On Demand Weekly

On Demand Weekly provides new movie reviews of movies on demand from the POV of watching from the comfort of your home. Today’s review: GOOD NEIGHBORS (Magnolia).

GOOD NEIGHBORS On Demand
By Amy Slotnick

A serial killer in the city and a new neighbor in the building initiate the plot of thriller , GOOD NEIGHBORS. Set in Montreal in 1995, the film is lackluster and feels predictable; nevertheless it is semi entertaining.

Victor (Jay Baruchel) is new in town and moves into an old, French-style walk up apartment building, living directly above neighbors Louise (Emily Hampshire), a quirky waitress with too many cats, and Spencer (Scott Speedman), a wheel chair bound widower with a mischievous smile. The three apartments are connected by an exterior fire escape, adding an architectural spookiness as well as an alternate exit that is worked in nicely with the story’s plot.

Louise and Spencer are obsessed with the recent news stories about a serial killer who has murdered and raped several young women in the area, including a waitress from the restaurant where Louise works. Victor befriends them both and begins to walk Louise home at night, to prevent her from becoming another victim of the killer. For Victor though it is also a way to get closer to Louise with whom he has fallen almost suspiciously in love.

The Movies On Demand MOD February Preview of The Indies has arrived. Highlights of the new release schedule for January, 2012 include MARTHA MARCY MAY MARLENE, FIREFLIES IN THE GARDEN, THE WAY, TAKE SHELTER and more. People who missed these highly-regarded titles can catch them on demand in February.

Almost every indie new release listed comes to Movies On Demand either before or the same day as DVD.

Enjoy On Demanding this month!


Indie Titles:

THE GUARD – Premieres January 3
R, Comedy
Brendan Gleeson, Don Cheadle

Same day as DVD


ANONYMOUS – Premieres February 7
PG-13, Thriller
Rhys Ifans, Vanessa Redgrave

Same day as DVD


FIREFLIES IN THE GARDEN – Premieres February 7
R, Drama
Ryan Reynolds, Willem Dafoe

Same day as DVD


THE WAY – Premieres February 9
PG-13, Comedy
Martin Sheen, Emilio Estevez

Pre-DVD


TAKE SHELTER – Premieres February 14
R, Drama
Michael Shannon, Jessica Chastain

Same day as DVD


BRAKE – Premieres February 17
TV-MA, Action
Stephen Dorff, Chyler Leigh

Before theatrical release

On Demand Weekly provides new movie reviews of hot movies on demand and from the POV of watching from the comfort of your home. Today’s review: GOON (Magnolia).

GOON

By Gabriel Desjardins

When they asked me to review this film, I don’t think they quite knew how connected I am to it. Let’s go back six years – I’m at a friend’s wedding and someone tells me I have to talk to the groom’s cousin. His cousin tells me he wrote a movie with his friend when he was 14 years old and they’re looking to get it produced in Hollywood. What was it about? “These two guys are in high school and they like these girls and they go to a party.” I made a face. “No, it’s good, I swear.” Who was that kid? Evan Goldberg. And the movie? SUPERBAD So what the hell do I know?

Some people start watching Youtube and waste hours looking at movies of kittens swimming or awful Paul Lekakis music videos. I watch one thing and one thing only on youtube: hockey fights. So I can’t imagine anything better than an updated SLAP SHOT written by Goldberg and shot in my home town of Winnipeg, Manitoba with cameos by people I know. The homage to the 70s minor-league hockey classic starts early: profanity that doesn’t usually make it into modern films, French-Canadian stereotypes, gay jokes and players giving a hostile crowd the finger as they enter the arena. (In a nice touch, the crowd returns the favor with giant foam middle fingers.)

Seann William Scott in GOON, a Magnet Release. Photo courtesy of Magnet Releasing.

The story is influenced as much by THE WATERBOY

as it is by what is arguably Paul Newman’s magnum opus.

Much like Adam Sandler’s Bobby Boucher and his mother, hard-headed bouncer Doug Glatt, played by Seann William Scott, is protective of his younger gay brother. When his excitable best friend, played by co-writer Jay Baruchel, goads a goon into climbing into the crowd at a local hockey game and coming after him, Glatt objects to the player’s use of gay slurs and displays both his ability to take a punch and his ability to deliver one, knocking the player out in the stands.

This display of punching talent gets Glatt recruited by the local hockey team, where, in scenes reminiscent of the 1986 fighting classic YOUNGBLOOD, he learns, just barely, to skate. (Rob Lowe’s Dean Youngblood had to learn, just barely, to fight.) Glatt excels at fighting in the local league, which gets him called up to a high minor-league team in Halifax, coached by the brother of his hometown team’s coach. The Halifax team hasn’t won a game in a month, and features French-Canadian forward Xavier Laflamme, who can stickhandle in a phone booth but has been ducking body contact since famous goon Ross Rhea hit him in an NHL game three years earlier.

Liev Schreiber in GOON, a Magnet Release. Photo courtesy of Magnet Releasing.