When RUBBER Hits The VODMarch 02, 2011

When RUBBER Hits The VOD

Magnet Releasing / Magnolia Pictures

On Demand Weekly provides new movie reviews of hot movies on demand from the POV of watching from the comfort of your home. Today’s review: RUBBER (Magnet Releasing).


By Adam Schartoff
A small-town police lieutenant (Stephen Spinella) climbs out of the trunk of a car and addresses the camera about the arbitrariness of various popular film plots from the past. He looks straight into the camera and repeats the phrase “no reason”. This might be musician-turned-director Quentin Dupieux’s way of warning us not to rely too much our rationale for the next 85 minutes.
Quentin Dupieux
Quentin Dupieux (Magnet Releasing)
Meanwhile, a group of folks who looked like they just stepped out of a voir-dire session for jury duty set up camp on the edge of the desert. Their common aim is to observe the goings on of a rubber tire that has come to life in the form of a serial killer. They train their binoculars into the distance and perhaps wonder, much like those who are watching this French produced but English language comedy horror film, RUBBER, just what they are doing.
The titular rubber tire, whose name is Robert, rolls down a two-lane blacktop somewhere in the American Southwest desert in search of something, its raison-d’être perhaps?
Robert has taken on some human qualities and appears to be on a mission. He dispenses with anyone who gets in his way. Why his victims include a crow and an innocent bunny rabbit is anyone’s guess? 
RUBBER (Magnet Releasing)
RUBBER (Magnet Releasing)
His method is to come to a standstill, focus his “mental” powers on someone, shake furiously, and then zappo! The results are something out of the George Romero handbook. This is no surprise, as clearly Dupieux is gently mocking the horror genre and where else does one go but to the original master?
Read More

TUCKER AND DALE VS. EVIL Look For Safe Haven On DemandSeptember 28, 2011

TUCKER AND DALE VS. EVIL Look For Safe Haven On Demand

On Demand Weekly provides new movie reviews of hot movies on demand and from the POV of watching from the comfort of your home. Today’s review: TUCKER AND DALE VS. EVIL (Magnet Releasing)


Click Here For On Demand Weekly's Exclusive Interview With Director Eli Craig



By Chris Claro


Rare is the truly original idea. With virtually every movie pitched as a mashup of two (or more) established properties – “It’s AMERICAN BEAUTY meets THE BOURNE IDENTITY” – it isn’t often that a film shows a glimmer of originality.

Paradoxically, TUCKER AND DALE VS. EVIL,

a film that takes on the tropes of hillbilly slasher films

and turns them on their bloody ear,

is one of the freshest and funniest films to come along in a while.


Full of all the expected chainsaws, wood chippers, and obnoxious college students, the film mixes gore and comedy to tell a story about how appearances can deceive. Seemingly stereotypical hillbillies Dale (Tyler Labine, RISE OF THE PLANET OF THE APES) and Tucker (Alan Tudyk, FIREFLY) want nothing more than to fix up Tucker’s cabin in peace and quiet. But a series of misunderstandings and overreactions sets off a chain of bloody slayings that upend expectations and turn the victims into their own worst enemies.

Throughout, director Eli Craig – son of Sally Field – makes the most of what was clearly a shoestring budget to twist the clichés of the form in much the same way that John Landis did thirty years ago with AN AMERICAN WEREWOLF IN LONDON. By casting a knowing eye toward the hoary devices of the rural horror flick – nubile skinny-dippers, campfire ghost stories, graphic deaths – Craig, as Landis had before him, tweaks the genre while maintaining its traditions.

The screenplay, by Craig and Morgan Jurgenson, is predicated on the idea that people – and movies, for that matter – shouldn’t be judged solely on their looks. In subverting the expectations of the audience by inverting the conventions of the film, Craig and Jurgenson offer a kind of meta commentary on thirty years’ worth of slasher flicks.


Read More

Rose Leslie (GAME OF THRONES) & Director Leigh Janiak’s Top 6 Things You Need To Know Re: HONEYMOONSeptember 13, 2014

Rose Leslie (GAME OF THRONES) & Director Leigh Janiak’s Top 6 Things You Need To Know Re: HONEYMOON

Rose Leslie and Leslie Janiak / HONEYMOON (Magnet Releasing)

Young newlyweds Paul (Harry Treadaway) and Bea (Rose Leslie) travel to remote lake country for their honeymoon, where the promise of private romance awaits them. Shortly after arriving, Paul finds Bea wandering and disoriented in the middle of the night. As she becomes more distant and her behavior increasingly peculiar, Paul begins to suspect something more sinister than sleepwalking took place in the woods.

Treadaway (Showtime’s PENNY DREADFUL) and Leslie (HBO’s GAME OF THRONES) give captivating leading performances as a couple that takes new love to disturbing depths. With romance slowing giving way to terror, writer/director Leigh Janiak puts her unique stamp on this intimate, chilling thriller.



Rose Leslie (GAME OF THRONES) & Director LEIGH JANIAK's Top 5 Things You Need To Know HONEYMOON


Rose Leslie:

1) Jumping into the lake for the scene with Harry and I on the canoe, was the best part of that day! It was cold but refreshing and I loved it far more than I thought- even though I was slightly dubious of the creepy crawlies in the water, I was disappointed I only got to do it once!

2) Whilst working on HONEYMOON, it was the first time I had ever driven in the US and on my second day I smashed and snapped the wing mirror whilst parking, the producers told me from then on that I should stick to taxis.


3) “There was a time before the rains...” We shot in western North Carolina in the spring. About a week into production the sky just exploded with torrential downpour. The road into our cottage location turned to mud. The lake levels rose and completely submerged our dock. We had thunder driving our sound guys crazy. The lights would go out. It was terrible. Finally, with only one day left at our cottage location we got lucky and the heavens parted. We were on nights at the time and so we had to shoot all night long and then straight into the next day for another six hours of glorious sunlight and an epic 18 hour shoot day!

4) My SFX make-up artist is this amazing guy named Christopher Nelson. He works a lot on "American Horror Story". He’s about seven feet tall (OK, I think he’s really like 6’4) and he wears crazy black latex serial killer gloves when he works. He also played the Groom in KILL BILL. And he’s the best with blood and goo.



Rose Leslie / HONEYMOON (Magnet Releasing)

5)  I grew up going to a cottage in Canada every summer and since the script is set there, Canada was my first choice for a production location. Rose only had a brief gap of free time between seasons of "Game Of Thrones" though, so we had to shoot in North Carolina, where we were assured the lake temperatures would be a lot more reasonable for humans. It ended up being a still very cold 60-something degrees. Lucky for Rose and Harry they only had to jump in a few times each. Our key grip Jose, on the other hand, spent about four days straight in the water dealing with our boat rig. He had a wet suit, but…

6) The crew called me “General Leigh” and would often play the Dukes of Hazzard theme song on their cell phones when I arrived on set. This was affectionate. I think...



You May Also Like...

Read More

Page 1 of 1 pages