Week Ending October 20, 2013)

 

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VOD Spotlight: Steve Mazan (DYING TO DO LETTERMAN)

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THE HANGOVER PART III Is The #1 Movie On DemandOctober 21, 2013

THE HANGOVER PART III Is The #1 Movie On Demand

 

 

 

Get the latest information about Movies On Demand from On Demand Weekly. Every week we provide the Week’s Top 10 Movies On Demand (MOD).


 

 

1. THE HANGOVER PART IIINEW
2. AFTER EARTHNEW
3. THE PURGENEW
4. THIS IS THE END
5. THE CROODS
6. WORLD WAR Z
7. NOW YOU SEE ME
8. IRON MAN 3
9. STAR TREK: INTO DARKNESS
10. THE GREAT GATSBY

Source: Rentrak Corporation - OnDemand Essentials (Week Ending October 13, 2013)

 

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New Movies On Demand Preview:  September 2013

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THIS IS THE END Is The #1 Movie On DemandOctober 14, 2013

THIS IS THE END Is The #1 Movie On Demand

Get the latest information about Movies On Demand from On Demand Weekly. Every week we provide the Week’s Top 10 Movies On Demand (MOD).


 

1. THIS IS THE ENDNEW
2. THE CROODSNEW
3. WORLD WAR Z
4. NOW YOU SEE ME
5. IRON MAN 3
6. STAR TREK: INTO DARKNESS
7. THE GREAT GATSBYNEW
8. OLYMPUS HAS FALLEN
9. THE BIG WEDDINGNEW
10. THE BLING RING

Source: Rentrak Corporation - OnDemand Essentials (Week Ending October 6, 2013)

 

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William Friedkin (KILLER JOE) The January VOD Interview

VOD Spotlight: Steve Mazan (DYING TO DO LETTERMAN)

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Tags:

WORLD WAR Z BEATS IRON MAN 3 AND IS THE #1 MOVIE ON DEMAND AGAIN!October 07, 2013

WORLD WAR Z BEATS IRON MAN 3 AND IS THE #1 MOVIE ON DEMAND AGAIN!

 

 

Get the latest information about Movies On Demand from On Demand Weekly. Every week we provide the Week’s Top 10 Movies On Demand (MOD).


 


1. WORLD WAR Z
2. IRON MAN 3NEW
3. NOW YOU SEE ME
4. STAR TREK: INTO DARKNESS
5. THE GREAT GATSBY
6. CLOUDY WITH A CHANCE OF MEATBALLSNEW
7. THE BLING RING
8. OLYMPUS HAS FALLEN
9. PAIN & GAIN
10. EPIC

Source: Rentrak Corporation - OnDemand Essentials (Week Ending September 29, 2013)

 

See Jaymee Sire's (E is for Eat) SNOW WHITE AND THE HUNTSMAN recipe. Enjoy!


 

 

 

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New Movies On Demand Preview: October 2013October 07, 2013

New Movies On Demand Preview: October 2013

On Demand Weekly's Kate Wilson (@KateDoesLifegoes through all the new movies each month for her New Movies On Demand Preview.

 

October Movies On Demand

 

October Movies on Demand from Nick DeNinno on Vimeo.


 

Kate

 

Fall is in the air! You can smell it! You can feel it! You can finally waste your hard earned cash on 500 pumpkin spice lattes. October is officially the best month ever. Not only do you have a free pass to gorge yourself on Reese’s, but you can also buy spooky decorations at Michaels. You can dress up as a complete slut and get away with it because it’s Halloween: A treasured traditional family holiday. So once your done re-watching Hocus Pocus on ABC Family why don’t you check out my top three Movies on Demand for October.

 

 

 

@KateDoesLife’s Top October Movies On Demand:

 



NOW YOU SEE ME - Premiers September 3
What do you get when you combine Jesse Eisenberg, Woody Harrelson, Dave Franco, and Isla Fisher? A team of illusionists that pull of bank heists during their performances and reward their audiences with money. Obviously. And what do you get after that? Mark Ruffalo as an FBI agent tracking them down with the help of professional illusion exposer Morgan Freeman. However, in this story, nothing is quite what it seems and the mysteries of magic continue to build until the puzzle becomes almost impossible to solve. Basically it has magic, it has intrigue, it has romance, and it has Michael Caine. What more could you ask of a film?
PG-13, Thriller, Jesse Eisenberg, Mark Ruffalo, Same day as DVD

IRON MAN 3- Premiers September 24
Yes technically this is a late September release, but it’s Iron Man. So you got to give me a pass on this one. Robert Downey Jr. is back in his third film in that iconic iron suit. This time taking on the tyrannical Mandarin, handling romantic complications with the fiery Pepper Potts, and dealing with a slew of exploding soldiers. Throw in an army of Iron Men and you’ve got yourself a blockbuster hit. Can any one even tell the difference between Robert Downey Jr. and Tony Stark at this point? Anyone? No? Exactly.
PG-13, Action, Robert Downey Jr., Gwyneth Paltrow, Same day as DVD


THE PURGE- Premiers October 8
It’s October and if Halloweentown II: Kalabar’s Revenge doesn’t satiate all your thriller needs you might want to step away from the Disney channel and consider putting on The Purge. A fast paced sci/fi horror film that takes place in a crime-ridden America. Once each year there is a countrywide mandate, which allows for twelve hours of non-punishable crime. All emergency vehicles are shut down and anything goes. Stealing, murder, Ethan Hawke. It’s a horrifying pile of crazy that will really makes you re think ever leaving your house again.
R, Thriller, Ethan Hawke, Lena Headey, Same day as DVD, Weeks before Netflix & Redbox

THIS IS THE END- Premiers October 15
Have you ever wanted to see Michael Cera out of his mind on drugs falling into a post apocalyptic pit of death? If you answered no, I don’t think we can be friends. But, if you answered yes then boy do I have the film for you. In THIS IS THE END every stoner comedian in Hollywood is brought together, by the hilarious Seth Rogen, for a party at James Franco’s house. But like all good stoner comedy’s it wouldn’t be funny unless you threw in a little purgatory and a satanic best with a huge personality. It’s beyond hilarious. Go watch it right now. Seriously do it.
R, Comedy, Seth Rogen, Jonah Hill, James Franco, Same day as DVD


Well that’s it for me friends! Remember go to OnDemandWeekly.com for all new Movies On Demand in October!

Also This Month...

THE CROODS – Premieres 10/1
PG, Animation, Nicolas Cage, Ryan Reynolds, Emma Stone
same day as DVD, weeks before Netflix & Redbox

AFTER EARTH – Premieres 10/8
PG-13, SciFi, Will Smith, Jaden Smith
same day as DVD

THE HANGOVER PART III – Premieres 10/8
R, Comedy, Bradley Cooper, Zach Galifianakis, Ed Helms
same day as DVD, weeks before Netflix & Redbox

KEVIN HART: LET ME EXPLAIN – Premieres 10/15
R, Comedy, Kevin Hart
same day as DVD

PACIFIC RIM – Premieres 10/15
PG-13, SciFi, Charlie Hunnam, Idris Elba, Charlie Day
available in 3D, weeks before Netflix & Redbox

BEFORE MIDNIGHT – Premieres 10/22
R, Drama, Ethan Hawke, Julie Delpy
same day as DVD

THE CONJURING – Premieres 10/22
R, Horror, Vera Farmiga, Patrick Wilson
same day as DVD, weeks before Netflix & Redbox

R.I.P.D. – Premieres 10/22
PG-13, Comedy, Jeff Bridges, Ryan Reynolds
before DVD, weeks before Netflix & Redbox, available in 3D

THE HEAT – Premieres 10/29
R, Comedy, Sandra Bullock, Melissa McCarthy
weeks before Netflix and Redbox

 

- Kate Asche Wilson


Kate
Kate Asche Wilson is a contributing writer to On Demand Weekly. She is a graduate from the Dodge College of Film and Media Arts at Chapman University where she received a BA in Screenwriting. In her spare time Kate likes to take long walks on the beach, and watch telenovelas. Follow her on Twitter @KATEDOESLIFE

 

 

Click Here To Find The Below Movies On Demand Via ODW's Watch It Channel...

 

 

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HOMELAND Is Back For Season 3October 04, 2013

HOMELAND Is Back For Season 3

Homeland (Showtime)

On Demand Weekly provides new reviews of hot movies and shows on demand from the POV of watching from the comfort of your home. Today’s review: “HOMELAND” Season 3 on Showtime. 

It has been two months since Brody’s car exploded, taking most of Langley with it. Carrie is off her meds and getting more and more unstable. We’ve been here before, but it’s not just a re-hash. Claire Danes is so wonderful at playing I’m crazy, but I’m trying not to seem crazy, because I’m absolutely brilliant and the only way I can do my job to 100% of my abilities is to let myself be crazy. It’s a good thing she just won the Emmy, or heads would be exploding! Of course, the crazier Carrie gets, the harder it actually is for her to do her job because she is such a loose, live wire, everyone around her just wants her to get back under control.

Speaking of being in control, now that David Estes is a grey smudge in a hole in the ground, who is running the CIA? It seems our friend Saul Berenson (the inimitable Mandy Patinkin), is, by default, the leader of the pack, being aided by his now second in command Dar Adal (F. Murray Abraham). The last we had seen of Adal, he was smugly eating waffles, and letting Saul know that Estes was using Adal and Quinn to make sure Brody wouldn’t live long enough to tell the world that Vice President Walden and David Estes were responsible for drone-killing 70 schoolchildren in an attempt to get Abu Nazir. How did Adal come in from the cold? I guess we will have to wait for flashbacks to figure that part out.

Quinn is in a basement making a bomb, which leads to the suspicion that he was the one who planted the bomb in Brody’s car, but no, this is for someone is South America. Someone with an adorable little boy. This makes Quinn hesitate to kill, which throws off the whole mission. This is the second time we’ve seen Quinn hesitate to kill in cold blood, which makes it doubtful that he was responsible for the Brody car bomb.

 

Meanwhile at Casa Brody, there is no Brody, and no Mike. No explanation of why there is no Mike (but since Diego Klattenhof is now on THE BLACKLIST, I’m not sure if we’ll see him again), but Jessica’s mother is there to help. They need it, as Dana has attempted suicide, they have been cut off from government pay and insurance, and basically the whole county hates them.

All of this is to say, that the plot keeps moving along, characters veer from suspicious to heroic and back again. There is no sign of Damian Lewis, but since he is still in the credits and his newly-shorn visage is in all the promotional materials, I’m sure he’ll be showing up soon.

MidSeason 2 had me thinking the show had jumped the proverbial shark until the last couple of episodes got me right back in my roller coaster seat, ready to ride some more. Now I can’t wait to see what happens next. Will the CIA survive? It is still leaking like a sieve and being investigated by Congress. Can Saul manage it and re-ignite his marriage? Will Carrie completely crack? How is Brody getting along? Will they ever see each other again? Am I crazy to want them to? Can anyone trust the man who killed Mozart???

 

DEMAND IT

 

- Jean Tait

 

Jean
Jean Tait is a contributing writer to On Demand Weekly. Currently the Director of Programming for the Connecticut Film Festival, Jean has programmed for the Jacksonville Film Festival and Sundance Channel.
 

 

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MASTERS OF SEX PremieresOctober 03, 2013

MASTERS OF SEX Premieres

Michael Sheen and Lizzy Caplan / MASTERS OF SEX (Showtime)

On Demand Weekly provides new reviews of hot movies and shows on demand from the POV of watching from the comfort of your home. Today’s review: “MASTERS OF SEX” on Showtime. 

If sex sells, the first episode of MASTERS OF SEX should be the most watched episode of television ever. After the first episode, however, the series settles down a bit, and the sex is definitely not erotic, unless you are into clinical settings and find ekg paraphernalia exciting. After the audience realizes this is not actually about sex, will they stick around for the drama? After meeting Lizzy Caplan’s Virginia Johnson and Michael Sheen’s Dr. Masters, I believe they will!

An interestingly odd couple, she is a down-to-earth, twice-divorced mother of two with a quite advanced attitude towards sex. He is a rather uptight, stern medical professional who nevertheless is fascinated by the physiological mechanics of human sexuality. Michael Sheen walks a fine line between brittle and passionate. It is not easy to like Dr. Masters, especially the way he treats his first wife, Libby (the lovely Caitlyn Fitzgerald), but it is hard not to root for his success all the same.

 

Lizzy Caplan’s Ginny

is absolute perfection.

 

It is quite obvious why not only the men, but the women around her find her irresistible. Smart, warm, sexy, caring and clever, she is the kind of woman who is capable of anything she sets her mind to.


There is a lot of will they won’t they in the initial episodes, but since it is common knowledge that SPOILER ALERT they were married to each other for most of their careers, it is not too suspenseful. The mystery of will the study get cancelled or funded is also moot.

What is intriguing is how they progress to each stage of the research fighting the prejudices of the medical establishment and society in general. Having to set up a research facility in a whorehouse is not exactly a highly controlled setting. It does, however, add a lot of humor and sets up a great relationship between hooker Betty DiMello (played by the effervescent Annaleigh Ashford with a quiet desperation underneath her full-on sass) and Dr. Masters. She, along with Virginia, are perfect foils for Bill’s conflicts.

 

The third and fourth episodes start really deepening the drama, and with the arrival of Bill’s mother, we finally start to get a peek into what makes him tick, and perhaps why he is so interested in sex, but not very good at it.

For fans of the art design of MAD MEN, MASTERS OF SEX also has drool-worthy midcentury modern style, although it is a little too pristine. It is hard to believe anyone actually lives or works on those sets. No one has a messy desk or a dirty dish, and even with two children, Virginia’s house has nary a stray toy in sight. When we finally get to a “messy” location, it consists of one piece of clothing strewn on a chair! Even the sex seems to be awfully clean, but I guess there is only so much reality we can handle in a show that focuses on sex researchers.

 

DEMAND IT

 

- Jean Tait

 

Jean
Jean Tait is a contributing writer to On Demand Weekly. Currently the Director of Programming for the Connecticut Film Festival, Jean has programmed for the Jacksonville Film Festival and Sundance Channel.
 

 

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Top 5 Reasons To Watch THE MUSLIMS ARE COMING!October 03, 2013

Top 5 Reasons To Watch THE MUSLIMS ARE COMING!

THE MUSLIMS ARE COMING

Part social justice film, part stand-up comedy road tour, this  documentary confronts racism and prejudice head on, proving the transformative power of laughter. Comedians Negin Farsad and Dean Obeidallah gather a dream team of comedians (most of whom happen to be Muslim) and go on the road across the south, attempting to challenge stereotypes with shows and sidewalk stunts.

THE MUSLIMS ARE COMING! is now on demand. 

 

Top 5 Reasons To Watch THE MUSLIMS ARE COMING! by directors Dean Obeidallah and Negin Farsad

 

1. Because you haven’t seen the Daily Show’s Jon Stewart in a movie since Death to Smoochy.

2. Because you can’t get enough of those sexy, sexy Muslims.

 

Dean Obeidallah and Negin Farsad


3. Because you want to see Lewis Black do one of his classic rants but with an extra Muslim flavor.

4. Because you want to see David Cross hang out in a laundromat. (See, now you really have to see the movie to understand what this is about!)

5. Because you wanna laugh, like really laugh, like laugh till you pee a little.

 

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LOVELACE - On DemandOctober 03, 2013

LOVELACE - On Demand

LOVELACE (Radius)

On Demand Weekly provides new movie reviews of hot movies on demand and from the POV of watching from the comfort of your home. Today’s review: LOVELACE (Radius).

 

See the latest Independent Movie On Demand (IMOD) Trailers here...

 

LOVELACE

By Sky McCarthy

 
In the current age of flourishing internet porn, it is difficult to imagine an era when Americans could be shocked by anything. We are saturated daily with sensual images and innuendo but in reality, the sexual revolution was not that long ago. The desensitizing of America arguably began with just one film – the legendary DEEP THROAT.

Not only was it one of the first erotic films with plot development and cinematic elements, but its comedic script broadened the appeal of a previously forbidden movie genre. LOVELACE, a new film directed by Rob Epstein and Jeffrey Friedman, captures the tortured life of DEEP THROAT’s iconic star, Linda Boreman as she rose to fame with the success of one of the highest grossing adult films of all time.

Any film about the rise (and inevitable fall) of a small town girl who escapes to a big city usually contains elements of drug abuse, violence, sexual abuse and more. LOVELACE, based on Boreman’s own memoirs, has all of this but the directors present a very unique twist on an over told story. The first half of the film depicts a shy but playfully rebellious teen Linda (Amanda Seyfried) as she falls in love with strip club owner Chuck Traynor (Peter Sarsgaard).

The couple encounters money troubles in their initial months of marriage and Traynor is able to convince his young bride that porn is their best bet at a solid income. After multiple rounds of practice at home, he plays a demo tape of her performing the infamous act and – voila! – the producers love her! Lovelace is a star! Porn is fun! There are parties! And it’s all so easy! Until its’ not.

Just as the momentum of DEEP THROAT escalates, Epstein and Friedman temporarily halt the narrative, and, instead of moving forward, turn back. Now it’s Boreman’s turn to tell her side of the story. Was she happily whisked away to a better life with Chuck? Or did he threaten her life and attempt marital rape? Did Linda excitedly show up to the set each day, eager to please the cast and crew? Or was she beaten and held at gunpoint before uniting with her coworkers? The truth to this day remains slightly convoluted and the audience can decide which version they prefer. 

 

The ensemble cast of LOVELACE allows viewers to forgive the ridiculousness of certain scenes, or at least overlook the darker side of an industry that has always objectified women. Chris Noth and Bobby Cannavale play film producers, who for all their misogynistic quips, still come across as loveable. Hank Azaria plays DEEP THROAT director Gerard Damiano with comical yet earnest excitement, reminiscent of a Scorsese of the porn industry. Sharon Stone is initially unrecognizable in a brunette wig as Boreman’s mother but gives a worthy performance as a stern Catholic matriarch. But it is Sarsgaard who truly steals the show as the maniacal Traynor. True, real life evil has not been played so convincingly on screen this year.

Though the cast is beautiful, LOVELACE is not a sexy, light-hearted romp akin to its namesake’s feature film debut. Seyfried and Sarsgaard successfully deal with a bevy of dark issues while still allowing viewers to arrive at their own conclusions about the nature of the American porn industry during the late disco era. The controversy alone will inspire you to follow up with Boreman’s explosive autobiography Ordeal. LOVELACE is graphic but absolutely worth the time. 

 

 

- Sky McCarthy

 

Sky 
Sky McCarthy is a contributing writer to On Demand Weekly and a television enthusiast (ask me about anything!) currently working in entertainment in New York City. Follow Sky on Twitter @ILiveSkyHigh.

 

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SING ME THE SONGS THAT SAY I LOVE YOU: A CONCERT FOR KATE MCGARRIGLEOctober 02, 2013

SING ME THE SONGS THAT SAY I LOVE YOU: A CONCERT FOR KATE MCGARRIGLE

SING ME THE SONGS THAT SAY I LOVE YOU (Sundance Artist Services)

On Demand Weekly provides new reviews of hot movies and shows on demand from the POV of watching from the comfort of your home. Today’s review: “SING ME THE SONGS THAT SAY I LOVE YOU: A CONCERT FOR KATE MCGARRIGLE.” is now on demand. 

 

In May, 2011, a memorial concert was held in New York City’s historic Town Hall for Canadian singer/songwriter Kate McGarrigle. Headlined by her incredibly talented offspring, Rufus and Martha Wainwright, the concert of McGarrigle’s music, including both the well known and some obscure songs, is full of extraordinary performances by her family, her extended family and close friends. Family was definitely the theme of the evening, and the love they all feel for Kate, each other, and the music comes through every note and every breath. That the concert was filmed is fantastic news for McGarrigle/Wainwright fans.

Now available digitally through the Sundance Institute Artist Services Program, the concert includes full length renditions of the songs along with interviews, archival footage, recordings and photos of the extended McGarrigle clan. Getting the background of some of her songs makes their meaning deeper, and hearing the songs filtered through the experience of Kate’s death adds even more levels of poignancy. The last song Kate McGarrigle wrote, Proserpina, about a mother who wants her daughter to come back from Hades is especially moving as song by her children, obviously longing for their deceased mother, with lush background vocals by the rest of the extended family.

 



Unfortunately, filmmaker Lian Lunson makes some awkward edits and bizarre choices of intros and exits. Many performers are never named, which is frustrating, and if, as she has been quoted, the point of the film was to bring Kate McGarrigle’s music to a broader audience, the lack of labeling would make it difficult for, say, a fan of Justin Vivian Bond, or Norah Jones, to find this film. 

 

The executive producer of the concert gets a name, and an intro to the singer Krystle Warren is included, but most of the numbers start and finish without benefit of an explanation. Not only are many non-family members not identified, but their relationship to Kate is not explained, either. Is Norah Jones a close family friend or just a famous person brought in to appeal to audiences unfamiliar with the McGarrigles? She seems unsure of the lyrics during one song, so I really wonder.

Also, interviews with Rufus and Martha about McGarrigle’s actual moment of death and photos of Kate on her deathbed flashing onscreen while Rufus is singing create a maudlin atmosphere that is not in keeping with the Kate McGarrigle who wanted to keep things as normal and cheerful as they could be during her long painful struggle with sarcoma. It is heartbreaking enough to know they’ve lost their mother without rubbing the pain in our faces.

Yes, they are mourning, but they are also celebrating the beauty of spirit and talent that was Kate McGarrigle. The film should let the songs and performances do that, and stop trying so hard to make the audience cry. Kate McGarrigle deserves a better documentary. However, it is still an experience not to be missed to participate in this concert. Watch it for the music, roll your eyes at the cinematic pretentions, and keep that box of tissues handy.

 

DEMAND IT

 

- Jean Tait

 

Jean
Jean Tait is a contributing writer to On Demand Weekly. Currently the Director of Programming for the Connecticut Film Festival, Jean has programmed for the Jacksonville Film Festival and Sundance Channel.
 

 

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BRAD PITT’S WORLD WAR Z Is The #1 Movie On DemandOctober 01, 2013

BRAD PITT’S WORLD WAR Z Is The #1 Movie On Demand

 

 

Get the latest information about Movies On Demand from On Demand Weekly. Every week we provide the Week’s Top 10 Movies On Demand (MOD).


 

1. WORLD WAR Z- NEW
2. NOW YOU SEE ME
3. STAR TREK: INTO DARKNESS
4. THE GREAT GATSBY
5. THE BLING RING- NEW
6. PAIN & GAIN
7. OLYMPUS HAS FALLEN
8. EPIC
9. THE BIG WEDDING
10. THE EAST

Source: Rentrak Corporation - OnDemand Essentials (Week Ending September 22, 2013)

 

See Jaymee Sire's (E is for Eat) SNOW WHITE AND THE HUNTSMAN recipe. Enjoy!


 

 

 

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Andy Greenwald & Chris Ryan – The Hollywood Prospectus InterviewOctober 01, 2013

Andy Greenwald & Chris Ryan – The Hollywood Prospectus Interview

The Hollywood Prospectus (Grantland)

As the media is evolving, including how consumers are enjoying their digital content, so is the coverage of what is available. Fans aren’t just reading up on new movies, shows, books and music, they’ve begun to listen to podcasts on their favorite topics. The emergence of Podcasts, or Audio On Demand, is a nice compliment to Video On Demand as both formats allow us to determine when and where we want to enjoy our selections. 

 

Podcasts may have gotten a reputation initially for the guy in his basement talking about a niche subject, but the medium is breaking out. From comedians (ex: Marc Maron) and talk show talent (ex: Adam Carolla) reaching larger audiences to the hottest show’s (“Breaking Bad”) producers having their own shows, podcasts have really came into their own in 2013.


One of the more popular hosts and ambassador of the podcast platform is ESPN’s well known sports writer,
Bill Simmons (The B.S. Report). In 2011, he launched Grantland, a website dedicated to sports and pop culture. In addition his staff writing for the website, they also have podcast shows and video segments for the Grantland Network.

 

The podcast that caught our attention the most was The Hollywood Prospectus with Chris Ryan and Andy Greenwald. And we're not alone. “Increasingly podcasts, and especially targeted ones such as The Hollywood Prospectus, are becoming an important medium for awareness in the on demand world,” Eamonn Bowles, President, Magnolia Pictures.

 

On Demand Weekly’s Britt Bensen spoke with Chris and Andy about how The Hollywood Prospectus came to be, why their chemistry works so well and their thoughts on the VOD industry.

 

 

On Demand Weekly (ODW): What were your first jobs in media?
Andy Greenwald (AG):
My first job was interning at SPIN the summer of ’98 and then I got hired to be an editorial assistant the following summer and then switched to the website in ’99. It was so misunderstood, they allowed me at the age of 23 to be the Director of New Media at Vibe and Spin. Chris and I had been good friends since ’96 and he came to New York and started contributing to Spin.com.

 

Chris Ryan (CR): My first job in the media was working for Andy. I worked regional jobs. In ’99 I started writing music record reviews and working for really small publications, zines, back when they used to have zines. Andy was moving to New York to work at Spin and I joined him down there for a brief, but glorious run at Spin.com.


AG: We had actually become friends for our shared love of music magazines and thinking about them and wanting to write our own reviews and pretending to make our zine, which we never actually did, but we talked a lot about.

 


ODW: It’s easy to tell from the podcast you know each other well. When did you first meet? 

CR: Andy and I went to rival Quaker schools in Philadelphia. We ended meeting each other through some people I went to high school with…
 

AG: …who I went to college with. Chris was in Boston for college and I was at Providence. I was going to college with one of his friends, and she said you like Pavement, I have a friend who likes Pavement and it was love ever since.

 


ODW: Alan Sepinwall (Hitfix.com) went to college in Philly. What is in the water there that is turning out TV critics?
CR:
There’s definitely something in the water.


AG: You should not drink the water.

 


ODW: ESPN sportswriter Bill Simmons had been crossing over into pop culture from his start. He then founded Grantland two years ago. When did you first become aware of Bill and Grantland and when were each of you hired?

AG: I think we both read Bill’s first column. The minute he started writing for Page 2 (ESPN’s former sports blog), it was a revelation for everyone more or less our age to see someone write that way and...

 

...making it seem effortless and

natural to care about different types of things.

To really want to joke about the movie ANCHORMAN

and talk the World Series.

 

To bring all of those worlds together was really remarkable. If the Spin.com email addresses still existed I could find us emailing his column back and forth.

 

CR: When Bill was writing for Page 2 in the late 90’s, reading Bill was sort of the highlight of the internet. I don’t mean to say that because he’s our boss. He captured the imagination of a certain generation of readers where sports influenced pop culture and pop culture influenced sports and you could be a fan of both things.

 

As for starting at Grantland, I came to it through Chuck Klosterman, who was a friend of mine back in New York. He came to me the summer before and said Bill was looking for a soccer writer and I had been doing some writing about the World Cup and English Premier League. I wound up meeting Bill in New York and it went from there. I moved to LA to work as an editor.

 

AG: I knew about it in advance of it launching due to my friendship with Chris and Chuck, but I didn’t have any in on it. I was looking to get out of freelance writing about music and get in to writing for TV. I went to get a beer with Chuck and he mentioned there might be a place to contribute something for this site that didn’t have a name yet. And I was like, no thanks, I’m good.

 

Then in April, 2011, another friend from Spin, Lane Brown, who was the founding cultural editor of the site and had edited my first TV recaps for Vulture, reached out to me saying he had permission to being on someone on a part time contract to help with the cultural coverage. And I thought, that was too good to pass up. I went from a part time contract to a full time TV writer.

 


ODW: What are you exact roles at Grantland?
CR:
I’m a Deputy Editor and I am in charge of the Triangle Sports Blog. I oversee the editing and assigning and writing on that side.

 

AG: My title is Staff Writer, but I am essentially the TV Critic, although the last couple of weeks, Bill has decided he doesn’t like the word critic, so he’s trying to come up with a different title. One of the great things about Grantland is if I get agitated about the Phillies, Chris will let me write something or I have written about books and movies, but TV is my primary beat.

 




ODW: The Hollywood Prospectus podcast is a must listen every week for me. Whose idea was it?

CR: Once Jacoby met Andy & I, and saw our dynamic and said we should give these guys a podcast. It wasn’t called the Hollywood Prospectus in the beginning. We called it on the first show out of not knowing what else to call it and it stuck.

 

It was going to be Chris and Andy talking about all sorts of things, but we were lucky enough to start the podcast at the height of people becoming fervent fans of the Golden Age of television with shows like “Mad Men”, “Breaking Bad”, “Game of Thrones”. And that gave us a focus.

 

AG: Jacoby wanted to launch culture podcasts in the beginning and they couldn’t do it right away. Before I even met him, we did a podcast where we argued about “The Walking Dead”. That’s the first time we ever spoke. We did the first podcast in January 2012. Chris was still in New York at the time. We recorded the first 7 or 8 in the studio here, which was nice so we could get more comfortable and figure it out. It wasn’t weekly at first, but we got the go ahead pretty quickly.


Jacoby’s thinking was from his experience in working with Erik Rydholm at ESPN / PTI, the best listening and watching comes from people who actually like each other. We’re obviously not in their league, but I think they thought that our 15 years of friendship would translate well.

 


ODW: I recall the origin of PTI being based on good friends and colleagues Tony Kornheiser and Michael Wilbon talking all day in the Washington Post newsroom and calling each other at night to talk sports. PTI decided to capture their conversation. Your podcast reminds me of that friendly rapport and is a new way for consumers to engage with the latest TV series, films and music in a commercial-free, uninterrupted, longer format that can’t be found on TV or radio. What’s been the response to the Hollywood Prospectus podcast?                                                                                                                                           

CR: I’ve had times when people have recognized my voice, which is surreal. I can’t even comprehend thinking about us in the same terms as PTI, because it’s a show I’ve been such a big fan of for most of my life. I do think the suggestion you’re making is the right one in that it’s been popular for people to be polar opposites or pre-disposed to disagree with one another may be exciting for a short term, but sometimes has diminishing returns.


Andy and I are flattered that people want to spend time with us in a way and we’re glad to project our friendship. Because that’s what it is...

 

...just us being friends.

It’s nice not to have to disagree with each

for the sake of doing so.



AG: The fact that part of my job is talking to my best friend does not seem real. The reaction has been bizarrely nice. It does still feel like the conversations we’d be having any way. And so then to be broadcasting them and people to be looking forward to them.


It’s a funny thing to be recognized for something that is effortless, because we’d be doing it any way. It’s extremely flattering. We’ve been serious about liking stuff and being enthusiastic. Whether it is a TV show like “Breaking Bad” or the crime novels we were trying to get people to read.

 

One of the things we like best when we were reviewing records, was not the desire to criticize someone, but to...

 

basically barge into someone’s house

and press play on someone’s CD player

to something we thought was really good.

 

To be able to continue that enthusiasm and advocacy for things we really care about like the novels of James Crumley or the music Superchunk and get people to give it a shot and respond to is really rewarding.


ODW: It’s better to give than to get, right.
Both:
Yes.


ODW: The Hollywood Prospectus podcast typically records early in the week and is available to listen to by Tuesday / Wednesday. How do you determine what you will discuss each week and are you getting pitched by media marketing & PR departments specifically for podcast coverage?
CR:
We usually talk about the tent pole of the podcast, which is Sunday night television. Whether it is “Mad Men”, “Breaking Bad”, “Game of Thrones” or “Homeland”. Those are our huge topics to focus on the beginning of the podcast. And then we talk about whatever is timely. Whether it is a new album release, or a movie we saw over the weekend.

 

As far as PR, yes, where it syncs up when Comedy Central asking one of us if we want to talk to “Workaholics.” Andy does his side podcast where he interviews show-runners and personalities in the TV industry.

 

AG: The funny thing about it is, is how totally DIY it still is. Chris and I will trade texts or emails over the weekend about what we might want to talk about on Monday. We wish we had more time to plan stuff out and bring in guests, but we’re working full time in addition to it. It comes together much more casually, but some of the best shows come out of things we didn’t expect. We were in the middle of TV shows and Chris all of a sudden… what made you want to do the ‘90s one?

 

CR: … Cause Pearl Jam was playing at Wrigley.

 

AG: Oh right. So then Chris was like we should one on ‘90s music. We didn’t prepare and turned out to be one of the more fun ones we’ve ever done. That’s good for us sometimes. Pick a topic and just go. We’re still learning as we’re doing it. It’s very much a work in a progress. I guess we need a “Stat Boy” (laughing).

 


ODW: Is there a natural rivalry with other Grantland podcasts “Do You Like Prince Movies”, “Girls In Hoodies”, “Men In Blazers?
AG:
The rivalry is similar to Kendrick Lamar’s verse from the song Control about how he loves everyone, but wants to destroy them. (Chis Ryan is howling with laughter). No. I love working at Grantland. Everyone has such different points of view.

 

CR: One thing Jacoby has done that has been a huge help to us, in the beginning, people who listened to the Jalen Rose Show (another Grantlad podcast) were getting our podcast too.

 


ODW: Bill has been a proponent of The Battle of the Network Stars and current challenge shows. Do you have any fodder for other podcasts like Hitfix, etc?
AG: The spirit of competition (they’re both laughing).

 

 

ODW: Is Jalen Rose and his bat auditioning for a walk on role on “Boardwalk Empire”?
AG:
I think it’s possible. I’d be happy for Jalen and his bat.

 

CR: I’d like to see him on a more contemporary show like “Scandal”.


ODW: As you both write for Grantland too, is there different preparation for a column vs a podcast? Do you save anything for one format vs the other?
AG
: Columns involve preparation and podcasts don’t (laughs). The benefit of knowing each other for so long comes into play. It’s our most regular way of speaking as Chris did something horrible and moved across the country.

 

The worst thing about being a writer, is writing. So anything I can do professionally that doesn’t involve the thing I’m supposed to be doing, I’m all for it. Another reason why I like podcasts.

 


ODW: You’re in different cities, right?
CR:
LA.
AG: NY.


ODW: You recently covered Joe Swanberg’s DRINKING BUDDIES, starring Olivia Wilde, Anna Kendrick, Jake Johnson and Ron Livingston that’s been available on demand the same time while in theaters? When you consider a film for conversation, does its distribution strategy determine when you would cover it?

AG: This summer it did. Due to a recent addition to my home life, I have not been able to go to a movie theater to see a movie. The fact that DRINKING BUDDIES was actually available on VOD was a god send. Having seen it and loved it, we would have talked about it any way, but I was keyed up to see a movie we could actually talk about and be relevant.

 

CR: I remember telling Andy about this movie and the best part about it is you don’t have to leave your house.

 

AG: I was sold. I thought it really helpful not just for us, but for our listeners. It was really nice to talk about something knowing that most everyone in the country could watch it, that night. We got a lot of feedback for it. People were tweeting us that they really saw the movie because it was available to them.

 

CR: I’m always looking for things on iTunes or Netflix. Pretty much every major on demand movie ot television show comes across our radar.

 


ODW: On demand provides an opportunity for discovery.
CR:
It’s very democratic. It’s nice to say, ‘go watch this, right now’.

 

AG: It’s very communal. We talked about it on our podcast and Jake Johnson tweeted about it. Joe Swanberg retweeted about our podcast...

 

You’re part of the conversation

with the artists and the audience. 

 


ODW: Stephen Colbert refers to anyone appearing on The Colbert Report as getting the Colbert Bump. Has anything received the Hollywood Prospectus Bump?
AG:
More like an ant hill.

 

CR: I think we’re definitely responsible for the fact they’re going to make another Bourne movie.

 

AG: It’s anecdotal, but people have bought some of the books we discussed. That’s been gratifying for us. Publishers reached out more so than film or TV people. I think people who work in publishing our excited anytime people talk about books.

 

CR: Probably the thing people got the most excited about that they didn’t know about before was “Top of the Lake”. It got a lot of reaction from people saying they had no idea it existed and it’s amazing.

 

AG: That fits into the VOD question. It’s one to celebrate obscure things from our past, but to celebrate another thing that was slightly obscure, recent, but also completely available. When we talked about it, it was streaming on Netflix, where it is to this day. That was a really nice synergy.

 


ODW: What do you think of the state of VOD for movies or TV?
AG:
I wish there more, since I can’t get out of the house.

 

CR: I really hope VOD becomes the platform where the middle class movies goes. Films that are adult thriller. From THE LINCOLN LAWYER to DRINKING BUDDIES. Films that are not finding a place. I look forward to more and more interesting, yet entertaining films on VOD.


I’ve been thinking about what Stephen Soderbergh said at a film festival (the San Francisco International Film Festival) recently. He talked about moving to television and on demand as a platform. I really hope VOD does provide a great platform for the movie business.

 

State of Cinema: Steven Soderbergh from San Francisco Film Society on Vimeo.

 

 

ODW: Most TV recaps and podcast focus on the best TV series and films with recognizable casts. What about the smaller TV series and/or movies? Do you feel “Hollywood Prospectus” could also serve as a place of discovery of new content?

AG: Yeah. I would hope so. Certainly with movies. It’s hard in TV to discover something that is unknown. There’s more opportunity in film.

 

CR: With film, people can make time to see one movie, like a DRINKING BUDDIES on a Friday Night. With TV, when you’re asking them to invest in a “Broadchurch”, “Top of the Lake”, or “Terriers”, it’s more difficult because it’s a much bigger time demand.


One of the pleasures of the podcast is to get people excited about things they wouldn’t ordinarily get a chance to see.

 


ODW: “Top of the Lake” premiered as a miniseries on Sundance Channel in the U.S. the format seems to be a sweet spot for the network.
AG:
I think that is incredibly smart. That is where TV is going and getting ahead of that and making a name for themselves is really smart.


ODW: Chris mentioned the “Post Golden Age TV era” in last week’s podcast. What is your vision of the TV landscape once “Breaking Bad” and “Mad Men” conclude?
CR:
I think you’re going to see a lot more channels. Whether that is online channels like Amazon or Netflix, or more channels like what FX is doing. It’s going to be a rush and they’re not going to have that Sunday night prestige. And we’ll probably go through that for a while and the cream will rise to the top.

I don’t see a show to take over for the role “Breaking Bad” and “Mad Men” serve. Nothing feels momentous like them.

 

AG: It’s going to be dire. If we’re talking about the recent Golden Age of TV, it’s going to be over after “Mad Men” goes dark. The circumstances that led to the shows we’re talking about being broadcast is over. Vince Gilligan had this passion project. “Mad Men” was Matthew Weiner’s passion project. And there were networks desperate for content that were willing to empower show-runners and take chances on strange material. Since then, the entire has changed completely and the finances have changed. Networks are no longer interested in being bent over the barrel by the creative demands of show-runners. We’re in for a different landscape.

 


ODW: Are there any plans to expand to more than once a week or to video (Grantland’s YouTube channel)?
CR:
We’d like to get bigger and expand, but given what we talk about, once a week feels right.

 

AG: Jalen says give the people what they want and I think what they’re saying is once a week is enough from us.


ODW: Bill Simmon’s BS Report opens with a disclaimer that “it is a free flowing conversation that occasionally touches upon mature subjects.” Any plans for the “Hollywood Prospectus” to go blue and get your own disclaimer?
AG:
We talked about Hollywood Prospectus After Dark. For good reason, no one has listened to us. There was one podcast Jacoby produced and had to clean up after we said some stuff.. We’ve learned since then.
 


ODW: Lastly, name the TV Series, movie and album you’re each looking forward to the most?
CR:
The TV series I’m looking forward to is “True Detective” (HBO) with Matthew McConaughey and Woody Harrelson. The movie is GRAVITY. Music is tough. I guess Drake.

 

AG: The Haim album (Days Are Gone) is great. And a Scottish band called Churches has an amazing debut album. AMERICAN HUSTLE (the new David O. Russell movie). “Trophy Wife” (ABC) is a great pilot with Malin Ackerman.

#

 

 

- Britt Bensen



Britt is the Editor-in-Chief and Co-founder of On Demand Weekly. He is currently at Intel Media. Previously, Britt worked for Miramax Films and Sundance Channel. He also on the Advisory Board of the Palo Alto Intl Film Festival.



You can find The Hollywood Prospectus, The Triangle and Chis Ryan & Andy Greenwald’s columns on Grantland.

 

 

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Top 5 Reasons To Watch SUNSET STORIES By Sung KangSeptember 29, 2013

Top 5 Reasons To Watch SUNSET STORIES By Sung Kang

FilmBuff

Overly meticulous nurse May is given the charge to retrieve bone marrow from Los Angeles for a transplant. Soon after her trip begins, she runs into her ex-lover, JP, who she left five years ago. Completely flustered by the experience, May loses track of the cooler with the marrow. Needing to deliver it within 24 hours, the duo embark on a search throughout the city only to find something else they thought was lost. SUNSET STORIES is now on demand. 

 

Top 5 Reasons To Watch SUNSET STORIES

1) Voted the most unromantic romantic comedy of all time.

2) You can play a drinking game while watching my ever-changing hair.

3) Watch me drive a crappy car really slowly.

4) Who knew that chasing down stolen living human tissue could be so funny.

5) You never who you might be "6 Degrees" from…

 

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STAR TREK:  INTO DARKNESS BEAMS INTO THE #1 MOVIE ON DEMANDSeptember 23, 2013

STAR TREK:  INTO DARKNESS BEAMS INTO THE #1 MOVIE ON DEMAND

 

 

Get the latest information about Movies On Demand from On Demand Weekly. Every week we provide the Week’s Top 10 Movies On Demand (MOD).


 

1. STAR TREK: INTO DARKNESS- NEW
2. NOW YOU SEE ME
3. THE GREAT GATSBY- NEW
4. PAIN & GAIN
5. EPIC
6. OLYMPUS HAS FALLEN
7. THE BIG WEDDING
8. PEEPLES
9. THE ICEMAN
10. OBLIVION

Source: Rentrak Corporation - OnDemand Essentials (Week Ending September 15, 2013)

 

See Jaymee Sire's (E is for Eat) SNOW WHITE AND THE HUNTSMAN recipe. Enjoy!


 

 

 

Click Here To Find The Below Movies On Demand Via ODW's Watch It Channel...

 

 

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JESSE EISENBERG’S NOW YOU SEE ME IS THE NEW #1 MOVIE ON DEMANDSeptember 17, 2013

JESSE EISENBERG’S NOW YOU SEE ME IS THE NEW #1 MOVIE ON DEMAND

 

 

Get the latest information about Movies On Demand from On Demand Weekly. Every week we provide the Week’s Top 10 Movies On Demand (MOD).


 

 

1. NOW YOU SEE ME- NEW
2. PAIN & GAIN
3. THE GREAT GATSBY
4. OLYMPUS HAS FALLEN
5. EPIC
6. THE BIG WEDDING
7. OBLIVION
8. SCARY MOVIE 5
9. PEEPLES
10. THE ICEMAN- NEW

Source: Rentrak Corporation - OnDemand Essentials (Week Ending September 8, 2013)

 

See Jaymee Sire's (E is for Eat) SNOW WHITE AND THE HUNTSMAN recipe. Enjoy!


 

 

 

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ALL IS BRIGHT Starring Paul Giamatti & Paul Rudd - Now On DemandSeptember 11, 2013

ALL IS BRIGHT Starring Paul Giamatti & Paul Rudd - Now On Demand

ALL IS BRIGHT (Anchor Bay)

On Demand Weekly provides new movie reviews of hot movies on demand and from the POV of watching from the comfort of your home. Today’s review: ALL IS BRIGHT (Anchor Bay).


See the latest Independent Movie On Demand (IMOD) Trailers here...

 

ALL IS BRIGHT
By Joe Charnitski

 

Since Labor Day is barely behind us you may not be ready for Christmas movies, but that shouldn’t keep you from watching director Phil Morrison’s (JUNEBUG) latest film, ALL IS BRIGHT. Yes, the title is taken from a lyric in the classic carol Silent Night, and, yes, the story does center around two French Canadian Christmas tree salesmen in New York City. No, this is not a heartwarming tale of miracles and elves and other wonderful lives.

Paul Giamatti (SIDEWAYS, JOHN ADAMS) plays Dennis, a recently paroled thief who wants nothing more than to start a fresh chapter of his life with his wife and daughter. Unfortunately for him, his wife a) doesn’t want anything to do with him, b) has told their daughter that her father died, and c) has found love with another man while Dennis was locked up. Think it can’t get worse for Dennis? The man who’s now dating his wife is his friend and fellow reformed thief Rene, played by Paul Rudd (THIS IS 40, ANCHORMAN).

Dennis confronts his friend and forces Rene to take him along as a partner on his annual trip to The Big Apple to sell Canadian trees to New Yorkers in search of that perfect holiday decoration. Thus begins their adventure together. Rene wants enough money to come back and propose to Dennis’ wife. Dennis wants to prove that he can thrive in a life above the law, hoping his family will want him back.

The set-up sounds pretty solid in synopsis form and the story is reasonably well constructed, if a little unsurprising. The guys meet some interesting metropolitan characters, the complexity of their relationship is revealed as time passes and the ups and downs of the tree business keep things moving along. The script does feel a little immature, though. The potential of the story is never quite fully developed, and therefore isn’t completely satisfying.

What makes the film worth checking out, though, are the performances. Morrison and his cast were successful in getting every worthwhile element out of this story. Giamatti carries a bitterness and jealousy with him throughout, but moments of shame and embarrassment spotlight the roots of all he’s struggling with. You’ll truly believe his heart is broken over his lost family.

Rudd brings his Peter Pan charm to the role, but with it is a vulnerability and well shaped good intentions. He’s got grand ideas for where his life could go, but little skill at being able to put the pieces together to make it happen. He seems to be fighting hard not to give in to the acrimony that has gotten a hold of Dennis.

 

Lastly is Sally Hawkins (HAPPY GO LUCKY, BLUE JASMINE) who plays Olga, a Russian woman who befriends and offers small kindnesses to Dennis. Maybe they are kindred spirits. Maybe she’s able to empathize with the suffering he wears like a mask. As always, Hawkins brings a vitality and authenticity to her role that only serves to lift the material to a better place.

The film is billed as a comedy, but there were only a few moments I genuinely laughed out loud. It won’t replace your holiday classics, and it’s slow pace may turn some viewers off. But a skilled director and a solid cast make it worth a try.

 

 

TRY IY

 

Joe Charnitski

 

Joe Charnitski
Joe Charnitski is a new contributing writer to On Demand Weekly. His career in film and television production, development and marketing has included stops at Miramax Films, Syfy and VH1. He currently works at a entertainment focused social media marketing agency in New York City. Twitter:@JoeCharnitski

 

LIBERAL ARTS (IFC Films) is now on demand.

 

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Top 5 Things You Need To Know About: Paul Rudd & Paul Giamatti (ALL IS BRIGHT)September 11, 2013

Top 5 Things You Need To Know About: Paul Rudd & Paul Giamatti (ALL IS BRIGHT)

Paul Giamatti and Paul Rudd star together for the first time in the off-beat, dark comedy ALL IS BRIGHT from director Phil Morrison (Junebug).

Golden Globe® winner Sally Hawkins (Happy-Go-Lucky) and Amy Landecker (A Serious Man) co-star in this film from executive producer Paul Giamatti and the award-winning director of Junebug Phil Morrison.

 

Lie, cheat, steal…it’s all part of the holiday spirit for ex-con Dennis (Paul Giamatti) and fast talker Rene (Paul Rudd) when they try to make a quick buck selling Christmas trees in New York. For Dennis it’s a chance to go straight, and for his best friend and former partner-in-crime, Rene, it’s a chance to make some easy cash so he can marry Dennis’s ex-wife. But for two not-very-bright guys now stuck together on the cold streets of Brooklyn, this holiday season may bring some of the most unexpected miracles of all.  

 

ALL IS BRIGHT is now on demand. Click here to read our review. 

 

Co-Star Amy Landecker's Top 5 Things You Need To Know About: Paul Rudd & Paul Giamatti (ALL IS BRIGHT).

 

Amy Landecker

 

Top five things you need to know about Paul Giamatti:

 

1) He likes to call you by your last name

2) He has the sexiest voice 

3) He has no idea how good he is 

4) Nobody yells better than him

5) He is even better to work with than you hoped

 

Top five things you need to know about Paul Rudd:

 

1) He is just as cute and nice as you think he would be

2) He does an adorable Canadian accent

3) He never complained even when pretending it was Christmas time while lugging Christmas trees in a sweater and jacket in 90 degree heat

4) Sitting on a stoop with him feel just like the movie Clueless

5) He's such a generous actor that he'll call from his house to be on the other end of a phone call scene even when he's not on camera

 

 

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LEONARDO DICAPRIO’S THE GREAT GATSBY IS THE #1 MOVIE ON DEMANDSeptember 09, 2013

LEONARDO DICAPRIO’S THE GREAT GATSBY IS THE #1 MOVIE ON DEMAND

 

 

Get the latest information about Movies On Demand from On Demand Weekly. Every week we provide the Week’s Top 10 Movies On Demand (MOD).


 

1. THE GREAT GATSBY- NEW
2. PAIN & GAIN- NEW
3. OLYMPUS HAS FALLEN
4. EPIC
5. THE BIG WEDDING
6. OBLIVION
7. SCARY MOVIE 5
8. MUD
9. PEEPLES
10. G.I. JOE: RETALIATION

Source: Rentrak Corporation - OnDemand Essentials (Week Ending September 1, 2013)

 

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Click Here To Find The Below Movies On Demand Via ODW's Watch It Channel...

 

 

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New Movies On Demand Preview: September 2013September 03, 2013

New Movies On Demand Preview: September 2013

Kate Asche Wilson

On Demand Weekly's Kate Wilson (@KateDoesLifegoes through all the new movies each month for her New Movies On Demand Preview.

 

September Movies On Demand

 

Kate
By Kate Asche Wilson

 

Hey On Demanders it’s September! Beautiful September with all your seasonal confusion. You’re not quite summer, but you’re also not quite fall. Vacation is over. People are starting to loose their golden tans. It’s a bit tragic, but you know what’s not tragic? New movies on Demand, and I’ve got my top three September picks right here. There’s no better way to put off struggiling to teach your kids Algebra than watching a nice movie on demand. 

 

 

 

@KateDoesLife’s Top September Movies On Demand:

 



NOW YOU SEE ME - Premiers September 3
What do you get when you combine Jesse Eisenberg, Woody Harrelson, Dave Franco, and Isla Fisher? A team of illusionists that pull of bank heists during their performances and reward their audiences with money. Obviously. And what do you get after that? Mark Ruffalo as an FBI agent tracking them down with the help of professional illusion exposer Morgan Freeman. However, in this story, nothing is quite what it seems and the mysteries of magic continue to build until the puzzle becomes almost impossible to solve. Basically it has magic, it has intrigue, it has romance, and it has Michael Caine. What more could you ask of a film?
PG-13, Thriller, Jesse Eisenberg, Mark Ruffalo, Same day as DVD

STAR TREK INTO DARKNESS- Premiers September 10
J.J. Abrams. You need to stop. Your complete revamp of the Star Trek franchise continues to blow my mind. And not just because you’ve put the gorgeous Chris Pine on my screen, but because your alt universe kicks ass. This sequel is no exception. Team not only are all your Star Trek favorites back in action (Kirk and Spock’s budding bromance, Bones basic hilarity, Scotty being Scotty, and Chekov in that infamous red shirt), but Abrams takes on one of the most revered villains of all time. Let’s just say this big bad is back with a vengeance and played to absolute perfection by my British obsession Benedict Cumberbatch. You even snuck in a Tribble. J.J. what can’t you do?
PG-13, Action, Chris Pine, Zachary Quinto, Available in 3D

MUCH ADO ABOUT NOTHING
- September 24
I know what you’re thinking Shakespeare? Really? You want me to watch Shakespeare? Well if you’re not a fan of old Billy Shakes it’s probably because your fondest memory of him is the horrifying production of Macbeth you were forced to see in high school. To this I say rest easy. This modern retelling of one of the most beloved comedies in history is helmed by the incomparable Joss Whedon. Joss Whedon: The genius behind Buffy and The Avengers. He kind of knows what he’s doing. Filmed completely in Joss Whedon’s Santa Monica home MUCH ADO ABOUT NOTHING is stylized to perfection and brings Shakespeare’s tale of romance, wit, and hilarious misinterpretation to the next level. Get those traumatic memories of Mel Gibson as Hamlet out of your mind, and start drinking the Whedon cool aid. I dare you to not be impressed.
PG-13, Comedy, Amy Acker, Alexis Denisof, Weeks before DVD

Well that’s it for me friends! Remember go to OnDemandWeekly.com for all new Movies On Demand in September!

Also This Month...

THE BLING RING – Premieres on MOD 9/17
R, Drama, Emma Watson, Leslie Mann
same day as DVD

THE EAST – Premieres on MOD 9/17
PG-13, Thriller, Alexander Skarsgård, Ellen Page
weeks before Netflix & Redbox

WORLD WAR Z (Unrated) – Premieres on MOD 9/17
TV-MA, Action, Brad Pitt, Mireille Enos 

 

 

- Kate Asche Wilson


Kate
Kate Asche Wilson is a contributing writer to On Demand Weekly. She is a graduate from the Dodge College of Film and Media Arts at Chapman University where she received a BA in Screenwriting. In her spare time Kate likes to take long walks on the beach, and watch telenovelas. Follow her on Twitter @KATEDOESLIFE

 

 

Click Here To Find The Below Movies On Demand Via ODW's Watch It Channel...

 

 

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VOD Spotlight on Wonder Mike & Master Gee (I WANT MY NAME BACK)

VOD Spotlight On Tim Roth (BROKEN)

VOD Spotlight on STAND UP GUYS Director Fisher Stevens

VOD Spotlight on THE LEAGUE'S Katie Aselton (BLACK ROCK)

VOD Spotlight: Alex Karpovsky (“Girls”)

VOD Spotlight: Mark & Jay Duplass (THE DO-DECA PENTATHLON)


GERARD BUTLER’S OLYMPUS HAS FALLEN IS THE #1 MOVIE ON DEMAND AGAINSeptember 02, 2013

GERARD BUTLER’S OLYMPUS HAS FALLEN IS THE #1 MOVIE ON DEMAND AGAIN

 

 

Get the latest information about Movies On Demand from On Demand Weekly. Every week we provide the Week’s Top 10 Movies On Demand (MOD).


 

1. OLYMPUS HAS FALLEN
2. EPIC- NEW
3. THE BIG WEDDING
4. OBLIVION
5. SCARY MOVIE 5
6. MUD
7. THE PLACE BEYOND THE PINES
8. G.I. JOE: RETALIATION
9. THE COMPANY YOU KEEP
10. 42

 

Source: Rentrak Corporation - OnDemand Essentials (Week Ending August 25, 2013)

 

See Jaymee Sire's (E is for Eat) SNOW WHITE AND THE HUNTSMAN recipe. Enjoy!


 

 

 

Click Here To Find The Below Movies On Demand Via ODW's Watch It Channel...

 

 

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New Movies On Demand Preview:  August 2013

New Movies On Demand Preview:  July 2013

ODW's Guide To Binge TV Viewing:  Game of Thrones, Seasons 1 & 2

William Friedkin (KILLER JOE) The January VOD Interview

VOD Spotlight: Steve Mazan (DYING TO DO LETTERMAN)

Jeremy Piven's Top 5 Reasons To Watch FULLY LOADED

BrightHouse On Demand
Cablevision / iO On Demand
Charter On Demand
Comcast Xfinity TV On Demand
Cox On Demand
Insight On Demand
Time Warner On Demand

GERARD BUTLER’S OLYMPUS HAS FALLEN IS THE NEW #1 MOVIE ON DEMANDAugust 26, 2013

GERARD BUTLER’S OLYMPUS HAS FALLEN IS THE NEW #1 MOVIE ON DEMAND

 

 

Get the latest information about Movies On Demand from On Demand Weekly. Every week we provide the Week’s Top 10 Movies On Demand (MOD).


 

1. OLYMPUS HAS FALLEN- NEW
2. OBLIVION
3. THE BIG WEDDING- NEW
4. MUD
5. G.I. JOE: RETALIATION
6. THE COMPANY YOU KEEP
7. THE PLACE BEYOND THE PINES
8. 42
9. IDENTITY THIEF
10. LOVELACE- NEW

 

Source: Rentrak Corporation - OnDemand Essentials (Week Ending August 18, 2013)

 

See Jaymee Sire's (E is for Eat) SNOW WHITE AND THE HUNTSMAN recipe. Enjoy!


 

 

 

Click Here To Find The Below Movies On Demand Via ODW's Watch It Channel...

 

 

You May Also Like...

New Movies On Demand Preview:  August 2013

New Movies On Demand Preview:  July 2013

ODW's Guide To Binge TV Viewing:  Game of Thrones, Seasons 1 & 2

William Friedkin (KILLER JOE) The January VOD Interview

VOD Spotlight: Steve Mazan (DYING TO DO LETTERMAN)

Jeremy Piven's Top 5 Reasons To Watch FULLY LOADED

BrightHouse On Demand
Cablevision / iO On Demand
Charter On Demand
Comcast Xfinity TV On Demand
Cox On Demand
Insight On Demand
Time Warner On Demand

Cheers to DRINKING BUDDIES On DemandAugust 25, 2013

Cheers to DRINKING BUDDIES On Demand

Magnolia Pictures

On Demand Weekly provides new movie reviews of hot movies on demand and from the POV of watching from the comfort of your home. Today’s review: DRINKING BUDDIES (Magnolia).

 

See the latest Independent Movie On Demand (IMOD) Trailers here...


 

DRINKING BUDDIES

By Chris Claro

 
Mumblecore practitioner Joe Swanberg graduates to the world of enunciation, decent lighting and professional grade cameras with his latest, DRINKING BUDDIES. The story of Luke and Kate, each attached but attracted to each other, DRINKING BUDDIES is a good example of what happens when a specialty filmmaker tries his hand at a genre piece. How does the filmmaker acquit himself when toiling in the field of romcom?

After Kate (Olivia Wilde, THE INCREDIBLE BURT WONDERSTONE) is dumped by Chris, (Ron Livingston, DINNER FOR SCHMUCKS) she finds herself leaning on her friends, couple Luke (Jake Johnson, NEW GIRL) and Jill (Anna Kendrick, THE COMPANY YOU KEEP) for support. Gradually, Luke and Kate begin to acknowledge that what is going on between them might be more than just friendship.

Swanberg, to his credit, subverts the expectations of romantic comedy by having his characters actually talk to each other about the ramifications of coupling and betrayal as opposed to acting on them. Instead of having people jump into bed with the first person who crosses their paths, the characters actually consider the effects their actions would have on their mates. Though it makes for a chatty flick, it’s refreshing to see mature, adult dialogue coming from the mouths of the protagonists and all the more impressive because the actors improvised all of it.

In addition to the upgraded production values, Swanberg works with recognizable, mainstream actors in DRINKING BUDDIES, another element that makes it one of his most accessible works to date. Wilde and Johnson, workmates in a craft brewery, have an easy rapport and each is immensely appealing. Kendrick uses her uptight attractiveness skillfully, wanting to give Luke his space but terrified that she may lose him. Even an unbilled Jason Sudeikis, Wilde’s betrothed, makes an impression in his brief appearance as another brewery employee.
 
 
 

DRINKING BUDDIES is that rare comedy that doesn’t condescend and appeals to both genders, a credit to its no-villains bipartisanship. Swanberg avoids cliché by making each of the characters realistically flawed and human – no one is an asshole, as often occurs in mainstream romantic comedies as a means of allowing the audience to understand why the wronged lead character is considering straying.

Swanberg is clearly working on a minibudget in DRINKING BUDDIES, but the film doesn’t look at all cheap or undershot. Though some of his early works conveyed a sense of self-indulgence and insularity, Swanberg appears more disciplined with this film, presenting a conventional, cohesive narrative, free of distractions.

Singular and incisive, DRINKING BUDDIES features excellent performances in an offbeat tale of love. Sidle up and have a seat for DRINKING BUDDIES.

 

DEMAND IT

 

- Chris Claro

 

Chris

Chris Claro is a contributing writer for On Demand Weekly. He is a former Director of Promotion for Sundance Channel and now works as Lead Copywriter at Cablevision. He has written for dvdverdict.com and the Eyes and Ears section of huffingtonpost.com. He blogs at http://disconcertingglare.blogspot.com. Follow Chris on twitter @cgclaro.

 

See Chris' Other Reviews & Interviews...

THE SWEENEY 

PUSHER - DEMAND IT

FOR ELLEN TRY IT

SIDE BY SIDE DEMAND IT

KLOWN DEMAND IT

COLLABORATOR TRY IT

VOD Spotlight: Linda Cardellini

VOD Spotlight On Wonder Mike & Master Gee (I WANT MY NAME BACK)August 25, 2013

VOD Spotlight On Wonder Mike & Master Gee (I WANT MY NAME BACK)

Rapper's Delight Featuring Wonder Mike & Master Gee

I WANT MY NAME BACK highlights the rise, fall, and rise again of original members of The Sugarhill Gang, Michael  Wright (aka Wonder Mike) and Guy O'Brien (aka Master Gee). One of the most influential songs in the history of the music industry and #2 in Rolling Stone’s Top Hip Hop Songs of all time, "Rapper's Delight" was the first commercial hip hop release, forever changing the face of the music industry. 

 

“Rapper's Delight” is still, to this day, the number one selling single in hip hop history. The group followed up their first hit with another song still played today called “Apache”. Their first three albums went platinum. While this success should have cemented the legacy and careers of the original members, reality tells a much different story--one that most people, including those in the hip hop world, are not even aware of.

 

A story of unprecedented identity theft, copyright and trademark violations, Master Gee and Wonder Mike fight a more than 30 year battle against their label to get their names and legacy back. The film also features Grandmaster Caz (The Cold Crush Brothers), Melle Mel (Grandmaster Flash), and Vinnie and Treach (Naughty by Nature).I WANT MY NAME BACK is the journey of two men who want what was taken from them: their names, their legacy and their music!

 

ODW: How did you get the name Wonder Mike?
Wonder Mike (WM):
The first name I came up with was Savoir-faire. But I didn’t like the way it was spelled. It was too close to Savior. Back then rappers names were on a super hero trend. I’m in my cousin kitchen finishing a sandwich and I’m looking around and I see a loaf of Wonder Bread. It hit me right there: Wonder Mike.

ODW: How did people respond when you first used it?
WM:
They dug it. 

 

Master Gee (MG): I got the name from my great grandmother. When you’re a young man, a boy, you’re considered a master. When you grow up and become an adult, you’re considered a mister. My grandmother used to send me cards and letters, entitled Master Guy Anthony O’Brien. I was into the Renaissance. Kings and queens and knights of the round table. I liked how regal Master Guy O’Brien sounded. And I took the first initial to my first name G and added two “ee”s to it and that’s how I came up with Master Gee.

 

ODW: When did you meet Master Gee?
WM:
In ’79. We used to battle. We were called Sound on Sound and he was Phase Two.


I found out about an audition with Sylvia. When I got there, Hank was there. Master Gee was there. We used to battle all the time. He used an echo box to rap in. It was supposed to be for one guy, but she liked how our voices contrasted and blended together. And trios were popular from the Supremes to ZZ Top.

Where did Sugar Hill Records get its name? How was it decided Sugar Hill Gang would be the band name?
MG:
It all came in one sitting after in studio, we talked about names of the group, Sylvia, myself and Mike. She decided to call it Sugar Hill Gang, an affluent area in Harlem in the 30’s and 40’s. she always wanted to give us that distinction.

 

WM: They had other labels. Turbo. All Platinum. They started a new label and named it Sugar Hill and we were Sugar Hill Gang. 

 

ODW: Who were your influences?
WM:
Rap wise, I really didn’t have any influences, except for my cousin, Daddy Right. I was on my front stoop, and he came down the street with a boom box. He said check out my show at the Teaneck Rec. His group was telling stories with inflection and tone. I found myself making up rhymes on my job and approached him to join his group. 

 

MG: My influences were Jazz.and Funk related. Miles Davis. Max Roach. Funkadelic. Rufus and Chaka Kahn. That’s what I was listening to at the point in my life. 

 

ODW: How many records did “Rapper’s Delight” sell?
WM:
We lost count after 10 million. I heard from different people at the studio it was up to 14 million by 1994.

 

ODW: When did you first realize something was wrong?
WM:
We went on an extensive tour in 1980 (5 months after Rapper’s Delight was released). Before we left, we were told the foreign royalties should be when we got back. When we did get back, we asked where was the money? And they said, ‘what money’?

The label couldn’t concentrate on more than one band at a time. 

 

MG: I knew the records were doing well. I knew I wasn’t getting the money the record company was getting. I couldn’t prove what was going on, but I knew something was going on. 

 

ODW: When did you leave the band?
MG:
I wasn’t involved with Sugar Hill situation from 1985 – 2005. But I was always involved with Mike as a friend. And we always agreed that if Mike stepped away from the sugar Hill situation that we do something together. He called me in 2005 and made all of this happen. 

 

WM: Guy left in early ’85. I left in Fall of ’85. That was it. I didn’t see any point in staying with the label not being to focus on all of their groups.

ODW: But you returned to the band? During what years?
WM
: In ’94. Angie Stone called to tell me Hank and Joey were performing. I went to the show and performed. Joey told me they had other shows lined up. I stayed. One show lead to another and another. That lasted until 2005. It wasn’t a bad run. By March, shows were dying out. I called to tell him I had a good run and it was time for me to bounce.

ODW: When did the current band’s rebirth begin?

WM: The day I hung up the phone with Joey and I called Master Gee. I told him I left the group and do you want to make new music? He dropped the phone and I heard him hollering ‘he did it. He did it!’ That was it. We started right there.

 

ODW: Tell me about the ‘La La Song’?
WM
: It was our first hit record since ’84 with ‘Hot, Hot Summer Day’. We toured all over with it. It was a milestone record. 

 

MG: That was huge. It cemented the fact of Mike and my writing ability and style. 

 

ODW: Tell me about the band’s popularity in Europe.

WM: Everyone on earth has what I call a ‘Tapestry of Music’ that makes up their lives while they’re getting ready for work or in their car. It’s the same there as well as here. I think in the US, the more current your hit the more popular you are. We like performing there. 


MG:
Amplify it 10 times. Think about the history of music. Back when Josephine Baker had all of her problems in the states, where did she go? Europe. When all the jazz musicians were not getting the revenue, where did they go? Europe. Europeans have a true appreciation. There’s a different value they put on American music. We might put on a 20-minute show here, in Europe, we have to do at least an hour. They just want to hear the hits here. In Europe, they want to hear hits, classics, they want you to play instruments. They give you a whole arena to do your thing.

ODW: You can really see that in the film.
MG:
No question. That was our saving grace. When everything was shutting down in the states, we spent most of our time in Europe. 

 

ODW: Whose idea was the film?
WM
: The first person to approach us was the actor Anthony Michael Hall. We met in New York. He got called to be in one of the Batman movies and that was it.


A few years later we were introduce to Roger Paradiso (I WANT MY NAME BACK director). We told him our story and he said really, someone is going out as you guys that’s not you? We’re world renown and you’re going to get up on stage to play the records on stage and then mimic to it. The vocals are the original tracks. They’re using the name Sugar Hill Gang, but me and Guy are not with them. That’s a slap in the face to the fans. That’s what a fraud does. 

 

Who came up with the film name, I WANT MY NAME BACK.?
MG:
That was collaboration too. Once we got talking about the whole name issue, the controversy, it just sounded like the right thing to call the film.

What do you hope the film will accomplish?
MG:
I want it to be a preventive measure to people aspiring to do anything. Identity theft is one of the largest crimes in the world right now. Theft of musical ideas, movies runs rampant in the entertainment business. I want to get that across to people. Be on your P’s & Q’s. And understand that no matter how ad things are, if you maintain a positive attitude, you will prevail. It’s one thing that’s kept Mike and I going through all of this. 

 

WM: No matter what your situation is in life, people are always fighting a battle with a formidable foe in their mind. The little guy vs. the big buy. There is always a bigger guy. We want our name back. Never give up. When you give up, it is a guarantee you’ve lost.


ODW: What’s been the feedback since the film has been released?
WM:
Total love. Total love. People say they never knew. Their vision of who The Sugar Hill Gang is, is shattered by the doc. 

 

So now, you no longer go by the Sugar Hill Gang, but Rapper’s Delight Featuring Wonder Mike and Master Gee. What’s next?

MG: Everything. We’re writing new material as we speak. We’re collaborating with Dough Wimbash, the bassist of Living Color. Our team is powerful. It gives the ability to create in a protected environment giving us more freedom also. We’re working on an Anniversary album. 

 

ODW: Who else performs in the band?
MG:
Henry Williams: “Hen Dog.” Diamond Temple: “T Dynasty.” Rob Temple: “Rob Da Noise”. They’re our current band. Mike brought them to the situation. 

 

ODW: Lastly, what are your favorite lyrics in “Rapper’s Delight”?
WM:
Chicken taste like wood. 

 

MG: My name is known all over the world
By all the foxy ladies and the pretty girls.
I'm goin' down in history
As the baddest rapper there ever could be.


At that time I was 17 years old. I had never been past Connecticut. So when I wrote those lyrics, I was thinking I’m the best. I didn’t know 30 years later, I’d be all over the world and had an opportunity to meet some of the most beautiful women. 

 

#

 

 

 

- Britt Bensen



Britt is the Editor-in-Chief and Co-founder of On Demand Weekly. He is currently at Intel Media. Previously, Britt worked for Miramax Films and Sundance Channel. He also on the Advisory Board of the Palo Alto Intl Film Festival.


For more of their story and the fight for their names, see I WANT MY NAME BACK on iTunes or Amazon. You can find the band at www.wondermikemastergee.com and on twitter and facebook.

 

 

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TOM CRUISE’S OBLIVION IS THE #1 MOVIE ON DEMANDAugust 19, 2013

TOM CRUISE’S OBLIVION IS THE #1 MOVIE ON DEMAND

 

 

Get the latest information about Movies On Demand from On Demand Weekly. Every week we provide the Week’s Top 10 Movies On Demand (MOD).


 

1. OBLIVION- NEW
2. MUD- NEW
3. G.I. JOE: RETALIATION
4. THE PLACE BEYOND THE PINES
5. 42
6. IDENTITY THIEF
7. ADMISSION
8. THE CALL
9. EVIL DEAD
10. 21 & OVER

Source: Rentrak Corporation - OnDemand Essentials (Week Ending August 11, 2013)

 

See Jaymee Sire's (E is for Eat) SNOW WHITE AND THE HUNTSMAN recipe. Enjoy!


 

 

 

Click Here To Find The Below Movies On Demand Via ODW's Watch It Channel...

 

 

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New Movies On Demand Preview:  August 2013

New Movies On Demand Preview:  July 2013

ODW's Guide To Binge TV Viewing:  Game of Thrones, Seasons 1 & 2

William Friedkin (KILLER JOE) The January VOD Interview

VOD Spotlight: Steve Mazan (DYING TO DO LETTERMAN)

Jeremy Piven's Top 5 Reasons To Watch FULLY LOADED

BrightHouse On Demand
Cablevision / iO On Demand
Charter On Demand
Comcast Xfinity TV On Demand
Cox On Demand
Insight On Demand
Time Warner On Demand

CHANNING TATUM’S G.I. JOE:  RETALIATION IS THE #1 MOVIE ON DEMANDAugust 13, 2013

CHANNING TATUM’S G.I. JOE:  RETALIATION IS THE #1 MOVIE ON DEMAND

 

 

Get the latest information about Movies On Demand from On Demand Weekly. Every week we provide the Week’s Top 10 Movies On Demand (MOD).


 

1. G.I. JOE: RETALIATION- NEW
2. 42
3. IDENTITY THIEF
4. ADMISSION
5. EVIL DEAD
6. BULLET TO THE HEAD
7. THE CALL
8. SPRING BREAKERS
9. TYLER PERRY'S TEMPTATION: CONFESSIONS OF A MARRIAGE COUNSELOR
10. EMPEROR- NEW

Source: Rentrak Corporation - OnDemand Essentials (Week Ending August 4, 2013)

 

See Jaymee Sire's (E is for Eat) SNOW WHITE AND THE HUNTSMAN recipe. Enjoy!


 

 

 

Click Here To Find The Below Movies On Demand Via ODW's Watch It Channel...

 

 

You May Also Like...

New Movies On Demand Preview:  August 2013

New Movies On Demand Preview:  July 2013

ODW's Guide To Binge TV Viewing:  Game of Thrones, Seasons 1 & 2

William Friedkin (KILLER JOE) The January VOD Interview

VOD Spotlight: Steve Mazan (DYING TO DO LETTERMAN)

Jeremy Piven's Top 5 Reasons To Watch FULLY LOADED

BrightHouse On Demand
Cablevision / iO On Demand
Charter On Demand
Comcast Xfinity TV On Demand
Cox On Demand
Insight On Demand
Time Warner On Demand

WRITER/DIRECTOR JASON TROST’S TOP 5 REASONS TO WATCH WET AND RECKLESSAugust 09, 2013

WRITER/DIRECTOR JASON TROST’S TOP 5 REASONS TO WATCH WET AND RECKLESS

Grindfist

What is WET AND RECKLESS about?  ODW gives you the skinny plus a bonus Top 5 Reasons to watch it On Demand from writer/director Jason Trost:

While shooting the fourth season of their hit reality party TV show "The P.P.D." (The Pussy Police), reality stars Toby Dollars and The Lobo are informed by the producers that the ratings are down and the show is going to need to be spiced up. This season, not only will they be sent to Thailand but there will be a third member of the Pussy Police in tow, a straight edge girl named, "Sonya" aka "Turbo". Once in Thailand it is revealed that the stars have been abandoned by their producers and it is up to the group to get their shit together, find some rubies Lobo’s father once spoke of, defeat Russian gangsters and get the hell outta Thailand with time to save their ‘careers’. WET AND RECKLESS is available on Vimeo

 

Top 5 Reasons To Watch WET AND RECKLESS by writer/director Jason Trost:

 

1. Drinking three beers before you watch a movie at home is far less frowned upon than in the theater.

2. It's the ultimate "pre-game" event. After watching this movie, you'll be ready to hit any party.

3. You get to learn a complete new urban vocabulary that allows you to understand what your kids are saying.

 

Jason Trost

4. You get to see people do things you secretly always wanted to do from the safety of your own couch.

5. The more people that watch this movie, the more likely THE FP2 is! 

 

 

 

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COUGAR TOWN'S Dan Byrd's Top 5 Reasons To Watch NORMAN

HAPPY ENDINGS' Eliza Coupe's Top 5 Reasons To Watch SHANGHAI CALLING

Jeremy Piven's Top 5 Reasons To Watch  FULLY LOADED

JACKIE ROBINSON HITS ANOTHER HOMER AS 42 IS THE #1 MOVIE ON DEMANDAugust 05, 2013

JACKIE ROBINSON HITS ANOTHER HOMER AS 42 IS THE #1 MOVIE ON DEMAND

 

Get the latest information about Movies On Demand from On Demand Weekly. Every week we provide the Week’s Top 10 Movies On Demand (MOD).


 

1. 42
2. ADMISSION
3. EVIL DEAD
4. IDENTITY THIEF
5. BULLET TO THE HEAD
6. TYLER PERRY'S TEMPTATION: CONFESSIONS OF A MARRIAGE COUNSELOR
7. SPRING BREAKERS
8. THE CALL
9. DEAD MAN DOWN
10. THE HOST- NEW

 

Source: Rentrak Corporation - OnDemand Essentials (Week Ending July 28, 2013)

 

See Jaymee Sire's (E is for Eat) SNOW WHITE AND THE HUNTSMAN recipe. Enjoy!


 

 

 

Click Here To Find The Below Movies On Demand Via ODW's Watch It Channel...

 

 

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New Movies On Demand Preview:  August 2013

New Movies On Demand Preview:  July 2013

 

ODW's Guide To Binge TV Viewing:  Game of Thrones, Seasons 1 & 2

William Friedkin (KILLER JOE) The January VOD Interview

VOD Spotlight: Steve Mazan (DYING TO DO LETTERMAN)

Jeremy Piven's Top 5 Reasons To Watch FULLY LOADED

BrightHouse On Demand
Cablevision / iO On Demand
Charter On Demand
Comcast Xfinity TV On Demand
Cox On Demand
Insight On Demand
Time Warner On Demand

New Movies On Demand Preview: August 2013August 01, 2013

New Movies On Demand Preview: August 2013

Kate Asche Wilson

On Demand Weekly's Kate Wilson (@KateDoesLifegoes through all the new movies each month for her New Movies On Demand Preview.

 

August Movies On Demand

 

Kate
By Kate Asche Wilson

 

Breathe a sigh of relief it's finally August. Which means one more month of wonderful summer. You can finally plan that trip to Bora Bora. You can invest in a boat. You can drink a Mai Tai without the judging stares of your semi acquaintances. And of course you can always do what I do and watch some fabulous new movies on demand. I have my top three August picks right here.

 

 


@KateDoesLife’s Top August Movies On Demand:

 




THE PLACE BEYOND THE PINES - Premiers August 6
Ryan Gosling. The Ryan Gosling, Hollywood's golden boy and the object of all of your deepest fantasies, stars as a motorcycle stunt man that loves to frequent the traveling carnival globe of death. If that doesn't spark your interest the stunning Eva Mendes plays his former lover/secret mother of his bastard spawn. In addition the blue-eyed beauty of a man that is Bradley cooper appears as an ambitious rookie cop that is forced to collide with The Gosling in this riveting crime drama.
R, Drama, Ryan Gosling, Eva Mendes, Same day as DVD, Weeks before Netflix & Redbox

MUD - Premiers August 6
Starring the also overly tan Mathew McConaughey as the title character, Mud centers around a 14-year-old boy from Arkansas that lives on a makeshift houseboat. Together with his pal Neckbone they run into the poorly dressed fugitive Mud, form a pact to help him evade the bounty hunters on his trail, and reunite him with his true love Reese Witherspoon. Seriously you can't make this stuff up. It's all very Tom Sawyer with the fugitives, and the pacts, and the boats, and is a surprisingly heartwarming drama that is a definite demand it film this month.
PG-13, Drama, Mathew McConaughey, Reese Withersponn. Same day as DVD, Weeks before Netflix & Redbox

PAIN & GAIN - Premiers August 27
This harrowing tale of three body builders from Florida is perfect for anyone that loves to follow the cinematic pursuits of Dwayne "The Rock" Johnson. It's a typical Michael Bay film and follows this trio of overly tan misfits as they get roped up in an extortion ring and subsequent kidnapping. All while Mark Wahlberg glistens with unforeseen comedy. Will they find the American Dream? Who can say, but I'm certain you will find their eight-pack abs incredibly enticing. I know I do.
R, Comedy, Mark Wahlberg, Dwayne Johnson, Same day as DVD

Remember team be sure to check out ondemandweekly.com for all new movies on demand this month.

 

Also This Month...

OBLIVION – Premieres 8/6
PG-13, Action, Tom Cruise, Morgan Freeman
same day as DVD, weeks before Netflix & Redbox

LOVELACE – Premieres 8/9
R, Drama, Amanda Seyfried, Peter Sarsgaard
same day as theatrical release

THE BIG WEDDING – Premieres 8/13
R, Comedy, Robert De Niro, Diane Keaton
same day as DVD

OLYMPUS HAS FALLEN – Premieres 8/13
R, Action, Gerard Butler, Aaron Eckhart, Morgan Freeman
same day as DVD

EPIC – Premieres 8/20
PG, Animated, voices: Colin Farrell, Amanda Seyfried
same day as DVD, weeks before Netflix & Redbox

SCARY MOVIE 5 UNRATED – Premieres 8/20
TV-MA, Comedy, Charlie Sheen, Lindsay Lohan
same day as DVD

THE GREAT GATSBY – Premieres 8/27
PG-13, Drama, Leonardo DiCaprio, Tobey Maguire
same day as DVD, weeks before Netflix & Redbox, available in 3D

PEEPLES – Premieres 8/27
PG-13, Comedy, Craig Robinson, Kerry Washington
weeks before DVD, Netflix & Redbox

 

 

- Kate Asche Wilson


Kate
Kate Asche Wilson is a contributing writer to On Demand Weekly. She is a graduate from the Dodge College of Film and Media Arts at Chapman University where she received a BA in Screenwriting. In her spare time Kate likes to take long walks on the beach, and watch telenovelas. Follow her on Twitter @KATEDOESLIFE

 

 

Click Here To Find The Below Movies On Demand Via ODW's Watch It Channel...

 

 

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VOD Spotlight: Mark & Jay Duplass (THE DO-DECA PENTATHLON)



 

JACKIE ROBINSON HITS ANOTHER HOMERUN AS 42 IS THE #1 MOVIE ON DEMANDAugust 01, 2013

JACKIE ROBINSON HITS ANOTHER HOMERUN AS 42 IS THE #1 MOVIE ON DEMAND

Get the latest information about Movies On Demand from On Demand Weekly. Every week we provide the Week’s Top 10 Movies On Demand (MOD).



 

1. 42 - NEW
2. EVIL DEAD - NEW
3. ADMISSION
4. BULLET TO THE HEAD - NEW
5. TYLER PERRY'S TEMPTATION: CONFESSIONS OF A MARRIAGE COUNSELOR
6. IDENTITY THIEF
7. DEAD MAN DOWN
8. THE CALL
9. THE HOST
10. SPRING BREAKERS

 

Source: Rentrak Corporation - OnDemand Essentials (Week Ending July 21, 2013)

 

See Jaymee Sire's (E is for Eat) SNOW WHITE AND THE HUNTSMAN recipe. Enjoy!


 

 

 

Click Here To Find The Below Movies On Demand Via ODW's Watch It Channel...

 

 

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VOD Spotlight: Steve Mazan (DYING TO DO LETTERMAN)

Jeremy Piven's Top 5 Reasons To Watch FULLY LOADED

BrightHouse On Demand
Cablevision / iO On Demand
Charter On Demand
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I DECLARE WAR - Now On DemandJuly 28, 2013

I DECLARE WAR - Now On Demand

Drafthouse Films

On Demand Weekly provides new movie reviews of hot movies on demand and from the POV of watching from the comfort of your home. Today’s review: I DECLARE WAR (Drafthouse Films).


See the latest Independent Movie On Demand (IMOD) Trailers here...

 

I DECLARE WAR
By Joe Charnitski

 
Too many news stories today are centered around the tragic, unsettling intersection of children and violence. From the horrors of Newtown, CT to the seemingly unprotected streets of Chicago and in towns and cities nationwide, when “guns” and “kids” are mentioned together, odds are tears are about to be shed.

For many of us, “playing war” as a child was as common as tag and about as controversial as dodgeball. I suppose this is mainly for boys, but I suspect not exclusively. I think this tradition stretches far back, generations deep. One can image two rascals running around a field in 18th century Virginia playing Redcoats vs. Patriots.

Take this juxtaposition of tradition and tragedy and put it in a movie and you’ve got I DECLARE WAR from directors Jason Lapeyre and Robert Wilson. The film takes place entirely in the woods, walking distance from an unnamed average American suburban town. Two teams of tweens, probably aged about 12 or 13, are engaged in a classic edition of capture the flag. They have very simple, but exact rules on how the game is played: what qualifies as victory, defeat, and a “kill.” Certain playground roles are clearly defined: the charismatic leader, the shy outcast, the angry bully.
 
 


What a viewer will quickly notice is that the weapons these kids are using look and sound an awful lot like real guns and grenades and the like. We know they’re not because when someone gets shot they have until the count of ten to get back on their feet and in the game. Unless they are pegged with a balloon filled with red dye. In that case, they are out of the game and need to go home. Still, even though the results of these weapons aren’t loss of limb or life, watching these kids wield and use these weapons can still be very shocking.

 

The cast is quite good across the board, which makes the realistic use of guns even tougher to stomach. I particularly liked Gage Munroe as General P.K. and Alex Cardillo as Frost. Munroe was very believable as the kid in the lunchroom everybody wanted to gather around, and Cardillo exhibited such an unbridled, joyful enthusiasm that you could convince me that they cast him fresh from the “battleground” that day. The response he gives to finding the perfect stick to use as a mock rocket launcher is perfect. Ask any grown man who was once a little boy who got really excited about finding the perfect stick.

Thematically, a great deal of the film is about loyalty and friendship. What was more important at that age than knowing who your best friends were and that they thought of you as one of them? What was more difficult than the sadness that comes when you think you are on the outside, kept away from the security and comfort of a clique? The film also touches on what’s waiting on the horizon for these young men: girls, crushes, the first blush of all that will consume them in the years to come.

The debate over toy guns and “playing war” has intensified as video games have become more graphic, but continue to keep us at a safe distance from the tragedy and turmoil that kind of violence can bring. The film doesn’t seem overtly interested in being a part of this conversation. It’s use of realistic artillery is certainly no accident, but I don’t think the film is a polemic on modern violence.

Once the war was over and the film ended I didn’t feel enlightened by a powerful message or feel the satisfaction of having been told a wonderful story. The journey was fine, but I’m sure much of the film will stick with me, except of course, the images of those kids and their guns.

 

 

TRY IY

 

 

Joe Charnitski

 

Joe Charnitski
Joe Charnitski is a new contributing writer to On Demand Weekly. His career in film and television production, development and marketing has included stops at Miramax Films, Syfy and VH1. He currently works at a entertainment focused social media marketing agency in New York City. Twitter:@JoeCharnitski

 

 

Read Joe's Other Reviews...

Adrian Grenier's HOW TO MAKE MONEY SELLING DRUGS -  TRY IT 

THE AMBASSADOR DEMAND IT

AFGHAN LUKE  - TRY IT 

AMERICAN ANIMAL - TRY IT 

ON THE BOWERY DEMAND IT

STEVE JOBS: ONE LAST THING DEMAND IT

MENACE II SOCIETY’s 20th Anniversary - Now On Demand: Interview With Allen HughesJuly 28, 2013

MENACE II SOCIETY’s 20th Anniversary - Now On Demand: Interview With Allen Hughes

MENACE II SOCIETY (Warner Bros)

To commemorate MENACE II SOCIETY's 20th Anniversary , T. Tara Turk spoke with the Hughes Brothers. Part II with Allen Hughes is below. Click here for Part I with Albert Hughes. MENACE II SOCIETY is now available on demand.

 

T. Tara Turk (TTT): Can you tell me what was the impetus to do a feature when MENACE II SOCIETY came about?
Allen Hughes:
Since we were 12 years old we wanted to make a feature. With music videos we got lucky because that was just an avenue at the time. The moment we put our hands on a camera we wanted to make movies. We got lucky enough to do music videos for one year. A lot of our contemporaries got stuck doing them for two or three years and when you do that, you pick up a lot of bad habits. You have a bad time with continuity, etc.

TTT: After MENACE, did you both come up with your mission statement for your signature work? Did you have a directors’ manifesto? Was your signature planned?
Allen:
Well I think there are three things there. There’s the style and nature of the film and then there’s the voice of the actual narrative. We were just getting abused by the police for the most part and the then there’s the culture - the way we were looked in the 80s - we were getting called nigger on the street. We called them nigger drivebys. You just get to a point with the whole system the way it was when we were younger, where we wanted to express why and how the black youth are so angry. Like how they got this way and, at the time, why it’s so violent. That’s the one story we wanted to express since we were 15. And then you have the nature of the film being fan of Martin Scorsese as everyone was, a fan of Brian DePalma, Francis Ford Coppola. We came up on gangster films and noir films and the nature of those things.

TTT: What are your thoughts how relevant MENACE is in terms of current news headlines and you’re now celebrating 20 years for the film? It’s sort of bittersweet at this point.
Allen:
Yeah, especially in light of what’s going on in Chicago (re: high rate of youth violence) and because that’s not a major media market as far as the way LA and New York are. At the time MENACE came out, it was all about being gangster, it was all about being a dope dealer and glorifying art as imitating life and life as imitating art. At the time there were white kids that wanted to be gangbangers. There wall the videos where gangster rap was big and crack dealing. I know some rich kids that were selling crack. So at the time, everyone wanted to be like LA and do that negative shit. Art started imitating life and then blacks started imitating art. So it’s timely but what hurts is that Chicago isn’t getting the attention because it’s not LA or New York so it’s not glorified the way it was. It was easier to get a movie made about LA crack dealing and gangbanging than it is now to make a movie about Chicago violence. Which is sad.

TTT: Do you have any plans to do anything in Chicago to commemorate the film’s anniversary and raise awareness about this situation there?

Allen: There are no plans right now. People are always asking if we would do another film like it but about Chicago and I say if the script is good but teenagers watch Menace now and they take the message away from it so it would be a little redundant. Plus you might not get as lucky!

TTT: How has film changed since you started as a director?

Allen: It’s more difficult - everyone bitches it about. It’s more difficult to make a normal movie that’s not a bunch of big giant explosions. Making normal movies has been cut about by 90 percent. And that’s extreme extreme. So guys like me and my brother, we want to make those type of movies. I tried to make one. I did make one in BROKEN CITY. It was tough to get it made. It was tough to get it released in the right time and it suffered because the system is not set up like it was, you know?

TTT: If there was one story you could make - no holds barred - right now, what would that be?
Allen:
Nothing in particular. In the future I would really like to make the really edgy and realistic version of “Roots” about the middle passage and black assimilating here. It was like the number one rated tv show of all time then. It was good for the time but it wasn’t as graphic and as visceral as what it could be. I think that’s the thing I would like to do that would be the Menace of now. To show people how Africans were snatched up. Show how extreme those conditions were coming across the ocean and then show how allegedly they were assimilated into this culture. That would be my dream project.

TTT: If you thought Broken City was hard...
Allen:
Oh yeah! (laughs) But I think I found a way to do it as a series. I think that kind of story needs to be told on an HBO or Showtime or something like that.

TTT: Well especially with the popularity of things like “House of Cards” on Netflix. Those kind of platforms seems to be a little more willing to take risks in story telling.
Allen:
Yeah, that’s where I’m headed. There’s gonna be a movie every couple of years. I just did a pilot for Fox called “Gang Related” and I have some stuff brewing at HBO. I think that’s where you get to creatively express yourself and then every now and then you make a movie if you get lucky enough. I think the foundation of the future for filmmakers is like you said, the Netflix with David Fincher. But great filmmakers have been making projects in that medium before so there’s David Simon with The Wire or David Chase with The Sopranos or David Milch with “Deadwood”- they’re all Davids - there’s a forum for.

TTT: All the way back Hitchcock if you think about it.
Allen:
Yeah! That’s right! That’s a great point. In fact, he thrived. He did that when he saw the walls were closing in on him.

TTT: Given all those platforms, how do you think VOD changes the landscape for you filmmakers?
Allen:
I think like ten or twenty years ago, you used to kind of look down on television whether it was VOD type stuff. It was like “We’re better than that.” And now each everyone is seeing it as there’s a prestige in it if you’re doing it the right way. There’s certain movies that have been doing that way and I don’t think we’ve gotten to a point where we’re appreciating that first time release. They still look upon it as “Oh it didn’t make it to theater so it’s kind of a bastard child.” But I think that’s gonna change. Something like the MENACE II SOCIETY Director’s Cut for the 20th anniversary is exciting and right now that works. It’s already a total that’s known and it has it’s added value.

TTT: Do you think you guys will do the same thing for DEAD PRESIDENTS as well? That anniversary is in a few years.
Allen:
That’s funny. That’s 2015. The fans of DEAD PRESIDENTS are usually different from the fans of MENACE II SOCIETY. I think MENACE hit the culture a lot harder. I think MENACE is more meaningful in that it was our arrival at the time. We were so young and a little nutty. It was the perfect one to celebrate.

TTT: If you could put into words what a Hughes Brothers production is, what would that be? There’s a definite similarity in MENACE, THE BOOK OF ELI, FROM HELL, etc.
Allen:
It’s more of a way of expressing ourselves through a visceral nature. All have one thing in common outside of the disenfranchised individual living on the edge of culture or society, misunderstood or alone/rogue individual - but random acts of violence. Random acts of violence that come and go as quick as they really do. We rarely have made an action sequence. We try to make it as real and as visceral as possible without getting too surreal.

TTT: How do you think that affects things like the Colorado shootings in the movie theaters? Do you think art affects those who have a predisposition to those kinds of acts of violence or is it the other way around?
Allen:
I think what’s happening in our culture more than anything is that a lot of random acts of violence were inspired by the bible. But the difference now even moving social media aside, news programs are so hungry for anything outlandishly crazy that I think what really happens is that these crazy people see they can be famous more than anything. That’s what’s changed the most. It happens every year. There are these random crazy shootings. Someone should do that graph. The red line being the violence and the blue line being the media and I guarantee they will be in sync.

TTT: I bet you could direct that movie.
Allen:
(Laughs) Like SOCIAL NETWORK gone bad.

TTT: You can put it on VOD!
Allen
: I might have to take your idea. 

 

#

 

- T. Tara Turk

Tara
T. Tara Turk is a novelist/playwright/screenwriter, living in LA with her boyfriend and dog - all three successful TV addicts. You can find her at www.ttaraturk.com or follow her on Twitter @ttaraturk.
 
 

T. Tara Turk & Kate Asche Wilson debate "True Blood"

She Said

 
 
Previous Work From T. Tara You May Like...

DOIN' IT IN THE PARK - From The Blacktop To The Silver Screen - DEMAND IT
A BAND CALLED DEATH Takes The On Demand Stage - DEMAND IT
VENUS & SERENA: The Documentary - DEMAND IT
Eugene Jarecki’s Documentary THE HOUSE I LIVE IN - DEMAND IT
YELLING TO THE SKY - DEMAND IT
FREE THROW DEMAND IT

5 Top Reasons To Watch ZIPPER: CONEY ISLAND’S LAST WILD RIDEJuly 28, 2013

5 Top Reasons To Watch ZIPPER: CONEY ISLAND’S LAST WILD RIDE

ZIPPER

A story about greed, politics and the land grab of the century, the film ZIPPER chronicles the battle over an American cultural icon. On a small rented lot in the heart of Coney Island’s gritty amusement district, Eddie Miranda proudly operates a 38-year-old carnival contraption called the Zipper. When an opportunistic real estate mogul sets his sights on the property, Eddie and his ride - along with many of Coney Island’s eclectic small businesses - are forced to leave.

Behind the scenes, a high-stakes power struggle brews between the developer and the City of New York. Both see the redevelopment of Coney Island’s waterfront real estate as a lucrative opportunity. They lock horns when the City denounces the developer’s glitzy vision of condos and shopping, and ironically, hatches its own grand scheme to transform the area with the promise of housing and retail. The resulting standoff is a scary ride that leaves the future of the world-famous amusement park up in the air.

Can a reinvented Coney Island remain the “People’s Playground?” Will the zeal to capitalize on Coney Island as a brand ultimately sanitize its unfettered spirit? Be it an affront to history or simply the path of progress, ZIPPER examines the high cost of economic development. In an increasingly corporate landscape where authenticity is often sacrificed in the interest of economic growth, the Zipper may be just the beginning of what is lost. ZIPPER is currently available on iTunes.

 

5 Top Reasons To Watch ZIPPER: CONEY ISLAND’S LAST WILD RIDE by director Amy Nicholson:


1. Because it’s probably one of the last documentaries to be shot on film.

2. Because if you love carnival culture, history, classic rides, politics, mermaids, Brooklyn, side shows, and gritty seaside amusement parks, you will like it.

3. Because if you are not so fond of politicians, real estate moguls, chain stores, greed, gentrification, privatization, and the little guy getting pushed out in the name of progress, you will like it.

 



4. Because it’s likely the most entertaining film about land use ever made.

5. Because there’s a great shot of a guy throwing up about half way through.

 

 

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Sienna Miller Is JUST LIKE A WOMANJuly 27, 2013

Sienna Miller Is JUST LIKE A WOMAN

JUST LIKE A WOMAN

On Demand Weekly provides new movie reviews of hot movies on demand and from the POV of watching from the comfort of your home. Today’s review: JUST LIKE A WOMAN. 


See the latest Independent Movie On Demand (IMOD) Trailers here...

 

JUST LIKE A WOMAN

By T. Tara Turk

 
With the vast array of channels we have nowadays (my UVerse channels go up to the 900s - I remember when there was only HBO or On TV - the one where you flicked the switch to cable), it’s impossible to believe we haven’t covered every demographic but after seeing the indie film JUST LIKE A WOMAN starring Sienna Miller, I think I discovered a new one. Lifetime Indies.

See, the film itself, which is the story of a young woman working a minimum wage job in Chicago with a passion for belly dancing and a completely unlikeable out of work husband who goes on the road with a Middle Eastern woman running from a tragic episode at home, is by all accounts, an indie film. Sienna is the biggest name, it’s relatively low budget, it’s meant to be gritty and it all culminates into an open ending. But then it’s very Lifetime too. Two women sharing a bond on the road, belly dancing in dive bars to make ends meet, camping out along the way, running into your stereotypical caucasian racists, lots of fighting off of rude aggressive men, tears, etc.
 
 


No real new ground is broken in JUST LIKE A WOMAN except we know that people still are racist and women still have hard life in certain parts of this country - no matter where they are from. While it’s fun to watch Sienna Miller use as much of acting chops as she can (it’s too bad some of her personal life actually overshadows her talent sometimes as she was awesome in FACTORY GIRL as the iconic Edie Sedwick) along with the Louise to her Thelma, Golshifteh Farahani, do the same, at times the film doesn’t go far enough into these women and their difficulties. With no surprises, the film is safe in its storytelling, almost predictable in some areas and leaving certain storylines a little too open.

 

JUST LIKE A WOMAN isn’t really just like any woman at all with it’s predictability but its great to see these two women in the beginning stages of developing a bond even if it doesn’t really pay off in the end. It would be perfect on my faux channel Lifetime Indies - a channel for women who like a mild edge. 

 

 

TRY IY

 

- T. Tara Turk

Tara
T. Tara Turk is a novelist/playwright/screenwriter, living in LA with her boyfriend and dog - all three successful TV addicts. You can find her at www.ttaraturk.com or follow her on Twitter @ttaraturk.
 
 

T. Tara Turk & Kate Asche Wilson debate "True Blood"

She Said

 
 
Previous Work From T. Tara You May Like...

A BAND CALLED DEATH Takes The On Demand Stage - DEMAND IT
VENUS & SERENA: The Documentary - DEMAND IT
Eugene Jarecki’s Documentary THE HOUSE I LIVE IN - DEMAND IT
YELLING TO THE SKY - DEMAND IT
FREE THROW DEMAND IT

The MOON MAN Visits On DemandJuly 24, 2013

The MOON MAN Visits On Demand

MOON MAN (Tribeca Film)

On Demand Weekly provides new movie reviews of hot movies on demand and from the POV of watching from the comfort of your home. Today’s review: MOON MAN (Tribeca Film).

 

See the latest Independent Movie On Demand (IMOD) Trailers here...


 

MOON MAN

By Melissa Chesman

 

Adapted from the celebrated 1966 children’s book Moon Man by French writer/illustrator Tomi Ungerer, the animated feature film version stays devotedly centered on the original work. In fact, Mr. Ungerer collaborated with German writer/director/producer and his close friend, Stephan Schesch, to expand the short picture book into a feature length story. Schesh previously produced the animated feature adaptation of Ungerer’s The Three Robbers.

The story begins when the man in the moon (voiced by Katharina Thalbach) can’t bear his lonely boredom any longer and hitches a ride on the tail of a comet that crash-lands on earth. Exploring his colorful new surroundings, Moon Man delights in every earthly experience, unaware that his disappearance from the moon has disturbed all earth’s children who can no longer sleep.

 



Meanwhile, the egomaniacal President of the entire world (Michael McElhatton) mistakes the comet for an alien invasion. He commands his army to defeat the aliens and enlists the long forgotten inventor-of-everything, (who travels by yo-yo) Dr. Bunsen van der Dunkel (Pat Laffan), to build him his own fireball so he can conquer the one remaining thing left to conquer – the moon (Alexander the Great, this President is surely not!). Dr. Bunsen van der Dunkel unwittingly has already befriended assumed #1 enemy of the world, Moon Man, and upon that realization, and Moon Man’s discovery of the children’s plight, it becomes a race for the inventor to get his new, and now more enlightened, friend safely back home, before the President gets there first.

Ungerer wrote his book during the year of Buzz Aldrin’s Gemini XII spacewalk mission and the first successful soft moon landing. Certainly those who grew up with the picture book through the excitement of the space race will appreciate this feature adaptation. However, expanding the story while keeping faithful to the original work has not created a dated feel.

In spite of the slower paced, 2D presentation, amidst the sea of A-list actor voiced, action-packed, catch-phrase coining, merchandising-opportunity driven, animated family movies, MOON MAN’s timeless themes, beautifully absorbing artistry (MOON MAN is completely hand drawn) and delightfully compelling absurdity will capture an audience beyond the nostalgia factor.

Even with a softer, less active plot, it’s hard to imagine anyone getting bored. There is a wondrous strange array of detailed and enchanting surrealism that permeates every aspect of the story, posing questions about love, friendship and humanity, without delving into tear-jerking moral convictions-- a departure when compared to today’s usual animated feature options. (ie: the girl, her father and their dog who seem to be on an endless car ride in their vintage 60’s, fin-tailed convertible between their stops at drive-in movie theaters, periodic appearances from a flashlight toting owl who rides the antlers of his BFF moose, a clan of young, costume-clad children who seem to be allowed to hang around in the street alone all day and night, and the distinctively shapely nude silhouette that somehow forms from the pile of fiery red hair on top of the femme fatale’s head...)

Still, the film may prove a little too light and lengthy for some and there are a few elements that intend to tickle only the viewing adults but won’t go unnoticed by kids, namely the grotesque throng that makes up the elite adults in this world, the femme fatale’s own desire to conquer the President—thankfully hidden behind a screen, and the President’s fateful demise.

MOON MAN is a refreshing, thought-provoking, feel-good animated feature with a jazzy soundtrack that families can enjoy together (even if the 10 year old in the family repeatedly asks, in front of younger children, if the President and the “evil woman” are having sex behind the screen).

 

DEMAND IT

 

Melissa Chesman

 

Melissa Chesman
Melissa Chesman is a new contributing writer to On Demand Weekly. Currently she is a freelance writer/producer and VP of Development for New York City based production company, Raw Digital. Formerly, Melissa has been a production, development and marketing executive for many NYC based companies such as: Fine Line Features, New Line Cinema, Redeemable Features and Chimera Films.


BROEKN is available now. Look for it on your local provider.

 

Other Reviews & Interviews You May Like...

BROKEN -  DEMAND IT

THE ENGLISH TEACHER -  DEMAND IT

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JACK AND DIANE - SKI[P IT

MARGARET DEMAND IT


Writer: Girls. Neil Labute: SOME GIRL(S)July 23, 2013

Writer: Girls. Neil Labute: SOME GIRL(S)

SOME GIRL(S)

On the eve of his wedding, a successful writer (Adam Brody), travels around the country to meet up with ex-lovers (Jennifer Morrison, Mía Maestro, Emily Watson, Zoe Kazan and Kristen Bell) in an attempt to make amends for his wrongdoings.


Adam Brody, Kristen Bell (SOME GIRL(S))



 Based on his play by the same name, Neil LaBute’s script follows a successful writer

(Adam Brody) who, on the eve of his wedding, travels across the country to meet up with ex- lovers in an attempt to make amends for past relationship transgressions. Crisscrossing from Seattle to Boston, he reunites with high school sweetheart SAM (Jennifer Morrison), sexually free-spirited TYLER (Mía Maestro), married college professor LINDSAY (Emily Watson), his best friend’s little sister REGGIE (Zoe Kazan), and “the one that got away” BOBBI (Kristen Bell). Daisy von Scherler Mayer (PARTY GIRL) directs this journey of a modern-day Candide stumbling through a landscape familiar to most men - messy breakups.

Neil Labute received his Master of Fine Arts degree in Dramatic Writing from New York University His films include IN THE COMPANY OF MEN , NURSE BETTY, POSSESSION, THE SHAPE OF THINGS, THE WICKER MAN, LAKEVIEW TERRACE, and DEATH AT A FUNERAL.


Nick: Are you familiar with On Demand Weekly?
Neil:
I need you in my life, because I use a lot of on demand.


Nick: You also the executive produced Mark Pellington’s I Melt With You - he's on our advisory board .
Neil
: Oh yes, he's great. I don't know if you saw it. It was quite ferocious.


Nick: It’s incredible.
Neil
: Not a weekend I would like to have been a part of.


Nick: For Some Girl(s), did you think about turning it into a film during its original run?
Neil:
No, not at all. It started in London and then was in New York, and I actually directed it in Los Angeles. It's had a pretty decent life recently, and internationally. I've never really thought about it. The one thing I probably thought about, or even facetiously, was, “Hey, I could turn this into a television show.”


Each episode, there could be him going to one person, but at some point, it defies the odds, how many girlfriends he has to go back to. It's like My Name Is Earl, except that it's only girlfriends that he's hooked up with.


There's only so many that he can go to, probably. But that was it. I never really thought of it as a movie, and it was really some other producers who came and said what about giving them material and doing it as a film?


Nick: Did you approach the screenplay process any differently?
Neil:
Not really. What I knew is that the original play didn't have the fifth character, that Zoe Kazan played. I put that in the published version, and people have since either done all five pieces or used that one and substituted it with something else, or just done the original four.


There wasn't anything that made me go, “Oh, this is a totally different medium.” I mean, you could have done it without the little pieces that take us from place to place, but I like those.


I like the little bits of journey, and we spend a lot of time in each of those rooms, so it's fun to get a breath of air. But as a viewer or as a filmmaker, I'm always happy to be in one room or one house with people, and try and keep interesting, see how long the audience will go with you.


Nick: What's the reaction you get from guys when they see this film?
Neil:
The guys who are most like the guys that I've written want to pretend that it's not real, pretend that it's not true, and the guys who are less like it raise their eyebrows and go, “You nailed that one.”


Women generally shake their heads slowly, either up and down or side to side in agreement, going, “Wow, there they are. I've seen these guys at work. “But yes, I have had guys that I privately think, “Oh, you actually are like that guy,” who hold their hands up and say, “I don't like this, or this isn't really realistic,” or that type of thing.


Some guys feel like I'm telling family secrets. Some guys don't like it, some guys do. It's a real mix. I think the work is provoking enough to try and be – it's entertainment.


Nick: Why did this film become the first to premier on Vimeo?

 

 

 

Neil: Part of that is probably just luck in terms of timing, and I hope it's good luck. It's the kind of film where I think a lot of people can say “I think I can see that somewhere other than the movie theater.” It'll work fine on my laptop, it'll work good on my television set.


I think it's never been a better time for viewers to be able to get their hands on a lot of material in a lot of different ways, and people are open to all types of formats, to watching footage that's literally been shot on iPhones, and made into a film.


I think that speaks well to the creative impulse, to go out there and make something and not have to be confined to the terror of how do I raise enough money to go do this? I think geography still plays a great part in this. I think of myself growing up, and gosh, here's movie after movie after movie that I couldn't get to geographically.


People like to be in the know. If you see something in that current moment when it's out there in the zeitgeist, no matter what kind of splash it makes, I think there are audiences who are going to be willing to pay the price to see it at the same time that it's playing in New York or LA.


It's not going to chip away at an audience that was never going to exist for it. It was never going to get a wide release, and so therefore, you're not taking away from a revenue stream that really doesn't exist. I think this is a great way to get films out there for people to see them.


Nick: There's been this massive trend with dramatic talent coming to TV and new platforms. Can you tell us a little bit about your series, Full Circle?
Neil:
The Full Circle project was just something that Direct TV was interested in doing something very contained, and had a more experimental spirit.


I had an idea for something that was very cyclical, and rather than having a cast of characters like most television shows do, that week in and week out are the same, this had a rotating cast that you followed through the course of conversations in a restaurant. It was fun for me.


Nick: Are you able to tell us a little bit about your next film Seconds of Pleasure?
Neil:
Well, Seconds of Pleasure is a script that's based on four, six of the short stories from a book of short stories that I did a few years ago. I concentrated on ones that were some variation on a love story, and we're hoping to put that on film within the next year.


Nick: I really enjoyed the film SOME GIRL(S). I thought the cast was just phenomenal.
Neil:
Yes, I was very happy with them, really good people, really individual, each woman, and Adam brought the right amount of boyish trust. It allows you to view this kid, his persona, as a person, as an actor, to bring good will to a part that can really run treacherous. I think it's great to have him in there, and allows the audience to embrace him, even while they're keeping him, hopefully, at arms' length.


Nick: What was the last film you saw On Demand?
Neil:
It was called In A FLAT – a perfect example of where I wouldn't have been able to get to a place where it was playing in a theater. It's a documentary about a guy in Tel Aviv, whose grandparents passed away.


When he's removing a lot of their belongings from their flat, he finds evidence that they were if not Nazi sympathizers, they had connections to Nazis, and had dealt with them after the war. It created a really interesting genealogical and mystery detective story about what his grandparent's real history in life had been. It was quite fascinating.

 

#


SOME GIRL(S) is available exclusively @ Vimeo.

 

Nick DeNinno

 

Nick


Nick DeNinno  Nick DeNinno is a producer based in Carlsbad, CA with practical experience in all phases of new media, content development, video production, television, and film. DeNinno is also an adviser and a programming resource to many universities who operate student-run television stations. DeNinno has launched several emerging and web television channels including National Lampoon's College Channel, Burly TV on TBS and Toga!. He is a member of the Producers Guild. @nickdeninno 
@nickodw.

 

 

Click Here To Watch The Best Independent Movies On Demand

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TINA FEY’S ADMISSION GETS AN A+ AS THE #1 MOVIE ON DEMANDJuly 22, 2013

TINA FEY’S ADMISSION GETS AN A+ AS THE #1 MOVIE ON DEMAND

Get the latest information about Movies On Demand from On Demand Weekly. Every week we provide the Week’s Top 10 Movies On Demand (MOD).



 

1. ADMISSION- NEW
2. DEAD MAN DOWN- NEW
3. TYLER PERRY'S TEMPTATION: CONFESSIONS OF A MARRIAGE COUNSELOR- NEW
4. THE HOST- NEW
5. THE CALL
6. IDENTITY THIEF
7. SPRING BREAKERS- NEW
8. THE INCREDIBLE BURT WONDERSTONE
9. DESPICABLE ME
10. JACK THE GIANT SLAYER

 

Source: Rentrak Corporation - OnDemand Essentials (Week Ending July 14, 2013)

 

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Michael Cera’s CRYSTAL FAIRY - Now On DemandJuly 21, 2013

Michael Cera’s CRYSTAL FAIRY - Now On Demand

IFC Films

 

On Demand Weekly provides new movie reviews of hot movies on demand and from the POV of watching from the comfort of your home. Today’s review: CRYSTAL FAIRY (IFC Films).

 

See the latest Independent Movie On Demand (IMOD) Trailers here...

 

CRYSTAL FAIRY

 By Sky McCarthy

 

Full disclosure. I adore Michael Cera. I am very partial to his past performances as the adorably awkward teen in movies like JUNO and NICK AND NORA’S INFINITE PLAYLIST (not to mention the always loveable George Michael Bluth on ARRESTED DEVELOPMENT). He has been criticized in recent years for failing to break this mold – and few tries have resulted in any type of major success. With CRYSTAL FAIRY, Cera plays an entirely different role, a drug-obsessed, narcissistic ex-pat. And, surprisingly, he is every bit as endearing as the roles for which is he most commonly known.

Jamie (Cera) lives a semi-nomadic life in Chile. But unlike the usual party hopping ex-pat, Jamie takes everything about his life very seriously. He is meticulous about the quality of cocaine he snorts and frequently judgmental of other party goers that are “too out there.” One night he meets Crystal Fairy (Gaby Hoffman), a free-spirited hippie who believes in the healing powers of stones and pebbles. Despite finding her very strange, Jamie, in his elevated state, invites her on a road trip with three of his friends - Chilean brothers Champa, Lel and Pilo.

This trip, of course, has no ordinary purpose. The boys plan to locate a cactus known as San Pedro, that can be ingested for its mythical hallucinogenic properties. During the trip, Jamie continues to demonstrate his anal-retentiveness. But Cera’s display of agitation is more akin to a young, high-strung I-Banker struggling to close a deal than a coked-out American trying desperately to find himself. Crystal Fairy complements all of this agitated behavior with a natural serenity, but she never criticizes those around her. Hoffman plays Crystal with a unique charm, uncharacteristic of most know-it-all practitioners of new-age rituals. The brothers begin to find her amusing and even defend some of her practices- further annoying and infuriating Jamie. Once the plant is located, the small crew heads to the beach. It then becomes apparent that this film will not really have a plot. But that is entirely ok. 

 

Every member of the cast is completely natural in their roles. This is one of the most believable drug-induced road trip films out there (even the hallucinations are mild and will prove passable to a variety of audiences) and that is due largely in part to the actors. Hoffman, who has not acted in any major roles since childhood, takes on an entirely new persona. Though we have all met someone like Crystal Fairy, this time we actually want to listen to what this “totally out there” hippe chick has to say. It is difficult to watch this film without imagining some part of yourself in the situation. Cera’s character highlights the anxiety many of us feel when things aren’t quite going our way, while Crystal Fairy and the brothers remind us to just relax, especially in circumstances out of our control.

CRYSTAL FAIRY is not a laugh-out-loud bro comedy, nor is it a coming of age drama. Yet, it is not so twisted and deep as to leave viewers scratching their heads about what the hell really happened. The lack of a dynamic plot may be frustrating to some moviegoers, but the sincere acting will make anyone forget about that detail. In the least cheesy way possible, CRYSTAL FAIRY reminds us to just enjoy the journey, because it is very likely that our actual destination will change in the end.

 

DEMAND IT

 

 

- Sky McCarthy

 

Sky 
Sky McCarthy is a contributing writer to On Demand Weekly and a television enthusiast (ask me about anything!) currently working in entertainment in New York City. Follow Sky on Twitter @ILiveSkyHigh.

 

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ORANGE IS THE NEW BLACK - On DemandJuly 21, 2013

ORANGE IS THE NEW BLACK - On Demand

Orange Is The New Black (Netflix)

On Demand Weekly provides new reviews of hot movies and shows on demand from the POV of watching from the comfort of your home. Today’s review: “ORANGE IS THE NEW BLACK.”

Back in the early 1980’s when cable was still a fledgling business model, recording meant putting a large cassette into a vcr, and A&E actually stood for Arts and Entertainment, I discovered a show called PRISONER: CELL BLOCK H. It was an Australian soap opera that took place in a women’s prison, Wentworth Detention Center.

What an extraordinary microcosm of the world was in that tiny prison. Stories that anyone could relate to, and many we don’t like to think about such as how does someone who has spent time in prison adjust to the outside? It completely absorbed me, becoming my first television addiction. It was a low budget soap opera simple sets and bad lighting.

The actresses were surprisingly unglamorous for television. They were young, old, heavy, thin, plain and only a few who were TV pretty. I loved Bea, the heavy redheaded, tough queen bee of the prison who would not tolerate drugs or pushers, Frankie, the butch lesbian with the violent temper, who was hopelessly in love with Karen, the schoolteacher who had finally snapped and killed her abusive husband, Lizzie, the incorrigible old sneak always on the lookout for a bit of “grog,” and Meg, the compassionate “screw” or officer who never treated the women as less than human. I loved to hate Vera “Vinegar Tits” the hard-nosed screw who thought all criminals were animals. I followed their lives eagerly. On A&E, it ran for about 20 episodes, and then it just disappeared. I was bereft—I wanted to know what happened to these women!

It wasn’t until just recently that I discovered it once again on YouTube. Full episodes of all seven years of it! As I’ve been watching it again, even though it’s extremely dated, the characters and their stories still enthrall me. It was hugely popular in its native Australia and in the UK. I wondered why someone hadn’t re-made it, or at least used the formula of a women’s prison, especially after the critical success of OZ. In the 70’s producers still created shows about women. Of course, if it were made today, probably all the women would be stick-thin and gorgeous, and exquisitely coiffed. The story would focus on the white women and the people of color would be token and/or stereotyped, and the lesbian sex just soft-core porn meant to appeal to men.

Well, in Australia, they are making a modernized prequel called WENTWORTH, about how Bea got herself into prison, but it will be years before I can get a hold of it. Then I heard about ORANGE IS THE NEW BLACK. Created by Jenji Kohan (WEEDS), ORANGE IS THE NEW BLACK is full of all types of women, including an actual transgender actress playing a transgender character and best of all, no over-glamorized stars in flattering light!

Based on the memoir (of the same title) of Piper Kemper, an upper-middle class Smith girl who served 15 months in a women’s penitentiary, it is obviously influenced by PRISONER CELL BLOCK H as well, especially the character of Red, a heavy redheaded den mother/mob boss to the “girls” who is the queen bee of the prison. Portrayed by the extraordinary (and almost unrecognizable) Kate Mulgrew (STAR TREK: VOYAGER), Red is NOT someone you want to cross, but if she’s in your corner, there is no one better.

Taylor Shilling (MERCY) is delightful as Piper Chapman, the “nice blonde lady” who “shouldn’t be in jail,” but who did something stupid ten years ago, and now has to pay. Jason Biggs is sweet as her long suffering fiancé, and Laura Prepon (THAT 70’S SHOW) is sharp and sexy as Piper’s drug dealing ex-girlfriend. Supporting them is a terrific cast full of female actors rarely before given such a chance to show off their chops. All of them are wonderful, but standouts are Uzo Aduba as Crazy Eyes, and Lea Delaria as Big Boo.

From the opening credits consisting of multiple close up shots of women’s eyes and mouths, accompanied by a fantastic Regina Spektor song (be prepared to have it stuck in your head), the images of women in all their various glory impresses. This is a show by women about women. As unusual as that is in this day and age, don’t let that stop you, guys. It’s simply a terrific show: one of the best new shows on television.

This show is worth a binge-through first time, then a slow savor. I did it all in a weekend, and now I’m watching one episode a night, and loving every second of it! I’m thrilled that Netflix has already greenlit a second season.

 

 

 

DEMAND IT

 

 

- Jean Tait

 

Jean
Jean Tait is a contributing writer to On Demand Weekly. Currently the Director of Programming for the Connecticut Film Festival, Jean has programmed for the Jacksonville Film Festival and Sundance Channel.
 

 

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RAY DONOVANJuly 21, 2013

RAY DONOVAN

Ray Donovan (Showtime)

On Demand Weekly provides new reviews of hot movies and shows on demand from the POV of watching from the comfort of your home. Today’s review: “RAY DONOVAN.”

Fixers are the new doctor or detective on television. They are popping up all over. SCANDAL features Kerry Washington as a DC fixer for politicians. On PERSON OF INTEREST, Paige Turco plays a recurring character: a bigtime fixer for New York City politicians and celebrities. And why not? Who wouldn’t want someone (good-looking someone, of course) to make your problems go away. Let them get their hands dirty! Showtime enters the game with Liev Schreiber as Ray Donovan, fixer to the rich and powerful in Hollywood.

As many of the tributes to the late, lamented James Gandolfini have pointed out, without Tony Soprano, there would be no Walter White (BREAKING BAD) or Dexter, or any other popular television character who is ostensibly evil, but remains sympathetic to the audience. Ray is another. He will gladly beat someone into a pulp with a baseball bat, but is sweet and empathetic to a transsexual hooker who is blackmailing one of Ray’s clients. He can’t resist a young woman’s offer of oral sex, but he fiercely loves his wife and children.

Bringing a complicated character to a series should be expected from creator and executive producer, Ann Biderman (SOUTHLAND), who also wrote the pilot episode. The pilot was directed by Allen Coulter (THE SOPRANOS, SONS OF ANARCHY), who also serves as producer on both the pilot and the second episode of the series. The Gandolfini effect is in full force.

As with Tony Soprano, taking care of the family Ray loves is not turning out to be as easy as bashing in someone’s head. When Ray’s father, Mickey (a remarkable Jon Voight) is let out of prison early, Ray worries that his past is going to wreak havoc on his wife and kids, and sure enough, Mickey heads straight for Ray’s home and turns on the charm, pitting Ray not only against his wife, but against his brothers, too.

Meeting Ray’s brothers introduces the family history. In the time-honored (ok, hoary) tradition of bad guys gone good, The Donovans own a boxing club. And being of Irish background, one brother is psychologically messed up because he was molested by a priest, and the other brother has a palsy. This is one messed up bunch. Stereotypes? Sure, we got ‘em. Accents? Thick as taffy on the Jersey Shore.

We are totally in On the Waterfront territory here, only the waterfront is the glamorous California coastline where the houses are all exquisite, the men are well dressed, and the women are scantily clad. Getting a 200 million dollar movie open without a hitch is worth cracking some heads for. If a wealthy man wants to find out if his girlfriend (not his wife, his girlfriend) is cheating on him? That’s worth broken bones, too. Wealth and fame equals entitlement, and justice has nothing to do with law and order.

Does the world need another bad guy with a heart of gold? If they keep the plots and minor characters as interesting as the first couple of episodes, RAY DONOVAN may just be the one more we do need.

 

DEMAND IT

 

 

- Jean Tait

 

Jean
Jean Tait is a contributing writer to On Demand Weekly. Currently the Director of Programming for the Connecticut Film Festival, Jean has programmed for the Jacksonville Film Festival and Sundance Channel.
 

 

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HALLE BERRY REDIALS AS THE CALL IS THE #1 MOVIE ON DEMAND AGAINJuly 18, 2013

Get the latest information about Movies On Demand from On Demand Weekly. Every week we provide the Week’s Top 10 Movies On Demand (MOD).



1. THE CALL
2. IDENTITY THIEF
3. THE INCREDIBLE BURT WONDERSTONE
4. DESPICABLE ME
5. JACK THE GIANT SLAYER
6. A GOOD DAY TO DIE HARD
7. 21 & OVER
8. OZ THE GREAT AND POWERFUL
9. HANSEL AND GRETEL: WITCH HUNTERS
10. DJANGO UNCHAINED - NEW

Source: Rentrak Corporation - OnDemand Essentials (Week Ending July 7, 2013)

 

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5 Things To Know About THE HOT FLASHES By Virginia MadsenJuly 13, 2013

5 Things To Know About THE HOT FLASHES By Virginia Madsen

Vertical Entertainment

Hot Flashes is an unlikely group of middle-aged women who challenge the high school girls' state basketball champs to raise money for a mobile breast cancer screening truck to continue its work. Sparks fly as the women go to comic extremes to prove themselves on and off the court, gaining a new lease on life. Now on demand.

 

5 Things To Know About THE HOT FLASHES By Virginia Madsen

 

The importance of friendship


Contrary to popular belief, woman share great friendships and a deep sense of camaraderie. In our story, we show how important our long time friendships can be and how much we need each other. And within friendships, old wounds can be healed. The relationship between Roxy and Clementine (Camryn and I) is an example of this healing through our shared interests. In the original script, we just battled each other and that was funny and all but only an example of a behavior, not a relationship. So, we decided to give our characters what's called an 'arch'. Which is movie-speak for a story.

 

We wanted us to really become a team. For that to work, the two of us would have to work things out...and what better way to do this than on the court! So we devised a game -by-game plan on how we would eventually get closer and closer, working together for our eventual win. Cam was wonderful at coming up with our various high-fives and me with the idea of sharing a secret swig from a flask in the locker room. Naughty and nice but hey, we are grown-ups after all, we are allowed to misbehave!



The Five Hot Flashes

When we first met, it was lightning in a bottle. We had an instant chemistry. We all have so much in common. For one thing, we have been around for a long time, and have survived many years in this industry. We've all been called many things and some of those things haven't been too flattering. However, none of us care. You grow a pretty tough skin if you stay in the game as long as we have. This script reflects that as well.

 

You can imagine the stories we shared after-hours. Much of that I won't share with you but I will say we had a lot of laughs. Filming in New Orleans is an adventure in itself and we were invited on more than one occasion to misbehave. As I've already stated, we can do that at our age and with style I might add. But during the work day, we also shared a great deal of support for one another. I felt strong in the company of these women.

 

 



Empowerment

I think this word is getting over-used of late. Never-the-less it speaks it's truth to us. No matter what age you face, you must empower yourself to strive for fulfillment and success. During the film we hear several negative voices telling us what we can and cannot do. One that stands out comes from Eric Roberts character saying to Brooke-' You're not exactly leading ladies anymore." Ouch. But then again, no!

 

That kind of statement can only make me work harder because quite frankly, I feel better about myself than I ever did when I was 23. With age comes strength, knowledge and the ability to empower myself.



On 'aging gracefully" and the 'M" word.

During several of my interviews for THE HOT FLASHES, people have asked me, gently and sometimes apologetically, about 'aging gracefully". I say NO to that! I feel like that sounds too quiet for me. It sounds like I should dress in lace and sit in the corner watching the sunset while enjoying an herbal tea. Ok well, that's not bad but really? I like to think about it as aging with strength and maybe a little bit of grace. I think our film suggests that. It's a very important time in our lives and not a time when things stop. We simply don't age like Gramma did...or even Mom. Our lives are longer so we might as well start living the way we always wanted to live. And nothing about the aging discussion needs to be taboo.

 

Not even the dreaded ' M' word. Menopause. There, I've said it. Menopause. It's coming so we might as well take notes and face it with as much knowledge as we can gather. The fact is, if you lead a healthy long life, much of it will be spent post menopause. Then we are blessed. I don't dread it. I choose to embrace it all. So there.


The Big 'C'

THE HOT FLASHES is a comedy of course but our underlying story is that our characters are raising money to try and save a mobile mammogram unit. These mobile testing sights are often the only chance many women will have for early detection and their annual mammograms. Our movie is a way to remind you to get yourself screened, while making you laugh at the same time.

 

I don't know why women have a hard time making themselves get a mammogram. It really isn't bad at all and doesn't hurt except for the fact that your getting your boob smashed for a few seconds. It's quick, easy and you'll be fine. You'll even brag to your friends. Boob smashing is essential for us. DO IT. Don't be shy. Take the 'Hot Flashes' in your life and go as a group. I go with my Mom every year. 

 

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Top 5 Reasons to Watch COFFEE TOWN by CollegeHumorJuly 13, 2013

Top 5 Reasons to Watch COFFEE TOWN by CollegeHumor

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Will is a 30-something website manager who uses local café, Coffee Town, as his office. When the owners of the shop discuss plans to convert Coffee Town into a bar, Will enlists the help of his two best friends, Chad and Gino, to save his freeloading existence. In order to thwart the plans of Coffee Town's owners, the trio stage a robbery to create the illusion that the neighborhood is not safe for the proposed venue. Standing in their way is Sam, a disgruntled barista with delusions of grandeur-he wants to be a rock star-and Will's heartache over unrequited love for Becca. See it on iTunes

 

Top 5 Reasons to Watch COFFEE TOWN by CollegeHumor


1. Because after making so many fake movie trailers, we figured it was finally time to try our hands at making an actual CollegeHumor movie.

2. Because it’s the first workplace comedy that doesn't happen in an office.

3. Because multiplatinum recording artist Josh Groban sports a killer goatee.

4. Because you’ll learn the meaning of a “poop chipper.”

5. Because we’ve got stars from It's Always Sunny in Philadelphia, Friday Night Lights, Parks and Recreation, and Eastbound & Down all in one hilarious R-Rated comedy.

 

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Top 5 Reasons To Watch DOWNLOADED By Alex Winter

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Top 5 Reasons To Watch DOWNLOADED By Alex Winter

 

1. If you want to know the genesis of the digital revolution that created the world we all live in today

2. If you used Napster back in the day and always wondered what really happened to this disruptive company

3. Tech giants Sean Parker, Shawn Fanning finally get a chance to tell their story in their own words

4. The heads of the record business and many music artists look back on the huge changes that have rocked their industry

5. Decide for yourself where you stand on the issue of downloading and internet rights

 

 

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THE CALL STARRING HALLE BERRY IS THE #1 MOVIE ON DEMANDJuly 11, 2013

THE CALL STARRING HALLE BERRY IS THE #1 MOVIE ON DEMAND

Get the latest information about Movies On Demand from On Demand Weekly. Every week we provide the Week’s Top 10 Movies On Demand (MOD).



1. THE CALL - NEW
2. IDENTITY THIEF
3. THE INCREDIBLE BURT WONDERSTONE - NEW
4. JACK THE GIANT SLAYER
5. 21 & OVER
6. HANSEL AND GRETEL: WITCH HUNTERS
7. SNITCH
8. A GOOD DAY TO DIE HARD
9. OZ THE GREAT AND POWERFUL
10. DESPICABLE ME

Source: Rentrak Corporation - OnDemand Essentials (Week Ending June 30, 2013)

 

See Jaymee Sire's (E is for Eat) SNOW WHITE AND THE HUNTSMAN recipe. Enjoy!


 

 

 

Click Here To Find The Below Movies On Demand Via ODW's Watch It Channel...

 

 

You May Also Like...

New Movies On Demand Preview:  June 2013

New Movies On Demand Preview:  May 2013

ODW's Guide To Binge TV Viewing:  Game of Thrones, Seasons 1 & 2

William Friedkin (KILLER JOE) The January VOD Interview

VOD Spotlight: Steve Mazan (DYING TO DO LETTERMAN)

Jeremy Piven's Top 5 Reasons To Watch FULLY LOADED

BrightHouse On Demand
Cablevision / iO On Demand
Charter On Demand
Comcast Xfinity TV On Demand
Cox On Demand
Insight On Demand
Time Warner On Demand

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New Movies On Demand Preview: July 2013July 01, 2013

New Movies On Demand Preview: July 2013

On Demand Weekly's Kate Wilson (@KateDoesLifegoes through all the new movies each month for her New Movies On Demand Preview.

 

July Movies On Demand

 

Kate
By Kate Asche Wilson

 

Team! It’s July! The wonders of July not only include patriotism and a month long hangover, but questionable new Movies on Demand. But never fear I have siphoned through the madness to find three films just for you.

Kate’s Top Three Movies On Demand:

 

 



ADMISSION- Premiers July 9
I’ll pretty much see anything that stars Tina Fey and with the addition of Paul Rudd these all-star likeable leads are not to be missed. ADMISSION follows Fey as an uptight Princeton University admissions officer who makes a recruiting visit to an alternative high school that is overseen but the kooky Rudd. There’s comedy, romance, and a dramatic twist that will have you screaming, Who’s your daddy? or more appropriately Who’s your mommy!
PG-13, Comedy, Tina Fey, Paul Rudd, Same day as DVD, Weeks before Netflix & Redbox

42- Premiers July 16
I’m supremely pumped about this film because it centers on the life story of Jackie Robinson who made history by being the first African American to play in Major league baseball. Chadwick Boseman stars as the iconic Robinson alongside Harrison Ford who takes on the role of a team executive that guides Robinson to sign with the Brooklyn Dodgers for their 1947 season. It’s an uplifting story of hope and perseverance in the face of adversity. So grab those illegal fireworks, and get ready for the 4th! There’s nothing better than baseball in July.
PG-13, Drama, Chadwick Boseman, Harrison Ford, Same day as DVD, Weeks before Netflix & Redbox


G.I. JOE RETALIATION- Premiers July 30
I know what you’re thinking. How can you possibly recommend this film to us? Are you on crack? And the answer is yes. I am recommending this film to you, and no I am not on crack. GI Joe Retaliation is a sequel and is based on a toy! It centers on the GI Joe’s fighting their mortal enemy Cobra in addition to dealing with threats from the government and the basic demise of their very existence. It’s a basic action blockbuster Bruce Willis is in it, and it also features Channing Tatum! And I believe I’ve made my thoughts on the gorgeous Channing Tatum very clear.
PG-13, Action, Channing Tatum, Dwayne Johnson, Same day as DVD, Available in 3D


Remember go to OnDemandWeekly.com for all new Movies On Demand this month!

 

Also This Month...

DEAD MAN DOWN - Premieres 7/9
R, Thriller, Colin Farrell, Noomi Rapace
same day as DVD

THE HOST - Premieres 7/9
PG-13, SciFi, Saoirse Ronan, Diane Kruger
same day as DVD, weeks before Netflix

SPRING BREAKERS - Premieres 7/9
R, Drama, James Franco, Selena Gomez
same day as DVD

TYLER PERRY'S TEMPTATION: CONFESSIONS OF A MARRIAGE COUNSELOR - Premieres 7/9
PG-13, Drama, Jurnee Smollett-Bell, Lance Gross
same day as DVD

BULLET TO THE HEAD - Premieres 7/16
R, Action, Sylvester Stallone, Jason Momoa
same day as DVD, weeks before Netflix & Redbox

EVIL DEAD - Premieres 7/16
R, Horror, Jane Levy, Shiloh Fernandez
same day as DVD

ONLY GOD FORGIVES - Premieres 7/19
R, Drama, Ryan Gosling, Kristin Scott Thomas
same day as theatrical release

 

 

- Kate Asche Wilson


Kate
Kate Asche Wilson is a contributing writer to On Demand Weekly. She is a graduate from the Dodge College of Film and Media Arts at Chapman University where she received a BA in Screenwriting. In her spare time Kate likes to take long walks on the beach, and watch telenovelas. Follow her on Twitter @KATEDOESLIFE

 

 

Click Here To Find The Below Movies On Demand Via ODW's Watch It Channel...

 

 

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VOD Spotlight On Tim Roth (BROKEN)

VOD Spotlight on STAND UP GUYS Director Fisher Stevens

VOD Spotlight on THE LEAGUE'S Katie Aselton (BLACK ROCK)

VOD Spotlight: Alex Karpovsky (“Girls”)

VOD Spotlight: Mark & Jay Duplass (THE DO-DECA PENTATHLON)



IDENTITY THIEF THREEPEATS AS THE #1 MOVIE ON DEMANDJune 28, 2013

IDENTITY THIEF THREEPEATS AS THE #1 MOVIE ON DEMAND

Get the latest information about Movies On Demand from On Demand Weekly. Every week we provide the Week’s Top 10 Movies On Demand (MOD).




1. IDENTITY THIEF
2. JACK THE GIANT SLAYER - NEW
3. HANSEL AND GRETEL: WITCH HUNTERS
4. 21 AND OVER - NEW
5. SNITCH
6. A GOOD DAY TO DIE HARD
7. OZ THE GREAT AND POWERFUL
8. WARM BODIES
9. MOVIE 43
10. JACK REACHER

Source: Rentrak Corporation - OnDemand Essentials (Week Ending June 23, 2013)

 

See Jaymee Sire's (E is for Eat) SNOW WHITE AND THE HUNTSMAN recipe. Enjoy!


 

 

 

Click Here To Find The Below Movies On Demand Via ODW's Watch It Channel...

 

 

You May Also Like...

New Movies On Demand Preview:  June 2013

New Movies On Demand Preview:  May 2013

ODW's Guide To Binge TV Viewing:  Game of Thrones, Seasons 1 & 2

William Friedkin (KILLER JOE) The January VOD Interview

VOD Spotlight: Steve Mazan (DYING TO DO LETTERMAN)

Jeremy Piven's Top 5 Reasons To Watch FULLY LOADED

IDENTITY THIEF STRIKES AGAIN AS THE #1 MOVIE ON DEMANDJune 25, 2013

IDENTITY THIEF STRIKES AGAIN AS THE #1 MOVIE ON DEMAND

Get the latest information about Movies On Demand from On Demand Weekly. Every week we provide the Week’s Top 10 Movies On Demand (MOD).




1. IDENTITY THIEF
2. HANSEL AND GRETEL: WITCH HUNTERS - NEW
3. SNITCH - NEW
4. OZ THE GREAT AND POWERFUL - NEW
5. A GOOD DAY TO DIE HARD
6. WARM BODIES
7. MOVIE 43 - NEW
8. ESCAPE FROM PLANET EARTH
9. DARK SKIES
10. JACK REACHER

Source: Rentrak Corporation - OnDemand Essentials (Week Ending June 16, 2013)

 

See Jaymee Sire's (E is for Eat) SNOW WHITE AND THE HUNTSMAN recipe. Enjoy!


 

 

 

Click Here To Find The Below Movies On Demand Via ODW's Watch It Channel...

 

 

You May Also Like...

New Movies On Demand Preview:  June 2013

New Movies On Demand Preview:  May 2013

ODW's Guide To Binge TV Viewing:  Game of Thrones, Seasons 1 & 2

William Friedkin (KILLER JOE) The January VOD Interview

VOD Spotlight: Steve Mazan (DYING TO DO LETTERMAN)

Jeremy Piven's Top 5 Reasons To Watch FULLY LOADED

Adrian Grenier’s HOW TO MAKE MONEY SELLING DRUGS - On DemandJune 23, 2013

Adrian Grenier’s HOW TO MAKE MONEY SELLING DRUGS - On Demand

Tribeca Film

On Demand Weekly provides new movie reviews of hot movies on demand and from the POV of watching from the comfort of your home. Today’s review: HOW TO MAKE MONEY SELLING DRUGS (Tribeca Film).


See the latest Independent Movie On Demand (IMOD) Trailers here...

 

HOW TO MAKE MONEY SELLING DRUGS
By Joe Charnitski

 

One of the issues in American politics that has the potential to bring together a diverse set of supporters is the war on drugs. Some liberals argue it has increased our prison population at the expense of the lowest levels of the socio-economic spectrum. Libertarian conservatives claim it restricts an individual's freedom to make their own decisions. As marijuana legalization measures pass in more states, it seems a greater cross-section of the U.S. population is joining the side of the subject that asks, “Is it worth fighting the war on drugs?”

The new documentary HOW TO MAKE MONEY SELLING DRUGS places itself right in the middle of this debate. As the title suggests, the structure of the film is a step-by-step explanation of how a regular Joe like you or me can start selling pills or pot to close group of trusted customers, and systematically expand to a multi-million dollar franchise business. Some of the talking heads featured in this doc are former entrepreneurs of the drug trade who illustrate the ease at which an ambitious dealer can amass a serious stash of cash.

Pieces of the sound design and visual transitions between sections of the film are inspired by video games of the 80’s and 90’s. It makes climbing the ladder of success sound and look like Mario advancing another level in his quest to save the Princess. It’s a clever tactic in a documentary that consistently refers to the drug business as “the game,” a term any fan of THE WIRE will be familiar with. It also reminded me of the ludicrous nature of many modern first-person shooting games, as they minimize something so serious and violent.

Not that HTMMSD minimizes the consequences of this elicit business. The insiders share the consequences with us as well: prison terms, near death experiences and the turmoil of addiction. The final third of the film focuses on the growth of the war on drugs in the 70’s and 80’s and the billions of dollars at stake in the forms of government seizures of property, private contracts for the prison construction industry and union negotiations for prison guards. Columbian traffickers aren’t the only ones benefitting from America’s drug obsession.

 

Pepe / HOW TO MAKE MONEY SELLING DRUGS  (Tribeca Film)

And it is an obsession. What’s the most profitable farmed product in the country? Weed. The U.S.A. is the #1 consumer of cocaine in the world, and 90% of our currency is tainted with the stuff. With demand that high, and so much money to be made from the supply, the free market economics are easy to read.

That reminds me of something else I thought about while watching this doc. Isn’t the American Dream essentially a financial dream? If yes, what’s so wrong about choosing this as your path toward fulfilling that dream? Would a documentary called HOW TO MAKE MONEY SELLING STOCKS AND BONDS not reveal an underbelly of corruption and government complicity just as distasteful? Odds are this documentary will get you thinking about a lot of concepts like this. Another one of my favorites is: what would happen if we took all the money we spend on the drug war and spent it on treatment and poverty?

 

The film does spend some time on addiction towards the end as well, and this is, of course, an area that can’t be ignored. This is a business that thrives on the weakness of sick people. For them, this is not a game, or if it is, the deck is clearly stacked against them. Marshall Mathers, aka Eminem, walks us through his addiction to prescription pills, how rapidly he sank in the quicksand and how close he came to never getting out.

I mentioned THE WIRE earlier, and the film interviews the creator, David Simon, and includes clips from the series. It’s an appropriate connection as the film, like Simon’s show, attempts to break down this issue into its many parts. Some of the talking heads besides former dealers are celebrities like Susan Sarandon who think drug laws are far too harsh, professional police who have tried to fight for the right in this war, and even a white lawyer, who sometimes does the best job of explaining the opportunities in this line of work.

Whatever side of the legalization issue you stand on, or even if you haven’t given it much thought, I think you’ll find HTMMSD a high quality, if one-sided, presentation of where the war has gotten us so far, and make you wonder if it's worth going any further.

 

TRY IY

 

 

Joe Charnitski

 

Joe Charnitski
Joe Charnitski is a new contributing writer to On Demand Weekly. His career in film and television production, development and marketing has included stops at Miramax Films, Syfy and VH1. He currently works at a entertainment focused social media marketing agency in New York City. Twitter:@JoeCharnitski

 

Read Joe's Other Reviews...

THE AMBASSADOR DEMAND IT

AFGHAN LUKE  - TRY IT 

AMERICAN ANIMAL - TRY IT 

ON THE BOWERY DEMAND IT

STEVE JOBS: ONE LAST THING DEMAND IT

Gillian Anderson’s THE FALL Comes To AmericaJune 23, 2013

Gillian Anderson’s THE FALL Comes To America

THE FALL (Netflix)

The Video Glutton - On Demand Weekly's Guide To Binge TV Viewing. Jean Tait will analyze whether a TV series is Binge TV Viewing worthy.

 


THE FALL

By Jean Tait

 

Are you still whining about not finding out who killed Rosie Larsen at the end of the first season of THE KILLING? We are well trained to expect closure from our murder mysteries. Shows bounce quickly from murder to incredibly clever (lucky) detectives figuring it all out, making the arrest, and locking the cell door. If you like your detective stories with nice, neat endings, THE FALL is not for you. If, however, you are happy just watching Gillian Anderson thinking, then pull up an easy chair, grab some popcorn, and get ready to binge.

 

THE FALL

This is an easy binge, as it is a mere 5 one-hour episodes. Pick a rainy, weekend afternoon, and you’re all set.

Belfast, Ireland, is not all the Irish Tourism Board and cast of GAME OF THRONES would have you believe. It is not all green, lush vistas. It’s a city. It has nice neighborhoods, but it’s got its rundown, crime-filled urban areas as well. And although in real life, Belfast has not been plagued with a serial killer, on THE FALL, it is home to Paul Specter, handsome, quiet, and happily married with two adorable children, who gets his jollies by stalking, then raping and killing, attractive professionally successful women.

Portrayed by Jamie Dornan (The Huntsman/Sheriff on ONCE UPON A TIME), Specter is all low-key sensitivity in his grief-counseling practice. His concern for his patients, his wife and his children all point to a genuinely loving and compassionate man. This makes it all the more disturbing when he creeps into women’s home and fondles their underwear, then leaves things amiss, so the victim will know someone was there. This is part of the hunt for Spector: the thrill of watching his victims try to rationalize feeling safe, while the hunter stalks his prey, and the audience wants to scream, “Get out of there!!!”

Enter unflappable Detective Superintendent Stella Gibson, oozing a cool, intelligent sexuality. She is unlike any other detective on film or television. She is Jane Tennison on steroids and tranquilizers. There is nothing hurried or harried about her, whether in approaching a potential sex partner or a serial killer. Not a single nerve is betrayed. Cool as a cucumber, but not cold, she can actually be warm and caring to her female co-workers, but she will not betray a smidgen of vulnerability to her male colleagues. She refuses to back down or to be ashamed when caught having sex (shocking!) with a married detective. How often does one see that on tv (or film or books or or or….)?

 

THE FALL not only doesn’t fall into the usual patterns of a detective series, it subverts the usual tropes we are so used to. We KNOW that since we get to know and care for a character, the cops will figure it out and get there in time to save her. Producers don’t waste time (and money to hire) a likable actor just to kill her off, right? Well, maybe on Game of Thrones, but that’s fantasy! Feeling betrayed by THE FALL doesn’t just wait till the end of the 5th episode. It sneaks up often. Just like real life.

And speaking of GAME OF THRONES, since this is shot in Belfast, we get a few familiar faces, including Ian McElhinney and Michael McElhatton. It’s great to see them clean and in modern clothes. It’s especially nice to see Michael McElhatton playing a character that shows some cracks in his persona, as well.

The only distractingly unrealistic aspect of THE FALL is Gillian Anderson’s wardrobe. There is not a cop in the world who can afford such exquisitely tailored suits, but no one except me seems to mind, and actually, sales of silk blouses have gone up in the UK since it aired on BBC2!

 

 

BINGE IT

 

- Jean Tait

 

Jean
Jean Tait is a contributing writer to On Demand Weekly. Currently the Director of Programming for the Connecticut Film Festival, Jean has programmed for the Jacksonville Film Festival and Sundance Channel.
 

 

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