TO PAINT OR MAKE LOVE (PEINDRE OU FAIRE L’AMOUR)October 05, 2011
On Demand Weekly provides new movie reviews of hot movies on demand from the POV of watching from the comfort of your home. Today’s review: ALBATROSS (IFC Films).
TO PAINT OR MAKE LOVE (PEINDRE OU FAIRE L’AMOUR)
By Cynthia Kane
If TO PAINT OR MAKE LOVE were an American film, it would be seen as really out-there, promiscuous, possibly in some sectors, deliciously scandalous. But as a work of French cinema, this film, which premiered at the 2005 Cannes Film Festival and can be seen for the first time on U.S. television, thanks to EuroCinema, feels more like a romantic comedy, a pastoral romantic comedy, albeit with a few interesting twists. Ah, maybe it’s a cultural thing.
Needless to say – and I don’t want to spoil the film for anyone – I don’t think the average middle-aged French couple can be compared to William (Daniel Auteuil) and Madeleine (Sabine Azema.) But the shock value or sensationalism isn’t there, the same as if this were an American film… especially a big release studio film. Think of how break-out and new so many found THE KIDS ARE ALRIGHT and you’ll understand what I mean here.
PEINDRE OU FAIRE L’AMOUR as it’s known in its original French title is in all reality, a lightweight French farce about a couple going into early retirement wondering what’s in store for them for the rest of their lives. When Madeleine, a painter discovers a broken-down, old stone villa in the middle of the Rhône-Alps region of France, she jumps at the chance to buy it and soon she and William find themselves in the middle of pastoral bliss… and after al while, just a little bored.

Things changes quickly and dramatically when the village mayor, Adam, a blind man played by French-Catalan actor, Sergi Lopez and his lovely partner, Eva (Amira Casar) find their house burnt to the ground and must take shelter for a while with William and Madeleine. The foursome becomes interlinked in ways that change their lives forever. No longer are William and Madeleine staid members of the petit bourgeoisie, but now fun-loving, awakened souls. Of course this doesn’t happen without a bit of resistance at first – old habits die hard. But once the guilt and shock have passed, life will never be the same. Their new pursuits are not only unexpected but addictive.
















