On Demand Weekly

On Demand Weekly provides new movie reviews of hot movies on demand from the POV of watching from the comfort of your home. Today’s review: RUBBER (Magnet Releasing).

A small-town police lieutenant (Stephen Spinella) climbs out of the trunk of a car and addresses the camera about the arbitrariness of various popular film plots from the past. He looks straight into the camera and repeats the phrase “no reason”. This might be musician-turned-director Quentin Dupieux’s way of warning us not to rely too much our rationale for the next 85 minutes.

 

Quentin Dupieux (Magnet Releasing)

 

Meanwhile, a group of folks who looked like they just stepped out of a voir-dire session for jury duty set up camp on the edge of the desert. Their common aim is to observe the goings on of a rubber tire that has come to life in the form of a serial killer. They train their binoculars into the distance and perhaps wonder, much like those who are watching this French produced but English language comedy horror film, RUBBER, just what they are doing.

 

The titular rubber tire, whose name is Robert, rolls down a two-lane blacktop somewhere in the American Southwest desert in search of something, its raison-d’être perhaps?

 

Robert has taken on some human qualities and appears to be on a mission. He dispenses with anyone who gets in his way. Why his victims include a crow and an innocent bunny rabbit is anyone’s guess? 

 

RUBBER (Magnet Releasing)

 

His method is to come to a standstill, focus his “mental” powers on someone, shake furiously, and then zappo! The results are something out of the George Romero handbook. This is no surprise, as clearly Dupieux is gently mocking the horror genre and where else does one go but to the original master?

On Demand Weekly provides new movie reviews of hot movies on demand and from the POV of watching from the comfort of your home. Today’s review: TUCKER AND DALE VS. EVIL (Magnet Releasing)

Click Here For On Demand Weekly's Exclusive Interview With Director Eli Craig

TUCKER AND DALE VS. EVIL On Demand
By Chris Claro

Rare is the truly original idea. With virtually every movie pitched as a mashup of two (or more) established properties – “It’s AMERICAN BEAUTY meets THE BOURNE IDENTITY” – it isn’t often that a film shows a glimmer of originality.

Paradoxically, TUCKER AND DALE VS. EVIL,

a film that takes on the tropes of hillbilly slasher films

and turns them on their bloody ear,

is one of the freshest and funniest films to come along in a while.

Full of all the expected chainsaws, wood chippers, and obnoxious college students, the film mixes gore and comedy to tell a story about how appearances can deceive. Seemingly stereotypical hillbillies Dale (Tyler Labine, RISE OF THE PLANET OF THE APES) and Tucker (Alan Tudyk, FIREFLY) want nothing more than to fix up Tucker’s cabin in peace and quiet. But a series of misunderstandings and overreactions sets off a chain of bloody slayings that upend expectations and turn the victims into their own worst enemies.

Throughout, director Eli Craig – son of Sally Field – makes the most of what was clearly a shoestring budget to twist the clichés of the form in much the same way that John Landis did thirty years ago with AN AMERICAN WEREWOLF IN LONDON. By casting a knowing eye toward the hoary devices of the rural horror flick – nubile skinny-dippers, campfire ghost stories, graphic deaths – Craig, as Landis had before him, tweaks the genre while maintaining its traditions.

The screenplay, by Craig and Morgan Jurgenson, is predicated on the idea that people – and movies, for that matter – shouldn’t be judged solely on their looks. In subverting the expectations of the audience by inverting the conventions of the film, Craig and Jurgenson offer a kind of meta commentary on thirty years’ worth of slasher flicks.