New Movies On Demand Preview: January 2014January 24, 2014


New Movies On Demand Preview: January 2014

Kate Asche Wilson (On Demand Weekly)

On Demand Weekly's Kate Wilson (@KateDoesLifegoes through all the new movies each month for her New Movies On Demand Preview.

 

January Movies On Demand


OnDemandWeekly.com Movie on Demand Preview for January 2014 from Nick DeNinno on Vimeo.

 
 
 
Kate
 
Happy New Year friends! It is officially 2014 so go ahead and wipe the trauma of 2013 out of your minds. It’s a new year. You can do anything. You can be anyone. I myself am planning on being Morgan Freeman. There’s a word of possibilities at your fingertips so go ahead buy that boat. Invest in those unpredictable stocks. You might make millions or you might lose all of your money and have to live in a cardboard box. Either way you’re on the road to a new you! And once you’re done finding yourself check out my top three January movies on demand.

THE SPECTACULAR NOW - Premieres January 14 INDIE PICK
Heartbreak, alcoholism, getting into college: All the ingredients necessary to make the perfect coming of age film. THE SPECTACULAR NOW is a brilliant dramedy that follows It’s hedonistic lead, Sutter, through the revelry of youth as he deals with an absentee father, corrupting the nice girl, and priding himself on living in the now. He is equal parts charming and full of shit, and the greatest thing about him is that you know him. It’s that person in your life that suffers from the fear of missing out. The one that can’t get their head out of their ass long enough to see what’s in front of them. Sutter’s story is an incredible journey of growth and THE SPECTACULAR NOW captures that perfectly.
R, Drama/Romance, Shailene Woodley, Miles Teller, Brie Larson, Jennifer Jason Leigh, Kyle Chandler
 

BLUE JASMINE - Premiers January 21
Woody Allen what have you done? You wrote a new age Streetcar Named Desire in San Francisco. You effortlessly chronicled the psychotic break of a former New York socialite like it was nothing. Seriously? Are you trying to kill me with your unbelievable dialogue and your unhinged characters and your wildly appealing plots? Just stop with your amazing writing because I don’t think the world can handle it anymore. And take Cate Blanchet and her perfect performance with you because if she doesn’t win the Academy Award for her portrayal of Jasmine I’m going to lose my mind. Seriously it will be Leo circa 2005 all over again.
PG-13, Drama, Cate Blanchett, Sally Hawkins, Alec Baldwin, Bobby Cannavale, Andrew Dice Clay, Michael Stuhlbarg, Louis C.K., Peter Sarsgaard

CAPTAIN PHILLIPS - Premiers January 21
What screams family fun more than a hostage drama starring Tom Hanks? Nothing! You are correct. Especially since this critically acclaimed film is an action packed look at the true story of the 2009 hijacking of an American Cargo ship by Somali pirates; The first hijacking in two hundred years. This thriller stars an excellent Tom Hanks as Captain Richard Phillips as he takes on the leader of the Somali pirates in an epic power play that will have you reaching for your inhaler. Hanks is already leading the awards season by being nominated for a Golden Globe for his performance and the film itself is nominated for best picture. Do not miss out on this one.
PG-13, Action/Drama, Tom Hanks, Barkhad Abdi, Catherine Keener

Well that’s January team. Best of luck trying to keep those New Years resolutions and remember go to OnDemandWeekly.com for all new Movies On Demand this month. 
 

Also This Month...


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LAST HIJACK Filmmaker InterviewOctober 14, 2014


LAST HIJACK Filmmaker Interview

LAST HIJACK

The below interview is a repurposed interview by permission with the filmmaking team of Tommy Pallotta and Femke Wolting to the revealing new documentary LAST HIJACK. Available On Demand, including Amazon Instant Video, Comcast, Google Play, iTunes, Time Warner Cable, Sony PlayStation, Vimeo On Demand, Vudu and XBOX Video. - ODW 


ABOUT THE DIRECTORS Tommy Pallotta & Femke Wolting
Tommy Pallotta  first connected Richard Linklater with animation when he produced the award-winning feature film WAKING LIFE. He followed up with Philip K. Dick's A SCANNER DARKLY, starring Keanu Reeves and Robert Downey Jr. He then directed the Emmy nominated "Collapsus". Femke Wolting co-founded Submarine, a multiple award-winning production company. She produced numerous projects such as Peter Greenaway's feature Rembrandt's J'Accuse and the groundbreaking documentaries like MY SECOND LIFE.

 

 

 

What sparked you interest in the issue of piracy in Somalia, and how did you decide to develop a feature film on this subject?
We were watching news reports and the image of these tiny boats versus the huge oil tankers fascinated us. We wondered what drove these men to take such enormous risks. As we researched further and found out about all the underlying aspects of piracy, the waste dumping in the waters around Somalia and the broader impact of piracy on Somalian society we got even more interested. Most media stories and news stories reported on Western ships being hijacked and the experiences of the passengers. That made us curious to know more about the pirates themselves.

When we started to look into it, we quickly became fascinated by how the pirates were perceived within their own communities. Until recently they were seen as heroes, as the little guys who fought the big Western ships. And many people also profited from their actions, whether directly or indirectly. But then things began to change. A whole generation of young men disappeared, were thrown in jail or simply vanished at sea. That had an enormous impact on the people who were left behind, the families and the women. People in Somalia turned their backs on the pirates. This tension interested us, and made us to decide to make a film from the perspective of the pirates and their families.

Was it clear from the start that this film would be something else than a 'classic' documentary?
We clicked with the subject because we immediately thought it would be ideal to combine animation and documentary footage. We didn't want to make an observational documentary. Because the hijacks were something you could never be part of. Once we thought of the combination opened up so many possibilities.

Through the animation we could view the world through the eyes of the pirates. We could visualize their subjective reality, their dreams, from their memories of the civil war to the hijacks they had undertaken.

 

Animated Scene / LAST HIJACK (Filmbuff)



Documentary, fiction, animation and interactive media have all been combined frequently throughout both of your filmmaking careers. What inspires this openness to hybrid forms? Do you think these kinds of projects will take on a larger importance in the industry in future years?
We are interested in hybrid forms because they offer so many more possibilities in terms of storytelling. In terms of non-fiction, they challenge the idea of objective reality that a documentary should capture.

So LAST HIJACKis a hybrid incorporating live action and animation, but also feature film and documentary. Feature films and documentaries have been made for more then a century, and there are still all these conventions of genres and specific ways to tell a story. We are excited about these new hybrid forms because you can experiment and search for new forms of storytelling that don't yet have rules. More and more feature films combine live action, effects and animation to create new worlds, and now that is possible in documentaries too.

Tell us about your experience working on similarly "non-traditional projects" with directors such as Richard Linklater (WAKING LIFE, A SCANNER DARKLY) and Peter Greenaway (REMBRANDT'S J'ACCUSE).
Currently we are shooting a feature film by Peter Greenaway in Mexico, called Eisenstein in Guanajuato. It's a love story about the famous Russian filmmaker Eisenstein, and how he felt in love for the first time when he was making a film in Mexico. It's a feature film but Greenaway mixes archive footage from Eisenstein and his films in the fictional narrative. Also we just started working on a new film for a Hollywood studio, a feature film that is a hybrid as well, half live action and half animated.

Somali pirates have lately been represented in several documentary and fiction films (CAPTAIN PHILLIPS, A HIJACKING, STOLEN STEAS, FISHING WITHOUT NETS). What do you think has inspired this widespread interest? Do you have an opinion on the films made as a result, and how is your film different?

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